Visual culture

"Visual studies" redirects here. For the academic journal, see Visual Studies (journal).

Visual culture is the aspect of culture expressed in visual images. Many academic fields study this subject, including cultural studies, art history, critical theory, philosophy, and anthropology.

Overview

Among theorists working within contemporary culture, this field of study often overlaps with film studies, psychoanalytic theory, sex studies, queer theory, and the study of television; it can also include video game studies, comics, traditional artistic media, advertising, the Internet, and any other medium that has a crucial visual component.

The field’s versatility stems from the range of objects contained under the term “visual culture,” which aggregates “visual events in which information, meaning or pleasure is sought by the consumer in an interface with visual technology.” The term “visual technology” refers any media designed for purposes of perception or with the potential to augment our visual capability.^[1]

Because of the changing technological aspects of visual culture as well as a scientific method-derived desire to create taxonomies or articulate what the "visual" is, many aspects of Visual Culture overlap with the study of science and technology, including hybrid electronic media, cognitive science, neurology, and image and brain theory. In an interview with the Journal of Visual Culture, academic Martin Jay explicates the rise of this tie between the visual and the technological: “Insofar as we live in a culture whose technological advances abet the production and dissemination of such images at a hitherto unimagined level, it is necessary to focus on how they work and what they do, rather than move past them too quickly to the ideas they represent or the reality they purport to depict. In so doing, we necessarily have to ask questions about . . . technological mediations and extensions of visual experience.”^[2]

Visualism

The term "Visualism" was developed by the German anthropologist Johannes Fabian to criticise the dominating role of vision in scientific discourse, through such terms as observation. He points to an under theorised approach to the use of visual representation which leads to a corpuscular theory of knowledge and information which leads to their atomisation.^[3]

Relationship with other areas of study

It also may overlap with another emerging field, that of Performance Studies. As “the turn from art history to visual culture studies parallels a turn from theater studies to performance studies,” it is clear that the perspectival shift that both emerging fields embody is comparable.^[4] "Visual Culture" goes by a variety of names at different institutions, including Visual and Critical Studies, Visual and Cultural Studies, and Visual Studies. There has appeared analysis which applies method with computational media. For example, in 2008, Yukihiko Yoshida did a study called ^[5] “Leni Riefenstahl and German expressionism: research in Visual Cultural Studies using the trans-disciplinary semantic spaces of specialized dictionaries.” The study took databases of images tagged with connotative and denotative keywords (a search engine) and found Riefenstahl’s imagery had the same qualities as imagery tagged “degenerate” in the title of Degenerate Art Exhibition, Germany at 1937.

History

Early work on visual culture has been done by John Berger (Ways of Seeing, 1972) and Laura Mulvey (Visual Pleasure and Narrative Cinema, 1975) that follows on from Jacques Lacan's theorization of the unconscious gaze. Twentieth-century pioneers such as György Kepes and William Ivins, Jr. as well as iconic phenomenologists like Maurice Merleau-Ponty also played important roles in creating a foundation for the discipline. For the history of art, Svetlana Alpers published a pioneering study on The Art of Describing: Dutch Art in the Seventeenth Century (Chicago 1983) in which she took up an earlier implus of Michael Baxandall to study the visual culture of a whole region of early-modern Europe in all its facets: landscape painting and perception, optics and perspectival studies, geography and topographic measurements, united in a common mapping impulse.

Major works on visual culture include those by W. J. T. Mitchell, [Griselda Pollock], Giuliana Bruno, Stuart Hall, Roland Barthes, Jean-François Lyotard, Rosalind Krauss, Paul Crowther and Slavoj Žižek. Continuing work has been done by Lisa Cartwright, Margaret Dikovitskaya, Nicholas Mirzoeff, and Jackie Stacey. The first book titled Visual Culture (Vizuális Kultúra) was written by Pál Miklós in 1976.^[6] For history of science and technology, Klaus Hentschel has published a systematic comparative history in which various patterns of their emergence, stabilization and diffusion are identified.^[7]

In the German-speaking world, analoguous discussions about "Bildwissenschaft" (image studies) are conducted, a.o., by Gottfried Boehm, Hans Belting, and Horst Bredekamp.

Visual Culture studies have been increasingly important in religious studies through the work of David Morgan, Sally Promey, Jeffrey F. Hamburger, and S. Brent Plate.

Differentiating Between Visual Culture Studies and Image Studies

While the image remains a focal point in visual culture studies, it is the relations between images and consumers that are evaluated for their cultural significance, not just the image in and of itself. Martin Jay clarifies, “Although images of all kinds have long served as illustrations of arguments made discursively, the growth of visual culture as a field has allowed them to be examined more in their own terms as complex figural artifacts or the stimulants to visual experiences.”^[2]

Likewise, W. J. T. Mitchell explicitly distinguishes the two fields in his claim that visual culture studies “helps us to see that even something as broad as the image does not exhaust the field of visuality; that visual studies is not the same thing as image studies, and that the study of the visual image is just one component of the larger field.”^[8]

