American Character Doll Company

American Character Doll Company
Fate Bankruptcy
Successor Ideal Toy Company
Founded 1919
Founders Jacob Brock,[1] Max Brock,[2] Ed Schaefaer
Defunct 1968
Headquarters New York City, United States
Key people
Secretary: Eva Brock (Jacob’s wife), Bookkeeper: Herbert (Jacob's son), Engineer: Harvey (Max's son)
Products dolls

The American Character Doll Company was an American toy company specializing in dolls. Their most popular dolls included "Tiny Tears," "Tressy," "Butterball Doll", "Sweet Sue," and "Toodles." Founded in 1919, the company's fortunes peaked in the mid-20th century, as they sold millions of dolls exclusively to retailers and mail order houses such as Sears and Montgomery Ward. American Character Dolls went bankrupt in 1968, with their assets acquired by the Ideal Toy Company.

History

Corporate history

The American Doll and Toy Corporation was established in 1919 by Russian Jewish immigrant brothers Jacob and Max Brock, and their partner Ed Schaefaer, with many of the Brock relatives occupying key positions at the company. The company used the trade names "Aceedeecee" and "ACDC."[3] American Character Dolls' factory was in Brooklyn; the company operated a store on East 17th Street in New York City in the late 1920s.[4] By the late 1930s, the company's manufacturing plant, comprising 130,000 square feet, was in Easthampton, Massachusetts.[5]

The company made the news in 1937 when it was ordered by the Federal Trade Commission to stop claiming that its patented "paratex" (a hard rubber made from a "secret formula") was superior to composition dolls (popularly made by American Character's competitor the Ideal Toy Company).[6]

In 1951, American Character partnered with competitors the Ideal Toy Company and the Alexander Doll Company to establish the United States-Israeli Toy and Plastic Corporation, designed to produce material for toys in Israel and the U.S. The new corporation's offices shared space with American Character.[1]

In 1954, American Character Dolls established a $2,000 annual fellowship at Teachers College, Columbia University, known as the Frances Horwich Graduate Fellowship in Early Childhood Education.[7] In 1954 the company was awarded a patent for a doll that "breathes, sheds tears, drinks from a bottle, blows bubbles, and even smokes."[2]

By 1967 the company's fortunes were in decline, with unsecured claims said to be approximately $1.4 million. Settlements were arranged in March and June 1967, and the company continued to operate on a limited scale. Shortly thereafter, in 1968, American Character Dolls filed for bankruptcy and went out of business. Molds for some toys were sold to Mattel and Ideal Toy Company, which acquired the defunct company's dyes, patents, and trademarks.[3]

Product history

I Love Lucy baby doll, introduced in 1952

American Character dolls were thought to be well-made, with good quality costumes.[3] Early dolls were made of composition; one of their first lines of mother and character dolls were introduced in 1923 and called "Petite;" they remained popular into the 1930s.

The Puggy and Sally Campbell Kids children dolls were introduced in 1928; they were based on the cartoon characters designed by Grace Drayton.

American Character released a limited number of celebrity dolls over the years, beginning with "Lucky Aviation Kid" in 1927, a Charles Lindbergh doll wearing a brown aviator suit and flight cap, with a Spirit of St. Louis model plane ribbon, white socks and brown shoes. In the 1930s, the company released the celebrity doll "Carol Ann Beery," based on the child actress of the same name. The Kathryn Grayson autographed celebrity doll was produced in the late 1940s.

American Character switched their formula from composition to their branded "Paratex" in the mid-1930s.

Celebrity dolls released in the 1950s included Alice In Wonderland (1952), "Annie Oakley" (1954), "Eloise," and a series of I Love Lucy dolls (1952), the most popular of which was the baby doll later known as "Little Ricky." The 14" vinyl doll came dressed in a flannel gown and cried "real tears." (In 1952 stars Lucille Ball and husband Desi Arnaz were expecting a child.)[8]

American Character's most popular doll was Tiny Tears, introduced in 1950 and remaining in production through the rest of the company's existence.[3] The baby doll's distinguishing feature was her ability to shed tears from two tiny holes on either side of her nose when her stomach was pressed after being filled with water from her baby bottle. Tiny Tears became one of the most popular dolls of the 1950s, due in part to television ads featuring a young Patty Duke that aired on popular children's shows such as the highly influential Ding Dong School with Frances Horwich.[9]

