Antiques restoration

Antiques restoration is restoring an antique or work of art to a like-new condition, or preserving an antique or work of art against further deterioration as in conservation.

Restoration

Antiques restoration, National Museum, Warsaw
Antique Painting and Frame Restoration, before and after- photo by Oliver Brothers Fine Art Restoration.

Restoration can be as simple as light cleaning to remove disfiguring dirt or grime, such as on the surface of a painting, or it may include near complete rebuilding or replacement, as might be the case with old automobiles or furniture. Often done in preparation for sale, or by a collector upon acquiring a new piece, the main goal of restoration is to "restore" the original appearance or functionality of a piece.

There is a lot of difference between restoring and repairing. Functionality may be achieved by a repair, but restoring an item properly is an art-form. Finishes might/may be stripped and redone, but it is essential that the original patination is retained, if possible. Stripping is only done as a last resort, especially with antique furniture. Engines might be rebuilt with new parts as necessary, or holes in a silver pot might/may be patched. While some of these practices are frowned on by many museums, scholars, and other experts, for many people there is little value in an antique that is unusable or not able to be displayed. Poor restoration is the bane of a trained restorer. Working on someone else's bad repair is the worst possible situation. Often with antique restoration, there are also other issues as well. For example, some collectors value "patina", or also want an item to still reflect an aesthetic that shows its age- in this respect, an "over restored" item can actually take away from its value than if nothing has been done to the item at all. Therefore, restoration of valuable objects should always be left to professionals who are sensitive to all of the issues, ensuring that a piece retains or increases its value after restoration.

Original artwork can sustain all sorts of damage over its lifetime. Conservatorshave an obligation to the artwork to recommend the best techniques for preserving it for future generations.[1]

Restorers are often trained craftspersons, such as furniture makers, mechanics, or metalsmiths. Some have years of experience in their fields, whereas others are self-taught volunteers. Many of the antique aircraft around the United States are restored by trained aircraft engineers assisted by volunteers, some of whom are men who flew those same aircraft years ago.

Given that a single piece of furniture may include wood, glass, inlay, leather and fabric, antique restoration encompasses several skills. Caldararo estimates that 90 percent of USA restorers are self-taught, or cobble together their skills from idiosyncratic backgrounds.[2]

"French Polishing" was the industry standard in Europe during the 18th and 19th centuries, pushed aside by the efficient advantage of modern methods in the Industrial Revolution. Lacquers and spray systems replaced the original French polish finish, which is impractical for mass furniture production due to the labor-intensive process of application. As the desire for antiques was not idle, neither was the need for them to be appropriately restored; thus, the trade has been kept alive by a thread.

Restoration terminology

Salvage

On the other extreme, though most bad old pieces were thrown away long ago, there are pieces that, because of their original design or workmanship or because of damage, are not worth restoring but that are made of re-usable materials such as hard wood, amber, pewter or ivory. As the number of people increases and the number of trees and other natural products in the world decreases, wood and other materials becomes more scarce. So the fact that the material was not worth doing a good job with when an item was made does not mean that the material should be discarded along with the object now.

See also

References

  1. ↑ "Paintings and Frames" 2000-2010.
  2. ↑ Nancy Davis Kho. "Restoring antiques a nearly lost art." San Francisco Chronicle. January 28, 2009.
  3. ↑ Eric & Stanley Saperstein "The Philosophy of Restoration" December 2002 page 5
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