-ana

-ana (more frequently -iana) is a suffix of Latin origin, used in English to convert nouns, usually proper names, into mass nouns,[1] as in Shakespeareana or Dickensiana, items or stories related to William Shakespeare or Charles Dickens, respectively.

The recognition of this usage as a self-conscious literary construction, typically as a book title, traces back at least to 1740, when it was mentioned in an edition of Scaligerana, a collection of table talk of Joseph Justus Scaliger, from around 150 years previously.[2] By that period Scaliger was described as "the father, so to speak, of all those books published under the title of -ana".[3]

As grammatical construction it is the neuter plural, nominative form of an adjective: so from Scaliger is formed first the adjective Scaligeranus (Scaligeran) which is then put into the form of an abstract noun Scaligerana (Scaligeran things). In Americana, a variant construction, the adjectival form already exists as Americanus, so it is simply a neuter plural (suffix –a on the stem American-); the case of Victoriana, things associated with the Victorian period, is superficially similar, but the Latin adjective form is Dog Latin.

Examples

Use in music

The suffix -iana, -eana or -ana has often been used in the titles of musical works, as a way of a composer paying a tribute to an earlier composer or a noted performer.

Mauro Giuliani (died 1829) wrote six sets of variations for guitar on themes by Gioachino Rossini, Opp. 119–124. Each set was called "Rossiniana", and collectively they are called "Rossiniane".

Later examples include:

Other examples in music

See also

Look up -ana in Wiktionary, the free dictionary.

References

  1. ↑ "Ana suffix". cycfoundation.org. Archived from the original on 3 September 2010.
  2. ↑ "Scaligerana". Warburg Institute.
  3. ↑ Sanford, Eva M. (January 1931). "Scaligerana". The Classical Journal. 26 (4): 279–286.
  4. ↑  "Smedley, Jonathan". Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.
  5. ↑ Kloman, Harry (2011). "Political Animals: Vidal, Buckley and the '68 Conventions". University of Pittsburgh.
  6. ↑ "Charles Camilleri CD Notes: Celestial Harmonies For Piano". Murray McLachlan. Archived from the original on 20 July 2011.
  7. ↑ Butterworth, Neil (2 October 2013). Dictionary of American Classical Composers. Taylor & Francis. p. 1996. ISBN 978-1-136-79023-2. Retrieved 14 June 2016.
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