References

↑ Mirzoeff, Nicholas. "What is Visual Culture?" (PDF). The Visual Culture Reader (2nd ed.). ISBN 978-0-415-14134-5. Retrieved 2 November 2011.
1 2 "That Visual Turn" (PDF). Journal of Visual Culture. Retrieved 2 November 2011.
↑ Rarey, Matthew (2012). "Visualism". In Elkins, James; McGuire, Kristi; Burns, Maureen; Chester, Alicia; Kuennen, Joel. Theorizing Visual Studies: Writing Through the Discipline. Routledge. pp. 278–281. ISBN 9781136159169.
↑ Jackson, Shannon. "Performing Show and Tell: Disciplines of Visual Culture and Performance Studies". Retrieved 2 November 2011.
↑ Yoshida,Yukihiko, Leni Riefenstahl and German Expressionism: A Study of Visual Cultural Studies Using Transdisciplinary Semantic Space of Specialized Dictionaries ,Technoetic Arts: a journal of speculative research (Editor Roy Ascott),Volume 8, Issue3,intellect,2008
↑ Miklós, Pál (1976). Vizuális Kultúra: Elméleti és kritikai tanulmányok a képzőművészet köréből. Magvető. ISBN 9632702980.
↑ See Klaus Hentschel: Visual Cultures in Science and Technology - A Comparative History, Oxford: Oxford Univ. Press 2014.
↑ "Visual Culture/Visual Studies: Inventory of Recent Definitions". Retrieved 2 November 2011.

External links

Culture

Outline

Sciences	Anthropology Cultural astronomy Cultural ecology Cultural entomology Cultural neuroscience Cultural studies Culturology Culture theory Neuroculture

Subfields	Bioculture Cultural analytics Cultural anthropology Cultural economics Cultural geography Cultural history Cultural mediation Cultural psychology Culturomics Cross-cultural psychology Intercultural relations Philosophy of culture Popular culture studies Semiotics of culture Sociology of culture Sound culture Theology of culture Visual culture

Types	Constructed culture Dominant culture Folk culture High culture Individualistic culture Legal culture Low culture Official culture Political culture Civic Popular culture Urban Primitive culture Subculture Alternative culture list Super culture Vernacular culture Culture by location

Aspects	Acculturation Cultural appropriation Cultural area Cultural artifact Cultural baggage Cultural behavior Cultural capital Cultural communication Cultural conflict Cultural cringe Cultural dissonance Cultural framework Cultural heritage Cultural icon Cultural identity Cultural industry Cultural invention Cultural landscape Cultural learning Cultural leveling Cultural memory Cultural pluralism Cultural practice Cultural property Cultural reproduction Cultural system Cultural technology Cultural universal Cultureme Enculturation High- and low-context cultures Interculturality Manuscript culture Material culture Non-material culture Organizational culture Print culture Protoculture Safety culture Technoculture Trans-cultural diffusion Transculturation

Politics	Colonial mentality Consumer capitalism Cultural assimilation Cultural attaché Cultural backwardness Cultural Bolshevism Cultural conservatism Cultural deprivation Cultural diplomacy Cultural environmentalism Cultural exception Cultural feminism Cultural genocide Cultural globalization Cultural hegemony Cultural imperialism Cultural intelligence Cultural liberalism Cultural nationalism Cultural pessimism Cultural policy Cultural radicalism Cultural retention Cultural Revolution Cultural rights Cultural safety Cultural silence Cultural Zionism Culture change Culture minister Culture of fear Culture war Dominator culture Interculturalism Intraculturalism Monoculturalism Multiculturalism Security culture

Related	Animal culture Archaeological culture Bennett scale Bullying culture Coffee culture Cross-cultural Cultural bias Cultural center Cultural Christian Cultural Mormon Cultural competence Cultural critic Cultural diversity Cultural encoding Cultural evolutionism Cultural institution Cultural Judaism Cultural lag Cultural literacy Cultural mosaic Cultural movement Cultural Muslim Cultural probe Cultural relativism Cultural tourism Pop-culture Cultural translation Cultural turn Cultural sensibility Culture gap Culture hero Culture industry Culture shock Children's culture Culturalism Cyberculture Deaf culture Death and culture Emotions and culture Intercultural competence Languaculture Media culture Oppositional culture Participatory culture Permission culture Rape culture Remix culture Tea culture Transformation of culture Urban culture Welfare culture

Portal Category changes

Visualization of technical information

Fields	Biological data visualization Chemical imaging Crime mapping Data visualization Educational visualization Flow visualization Geovisualization Information visualization Mathematical visualization Medical imaging Molecular graphics Product visualization Scientific visualization Software visualization Technical drawing User interface design Visual culture Volume visualization

Image types	Chart Diagram Engineering drawing Graph of a function Ideogram Map Photograph Pictogram Plot Schematic Statistical graphics Table Technical drawings Technical illustration User interface

People	Jacques Bertin Stuart Card Thomas A. DeFanti Michael Friendly George Furnas Nigel Holmes Alan MacEachren Jock D. Mackinlay Michael Maltz Bruce H. McCormick Charles Joseph Minard Gaspard Monge Otto Neurath Florence Nightingale Clifford A. Pickover William Playfair Adolphe Quetelet George G. Robertson Arthur H. Robinson Lawrence J. Rosenblum Ben Shneiderman Edward Tufte Fernanda Viégas Howard Wainer

Related topics	Cartography Chartjunk Computer graphics in computer science Graph drawing Graphic design Graphic organizer Imaging science Information graphics Information science Mental visualisation Misleading graph Neuroimaging Patent drawing Scientific modelling Spatial analysis Visual analytics Visual perception

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