Wolfgang Holzmair

Wolfgang Holzmair (born 1952 in Vöcklabruck) is an Austrian baritone.

Holzmair studied at the Vienna Academy of Music and Dramatic Art. He won 2nd prize in the baritone class of the 's-Hertogenbosch International Vocal Competition in 1981, and a year later 1st prize in the Musikverein International Lieder Competition, Vienna.

Opera

Holzmair spent about six years with opera companies in Bern (Bern Theatre) and Gelsenkirchen (Musiktheater im Revier) before successes in Udo Zimmermann's The White Rose and Claude Debussy's Pelléas et Mélisande brought him to general attention[1] His repertoire includes rarely performed works such as Henze's Boulevard Solitude, Nigel Osborne’s The Electrification of the Soviet Union,[2] Hindemith's Neues vom Tage[3] and Poulenc's Les mamelles de Tirésias.[4]

More standard works[5] include Richard Strauss's Capriccio (the Count), Ariadne auf Naxos (Harlequin and the Music Master), Der Rosenkavalier (Faninal); Mozart's The Magic Flute (Papageno and the Speaker) and Così fan tutte (Guglielmo and Don Alfonso); Wagner's Tannhäuser (Wolfram), and Meistersinger (Beckmesser). In the 2009/2010 season he sang Demetrius in the Canadian Opera Company's production of Benjamin Britten's A Midsummer Night's Dream,[6] the Father in Humperdinck's Hänsel und Gretel on a tour in Japan, and the Sorceress in a concert performance of Purcell's Dido and Aeneas[7] in Vienna

Song recital and orchestral concerts

Holzmair's high, rather light timbre is particularly suitable for song[8] and in 1989 a highly successful debut at the Wigmore Hall launched his international recital career.[9] His clear and expressive language embedded in a pure legato line,[10] and his dramatic commitment, have been especially commended. The English music critic Alan Blyth[11] was immediately struck by the baritone’s first recording of Schubert's Die Schone Mullerin[12] and remained a firm advocate;[13][14] more recently Richard Fairman referred to an exceptional ability to communicate the rhythms and meanings of poetry.[15]

He has worked with many pianists of note, a long-standing collaboration with Imogen Cooper being widely admired for its exceptionally close rapport;[16][17] other partners include Andreas Haefliger[18] and Philippe Cassard[19] as well as dedicated accompanyists Gerard Wyss, Russell Ryan and Roger Vignoles. He also maintains a strong presence in the world of chamber music, where the Trio Wanderer,[20] the Nash Ensemble and the Rachmaninov Trio[21] are among his collaborators. Holzmair regularly appears in major centres in Europe and North America, and also travels to outlying venues where communities have fewer opportunities to hear live recitals.[22] Recent European Music Festivals include Risør, Kuhmo, Lockenhaus, Kyburgiade, the Oxford Lieder Festival and Styriarte, and he has also participated in La Folle Journée's program for bringing classical music to new audiences. In 2010 Holzmair and the Departure Centre for Creative Design in Vienna collaborated in a bid to attract new listeners to lieder, by presenting concerts in which the baritone and 6 compatriots performed Wolf against visual backdrops. The experiment was deemed a success, and was repeated for Mahler’s lieder, with a slightly different cast of singers, in 2011.[23] The Wolf series is now available on 5 DVDs, which show the visuals but not the singers.[24]

Holzmair's wide-ranging repertoire includes melodies as well as lieder and extends from the 18th to the 21st century. He has long been committed to bringing to attention the "Entartete" composers who suffered under the Nazi regime and has recorded lieder by Hanns Eisler, Franz Mittler,[25] Erich Zeisl,[26] Ernst Krenek,[27] Franz Schreker[28] and composers from Theresienstadt;[29] in 2010 he joined the Nash Ensemble in a week-end show-casing music by the Theresienstadt composers, at the Wigmore Hall.[30][31]

He has performed orchestrated lieder with many leading orchestras, as in the 2010 Styriarte Festival;[32] other recent orchestral appearances have been in Britten's War Requiem, Brahms' Deutsches Requiem, Darius Milhaud's Les Choephores[33] and Schumann's[34] Scenes from Faust.