"Sweet Sue," introduced in 1951, was popular through the decade into the early 1960s. A pre-teen plastic doll, she came in a variety of sizes. In 1957, American Character marketed "Sweet Sue Sophisticate," a 14" or 20" fashion doll. The "Toodles" multi-jointed plastic doll — able to "kneel, sit, play and assume 1,000 different positions" — was introduced in 1955 and became a big seller for American Character, including its associated products like "Toodles Toddler" (1955-1959), "Teeny Toodles" (1959-1960), and "Tommy Toodles" (1959-1960). "Toni," released in 1958, was a fashion doll for Toni hair products, sold by Gillette. Toni, also marketed as "Cha Cha" or "High Society," was popular into the 1960s.

Tressy, introduced in 1963, was a fashion doll with a feature to adjust the length of its hair. The doll was invented and patented by modern furniture designer Jesse Dean and his wife, Diana. It was first sold as an 11½" fashion doll similar to Mattel's Barbie. Tressy featured a long swatch of hair that could be pulled out of the top of the doll's head by pushing a button on the doll's midriff; that mechanism allowed children the ability to comb the hair in a variety of styles. American Character clearly intended that Tressy's "growing" hair feature would give the doll a marketing edge over its blockbuster competitor, Barbie. Tressy was popular from the outset, selling into its retirement in 1965. Unlike Mattel, which maintained sole manufacturing and global distribution rights on its bestselling Barbie doll, American Character allowed the Regal Toy Company of Canada to manufacture and sell its own version of Tressy, which had heavier eye and facial makeup. There was also a Palitoy Tressy sold in the United Kingdom and a Bella Tressy made and marketed by Societe Bella in France. "Cricket" was marketed by the American Character Doll Co. in 1964 as Tressy's cousin.

American Character focused on talking dolls in the early 1960s, with such models as "Little Miss Echo" (1962-1964), "Baby Babbles" (1963), and "Baby Says," (1963). The only celebrity dolls American Character released in the 1960s were the Cartwright Family (1966), based on Gunsmoke.

The company's final big product launches were "Whimsies" (1960–1961), a line of dolls with names like Bashful Bride, Dixie the Pixie, Fanny (an angel), Hedda Get Bedda (a multi-face doll, with three faces), Hilda the Hillbilly, Lena the Cleaner, Miss Take, Monk, Polly the Lady Raggie, Simon, Strong Man, Suzie the Snoozie, Tillie the Talker, Wheeler Dealer, Zack the Sack, and Zero the Hero (a football player); and "Tiny Whimsies" (1966), a line of 7-1/2" dolls with names like Lites Out (nightgown), I'm Yours (bride), Fly with Me (witch), Swing It (dancer), Love Me (red pantsuit), and I'm Hooked (groom); and a line of 6" dolls with names like Pixie, Swinger, Granny, Lites out, Minnie Mod, Jump'n, and Go-Go.

Dolls manufactured by American Character

1920s

1930s

1940s

1950s

1960s

References

  1. 1 2 "PLANT IN TEL AVIV TO MAKE PLASTICS: New $1,000,000 Concern Plans Range of Products From Toys to Building Items To Make Plastic Parts," New York Times (November 8, 1951), p. 49.
  2. 1 2 Jones, Stacy V. "Mouth Organ With a Slide Valve Patented by Hoosier Video Star," New York Times (April 24, 1954), p. 29.
  3. 1 2 3 4 "American Character Dolls 1919-1968," DollReference.com. Accessed Dec. 26, 2014.
  4. "Lunch Company Takes Broadway Building," New York Times (January 29, 1927), p. 26.
  5. "Real Estate Notes," New York Times (June 8, 1937), p. 47.
  6. "To End Claims for Dolls," NEW YORK TIMES (November 18, 1937), p. 42.
  7. "Fellowship Honors TV Figures," New York Times (March 7, 1954), p. 115.
  8. "Advertising & Merchandising News," New York Times (November 15, 1952), p. 24.
  9. Waggoner, Susan. Under the Tree: the Toys and Treats That Made Christmas Special, 1930-1970. Stewart, Tabori & Chang, 2007.
  10. Anderton, Johana Gast. Twentieth Century Dolls From Bisque to Vinyl (Trojan Press, 1971).

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