Ahmed Mater

Ahmed Mater Al-Ziad Aseeri

Ahmed Mater
Born (1979-07-25) 25 July 1979
Abha, Saudi Arabia
Nationality Saudi
Education Medical Doctor, King Khalid University, Physician, MB BChir, Visual Art, Al Miftaha Arts Village, IVLP, USA, Washington dc
Known for Conceptual art, installation art, painting
Notable work prognosis, Magnetism, Evolution of man, Yellow Cow, Illuminations
Movement Post Modern Art

Ahmed Mater (born 1979, Tabuk, Saudi Arabia) is a Saudi artist and physician.[1] His mediums are photography, calligraphy, painting, installation, performance and video. His work, which explores the narratives and aesthetics of Islamic culture and addresses consumerism and transformation in the region, has attracted an international audience.[1] In 2003, he cofounded "Edge of Arabia", an independent arts initiative dedicated to promoting the appreciation of contemporary Arab art and culture, with a focus on Saudi Arabia.[2]

Life and career

Ahmed Mater was born in 1979 in Tabuk in the north west of Saudi Arabia on the Jordanian border. He is the first child of Mater Ahmed Al-Ziad, a sergeant in the Saudi Arabian Army, and Fatimah Hassan Abdullah Aseeri, a calligrapher and painter of traditional Aseeri houses. Ahmed has two brothers, Bandar and Mohamed, and four sisters, Aicha, Jawaher, Jamila and Reem.[3]

In the 1990s Mater was given a studio space in Abha at the al-Meftaha artists' village.[4]

He splits his time between the Saudi Arabian cities of Abha, Jeddah and Makkah.[1]

Mater's wife, Arwa Alneami, is also an artist. Together they run a salon and private studio in their home in Jeddah.[5]

Work

Mater's best known work is a series titled Prognosis, including the piece x-ray that was acquired by The British Museum. In this series, he combined explicit notes from his medical education with images of the Kaaba and a mosque, distributing them as a collage around blue and black x-ray images. The work seems to ask the viewer if humanity is more than just the structure of the body.[6]

In 2006, Mater mounted an installation titled The Yellow Cow products,[7] a work that address ecological challenges of modern urbanized society. According to the artist, "The cow with the yellow color was used as an expression of religious heritage."[7]

His 2012 photos and film Artificial Light/Desert of Pharan reflects concern about the ruling al-Saud family's redevelopment of Mecca, including a multibillion-dollar complex of luxury hotels, malls and apartments.[4]

His most famous piece is Magnetism, which uses a black square magnet surrounded by iron filings to represent the pilgrimage to the Ka'ba.[4]

Exhibitions

2001 Landing on the Earth's Surface, Al-Maseef Culture Club, Abha, KSA

2003 X-Ray Project - 6th Saudi Malwan Contest Tour, Jeddah, Beirut, Sidon and Manama (Jun10-sept25)

2004 Standing in Front of You, King Khaled University, Abha, KSA.

2004 Chewing (Mudgah), Almiftaha Arts Village, Abha, KSA.

2004 The End - Al Meftaha Arts Village, Abha (Dec15-Dec30)

2006 Ahmed Mater Al Ziad Aseeri -Royal Embassy of Saudi Arabia, London (May 12)

2006 Son of Aseer- Al Meftaha Arts Village, Abha (Oct10- Oct30)

2009 Illumination- Art Space, Dubai (Mar15-Apr 15)

2010 Ahmed Mater -The Vinyl Factory Gallery, London (Oct11-Oct31)

2013 100 Found Objects, Sharjah Museum, Sharjah, UAE.

Publications and monographs

2006 Word into Art: Artists of the Modern Middle East, British Museum Press[8]

2009 ADACH Platform for Visual Arts in Venice, Catherine David[9]

2009 New Vision: Arab Contemporary Art in the 21st Century, Thames & Hudson[10]

2010 Art of the Middle East: Modern and Contemporary Art of the Arab World and Iran, Merrell Publishing[11]

2010 Ahmed Mater (Monograph), Booth Clibborn Editions[12]

2012 Edge of Arabia, Contemporary Art from the Kingdom of Saudi Arabia, Booth-Clibborn Editions [13]

2012 Hajj: Journey to the Heart of Islam, British Museum Press[14]

References

  1. 1 2 3 "Young Global Leaders - Ahmed Mater". World Economic Forum. Retrieved 21 November 2014.
  2. ↑ Scarborough, James (21 July 2013). "A Conversation With Ahmed Mater, Co-founder of Edge of Arabia". Huffington Post. Retrieved 21 November 2014.
  3. ↑ Booth-Clibborn, Edward (2010). Ahmed Mater. UK: Booth-Clibborn Editions. p. 19. ISBN 978-1-86154-318-9.
  4. 1 2 3 Batty, David (4 October 2012). "Contemporary Saudi artists break down old 'safety' barriers". The Guardian. Retrieved 21 November 2014.
  5. ↑ Fadel, Leila (2015-09-09). "An Art Scene Flourishes Behind Closed Doors In Saudi Arabia". All Things Considered, National Public Radio. Retrieved 2015-09-09.
  6. ↑ "Ahmed Mater Al-Ziad". Word into Art. The British Museum. Archived from the original on 3 December 2010. Retrieved 16 March 2010.
  7. 1 2 "The Yellow cow products". Universes in Universe. Retrieved 16 March 2010.
  8. ↑ "Word into Art: artists of the modern Middle East" (PDF). The British Museum. Retrieved 2016-04-30.
  9. ↑ Binder, Universes in Universe - Gerhard Haupt & Pat. "ADACH Platform for Visual Arts in Venice announces debut presence at the 53rd Venice Arts Biennale". universes-in-universe.org. Retrieved 2016-04-30.
  10. ↑ Amirsadeghi, Hossein; Mikdadi, Salwa; Shabout, Nada M (2009-01-01). Newvision: Arab contemporary art in the 21st century. London: Thames & Hudson. ISBN 9780500976982.
  11. ↑ Eigner, Saeb; Masters, Christopher; Hadid, Zaha; Caussé, Isabelle (2010-01-01). Art of the Middle East: modern and contemporary art of the Arab world and Iran. London; New York: Merrell. ISBN 9781858945002.
  12. ↑ Mater, Ahmed; Booth-Clibborn, Edward; Stapleton, Stephen (2010-01-01). Ahmed Mater. London: Booth-Clibborn. ISBN 9781861543189.
  13. ↑ Stapleton, Stephen A; Booth-Clibborn, Edward; Mousawi, Aya; Al-Turki, Abdullah; Lloyd-Evans, Miriam; Edge of Arabia (Project) (2012-01-01). Edge of Arabia. ISBN 9781861543233.
  14. ↑ Porter, Venetia; British museum (Londres) (2012-01-01). Hajj journey to the heart of Islam: [exhibition, held at the British Museum, London, from 26 January to 15 April 2012]. London: British Museum Press. ISBN 9780714111766.
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