Writing Drama

Writing Drama (French: La dramaturgie) is a treatise by French writer and filmmaker Yves Lavandier, originally published in 1994, revised in 1997, 2004, 2008, 2011 and 2014. The English version was translated from the French by Bernard Besserglik and published in 2005. The book exists also in Italian,[1] Spanish[2] and Portuguese.

Content

Writing Drama explores the mechanisms of dramatic story telling. The author makes a clear distinction between what is written to be seen and/or heard (theater, cinema, television, radio, opera and to a lesser extent comic books) and what is written to be read (literature).

The book's principle is the same as Aristotle's Poetics. Yves Lavandier examines works by major scriptwriters and playwrights (Samuel Beckett, Bertolt Brecht, Charles Chaplin, Hergé, Alfred Hitchcock, Henrik Ibsen, Ernst Lubitsch, Molière, Dino Risi, William Shakespeare, Sophocles, Orson Welles, Billy Wilder, etc.) in order to answer three questions:

The author scans all the tools of dramatic narrative: conflict, protagonist, obstacles, suspense, characterisation, three-act structure, preparation, dramatic irony, comedy, activity, dialogue. A play written by Molière, The School for Wives, and a film directed by Alfred Hitchcock, North by Northwest, are analysed in detail. Several appendices deal with writing for children, drama and literature, short films, documentaries, etc.

In the course of pages, Yves Lavandier develops several governing ideas. According to him:

Comment

Writing Drama is considered a reference textbook amongst European playwrights and scriptwriters.[3]

According to Jacques Audiard, Writing Drama is on par with Aristotle's Poetics. Francis Veber said it is "the most thorough and challenging work of its kind to come out since the birth of scriptwriting". In 2006, Frédéric Beigbeder called Yves Lavandier the "living god of screenwriters".

References

External links

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