Song premieres and commissions

Premieres since 2000 include Kurt Schwertsik's Die Welt eine Laute and Fioretti per San Francesco,[35] a chamber version of Hans Werner Henze's Five Neapolitan Songs[36] with the Nash Ensemble (as part of a 75th birthday tribute to the composer), Dmitry Smirnov's Eternal Refuge[37] with the Altenburg Trio Wien (recorded by Austrian Radio), Daniel Schnyder's one-act opera Mozart and Casanova[38] (at the Menuhin Festival, Gstaad), Helmut Schmidinger's solo cantata Mozart Briefe[39] (with the Bruckner Orchestra of Linz, as part of Mozart's 250th), and David Matthews' arrangements of Brahms' lieder[40] and of part of Franz Schubert's Schwanengesang[41] (commissioned by the Nash Ensemble); recent additions are Schmidinger's Wo der Bartl den Most holt[42] and the Austrian premiere of Lori Laitman's Seed of Dreams.[43] HIs Erich Zeisl disc marking the composer's 100th anniversary included unpublished songs, and he contributed to a recording of new settings of Eduard Mörike's poetry[44] commissioned by the Hugo Wolf Institute of Stuttgart, to celebrate the poet's 200th birthday. Holzmair has commissioned David Leisner to compose a new piece for baritone and string quartet[45] and the resulting work, A Timeless Procession, will be premiered in a future season.

Teaching

Since 1998 Holzmair has taught at the Salzburg Mozarteum and given master classes in Europe and North America; 2011 finds him participating in the annual Schubert Institute Master Course in BadenBaden[46] for the 7th time. In 2008 the Royal College of Music made him a Fellow in recognition of services to the college and to music, and in 2009 he was a juror for the Wigmore Hall Song competition.[47] He is an advisor to the Lotte Lehmann Foundation, and contributed to the foundation's first CD.

Selected recordings

References

  1. ↑
  2. ↑ David M. Cummings in International Who's Who in Music and Musicians Directory
  3. ↑
  4. ↑
  5. ↑ Listed under Owen White management
  6. ↑ Opera News review of A Midsummer Night's Dream
  7. ↑ Dido and Aeneas review
  8. ↑ Nick Kimberley The Anatomy of Melancholy 1993
  9. ↑ Michael White Sing a Song of Silence 1993
  10. ↑ Barrymore Laurence Scherer Letter from America 1993
  11. ↑ Alan Blyth music critic
  12. ↑ Review of Die Schone Mullerin
  13. ↑ Review of Schubert's Mayrhofer lieder
  14. ↑ Review of Schubert's Goethe lieder
  15. ↑ Richard Fairman on Wigmore Hall recital, 2010
  16. ↑ Colin Clarke on the Holzmair/Cooper partnership in Wolf, in Musicweb International 2011
  17. ↑ Review of re-issue of Holzmair/Cooper Schubert song cycles, 2005
  18. ↑ Rob Pennock on Holzmair/Haefliger's Winterreise, in Classical Source 2009
  19. ↑ " Philippe Cassard Web site
  20. ↑ Performance with Trio Wanderer 2009
  21. ↑ New initiative between Russian and Western musicians
  22. ↑ Recital in SW England
  23. ↑ Mahler lieder with visuals
  24. ↑ DVDs of Wolf lieder
  25. ↑ Mittler review 2004
  26. ↑ Zeisl review 2005
  27. ↑ Krenek recital 2000
  28. ↑ Schreker review 2008
  29. ↑ Theresienstadt recording 2010
  30. ↑ Tim Ashley on Theresienstadt week-end in The Guardian 2010
  31. ↑ Week-end in Therezin 2010
  32. ↑ Orchestrated Krenek lieder
  33. ↑ Review of Les Choephores
  34. ↑ Review of Scenes from Faust
  35. ↑ Kurt Schwertsick premiere
  36. ↑ Henze's 5 Neapolitan Songs
  37. ↑ Online from Sibelius music
  38. ↑ Daniel Schnyder's Web site
  39. ↑ Schmidinger's Mozart Briefe
  40. ↑ David Matthews' Brahms arrangement
  41. ↑ David Matthews' Schubert arrangement
  42. ↑ Schmidinger's Wo Bartl den Most holt
  43. ↑ Seed of Dreams Austrian premier
  44. ↑ Mörike settings
  45. ↑ David Leisner biography
  46. ↑ Schubert Master Course 2011
  47. ↑ Wigmore Hall Song Competition

External links

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