Anne Boyer

Anne Boyer (born 1973 in Topeka, Kansas) is an American poet, essayist and visual artist. She is the author of The Romance of Happy Workers (2008), The 2000s (2009) My Common Heart (2011) and Garments Against Women (2015).[1] In 2016, she was a featured blogger at the Poetry Foundation, where she wrote an ongoing series of posts about her diagnosis and treatment for a highly aggressive form of breast cancer, as well as the lives and near deaths of poets.[2] Her essays about illness have appeared in Guernica, The New Inquiry, Fullstop, and more. Boyer teaches at the Kansas City Art Institute with the poets Cyrus Console and Jordan Stempleman.[3] Her poetry has been translated into numerous languages including Icelandic, Spanish, Persian, and Swedish. With Guillermo Parra and Cassandra Gillig, she has translated the work of 20th century Venezuelan poets Victor Valera Mora, Miguel James, and Miyo Vestrini.

Life and career

Anne Boyer was born in Topeka, Kansas in 1973 and grew up in Salina, Kansas where she was educated in its public schools and libraries.[4]  [5]Boyer also attended Kansas State University and Wichita State University. She has been a professor at the Kansas City Art Institute since 2011. Her diagnosis and treatment has become the subject of her current work, examining the intersection of social class and medical care.[6] Boyer is the winner of the 2016 Community of Literary Magazines and Presses Firecracker Award in poetry.

Critical reception

Boyer's 2015 book Garments Against Women spent months at the top of the Small Press Distribution's best seller list in poetry.[7] The New York Times called it "a sad, beautiful, passionate book that registers the political economy of life and literature itself."[8]

Chris Stroffolino at The Rumpus described it as "widening the boundaries of poetry and memoir."[9]

Garments Against Women was described by Publisher's Weekly as a book that "faces the material and philosophical problems of writing--and by extension, living--in the contemporary world. Boyer attempts to abandon literature in the same moments that she forms it, turning to sources as diverse as Jean-Jacques Rousseau, the acts of sewing and garment production, and a book on happiness that she finds in a thrift store. Her book, then, becomes filled with other books, imagined and resisted."[10]

Bibliography

References

  1. ↑ "Anne Boyer : The Poetry Foundation". www.poetryfoundation.org. Retrieved 2016-02-26.
  2. ↑ Foundation, Poetry. "Tender Theory". Harriet: The Blog. Retrieved 2016-02-26.
  3. ↑ "About". Anne Boyer. Archived from the original on 2016-03-04. Retrieved 2016-02-26.
  4. ↑ "Elective Affinities: Anne Boyer". Retrieved 2016-02-26.
  5. ↑ "Anne Boyer". Coffee House Press. Retrieved 2017-03-29.
  6. ↑ "Current Project: On Care". Anne Boyer. Retrieved 2016-02-26.
  7. ↑ "Anne Boyer". Anne Boyer. Retrieved 2016-02-26.
  8. ↑ Mclane, Maureen N. (2015-12-24). "Anne Boyer's 'Garments Against Women'". The New York Times. ISSN 0362-4331. Retrieved 2016-02-26.
  9. ↑ Foundation, Poetry. "'Literature is against us': In Conversation with Anne Boyer". Harriet: The Blog. Retrieved 2016-02-26.
  10. ↑ "Garments Against Women". Publishers Weekly. Retrieved 2016-02-26.
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