V (1983 miniseries)

V (or V: The Original Miniseries) is a two-part science fiction television miniseries, written and directed by Kenneth Johnson. First shown in 1983, it initiated the science fiction franchise concerning aliens known as "The Visitors" trying to gain control of Earth, and of the ways the populace reacts to this.

Plot summary

A race of aliens arrive on Earth in a fleet of 50 huge, saucer-shaped motherships, which hover over major cities across the world. They reveal themselves on the roof of the United Nations building in New York City, appearing human but requiring special glasses to protect their eyes and having a distinctive resonance to their voices. Referred to as the Visitors, they reach out in friendship, ostensibly seeking the help of humans to obtain chemicals and minerals needed to aid their ailing world, which is revealed to be a planet orbiting the star Sirius. In return, the Visitors promise to share their advanced technology with humanity. The governments of Earth accept the arrangement, and the Visitors, commanded by their leader John and his deputy Diana, begin to gain considerable influence with human authorities.

Strange events begin to occur and scientists become objects of increasing media hostility. They experience government restrictions on their activities and movements. Others, particularly those keen on examining the Visitors more closely, begin to disappear or are discredited. Noted scientists confess to subversive activities; some of them exhibit other unusual behaviors, such as suddenly demonstrating hand preference opposite to the one they were known to have.

Television journalist cameraman Michael Donovan covertly boards one of the Visitors' motherships and discovers that beneath their human-like facade (they wear a thin, synthetic skin and human-like contact lenses in public), the aliens are actually carnivorous reptilian humanoids preferring to eat live food such as rodents and birds. Donovan, who first took footage of one of the alien ships flying overhead while on duty in El Salvador, records some of his findings on videotape and escapes from the mothership with the evidence. However, just as the exposé is about to air on television, the broadcast is interrupted by the Visitors who have taken control of the media. Their announcement makes Donovan a fugitive pursued by both the police and the Visitors.

Scientists around the world continue to be persecuted, both to discredit them (as the part of the human population most likely to discover the Visitors' secrets) and to distract the rest of the population with a scapegoat to whom they could attribute their fears. Key human individuals are subjected to Diana's special mind control process called "conversion", which turned them into the Visitors' pawns, leaving only subtle behavioral clues to this manipulation. Others become subjects of Diana's horrifying biological experiments.

Some humans (including Mike Donovan's mother, Eleanor Dupres) willingly collaborate with the Visitors, seduced by their power. Daniel Bernstein, a grandson of a Jewish Holocaust survivor, joins the Visitor Youth and reveals the location of a scientist family to the alien cause. One teenager, Robin Maxwell, the daughter of a well-known scientist who went into hiding, has a sexual relationship with a male Visitor named Brian, who impregnates her as one of Diana's "medical experiments".

A resistance movement is formed, determined to expose and oppose the Visitors. The Los Angeles cell leader is Julie Parrish. Donovan later joins the group and, again sneaking aboard a mothership, he learns from a Visitor named Martin that the story about the Visitors needing waste chemicals is a cover for a darker mission. The true purpose of the Visitors' arrival on Earth was to conquer and subdue the planet, steal all of the Earth's water, and harvest the human race as food, leaving only a few as slaves and cannon fodder for the Visitors' wars with other alien races. Martin is one of many dissidents among the Visitors (later known as the Fifth Column) who oppose their leader's plans and would rather co-exist peacefully with the humans. Martin befriends Donovan and promises to aid the Resistance, and gives Donovan access to one of their sky-fighter ships, which he quickly learns how to pilot. He escapes from the mothership along with Robin and another prisoner named Sancho, who'd aided Robin's family in their flight out of occupied Los Angeles.

The Resistance strike their first blows against the Visitors, procuring laboratory equipment and modern military weapons from National Guard armories to carry on the fight. The symbol of the resistance is a blood-red letter V (for victory), spray-painted over posters promoting Visitor friendship among humans. The symbol was inspired by Daniel Bernstein's grandfather Abraham, a Holocaust survivor.

The mini-series ends with the Visitors now virtually controlling the Earth, and Julie and Elias sending a transmission into space to ask other alien races for help in defeating the Visitors.

Origins

Inspired by Sinclair Lewis' anti-fascist novel It Can't Happen Here (1935), director–producer Kenneth Johnson wrote an adaptation titled Storm Warnings, in 1982. The script was presented to NBC for production as a television mini-series, but the NBC executives rejected the initial version, claiming it was too "cerebral" for the average American viewer. To make the script more marketable, the American fascists were re-cast as man-eating extraterrestrials, taking the story into the realm of science fiction to capitalize on the popularity of science-fiction franchises such as Star Wars. V, which cost $13 million ($31,000,000 today) to make,^[1] premiered on May 1, 1983.^[2][3]

Influences

Aside from It Can't Happen Here, several scenes from the original TV pilot resemble the Bertolt Brecht play The Private Life of the Master Race. A short story by Damon Knight entitled To Serve Man (later adapted into an episode of The Twilight Zone) had a similar theme suggesting that deceptively-friendly aliens were secretly cultivating humans as food. The introduction, featuring large 'mother ships' over major Earth cities, is nearly identical to Arthur C. Clarke's novel Childhood's End.

The story became a Nazi allegory, right down to the Swastika-like emblem used by the Visitors and their SS-like uniforms. There is a youth auxiliary movement called the "Friends of the Visitors" with obvious similarities to the Hitler Youth, and Visitor broadcasts mimic Nazi-era propaganda. The show's portrayal of human interaction with the Visitors bears a striking resemblance to stories from Occupied Europe during World War II with some citizens choosing collaboration and others choosing to join underground resistance movements.

Where the Nazis persecuted primarily Jews, the Visitors were instead depicted to persecute scientists, their families, and anyone associating with them. They also distribute propaganda in an effort to hide their true identity. Some of the main characters in the initial series were from a Jewish family and the grandfather, a Holocaust survivor, frequently commented on the events of the past again unfolding. Once they are in a position to do so, the Visitors later declare martial law to control the scientists (and resistance fighters) as well.

Legacy

The two-part miniseries ran for 200 minutes; the first part was the second most-popular program of the week with 40% of the viewing television audience at that time watching it.^[1] Its success spawned a sequel, V: The Final Battle, which was meant to conclude the story. In spite of the apparent conclusion, this was then followed by a weekly television series, V: The Series, from 1984 to 1985 that continued the story a year after The Final Battle. Johnson left V during production of The Final Battle due to disagreements with NBC over how the story should progress.^[4]

In November 2005, Entertainment Weekly named V one of the ten best miniseries on DVD.^[5] The article noted, "As a parable about it-can-happen-here fascism, V was far from subtle, but it carved a place for lavish and intelligent sci-fi on TV. Its impact can still be felt in projects like Taken and The 4400 "^[5] (The 4400's executive producer Scott Peters later helmed ABC's 2009 reboot.) "^[5] In December 2008, Entertainment Weekly put V on its list "The Sci-Fi 25: The Genre's Best Since 1982", and called Visitor leader Diana's devouring a guinea pig "one of the best TV reveals ever."^[6]

For many years, Johnson has campaigned to revive V, and even wrote a sequel novel, V: The Second Generation which picked up the story 20 years after the original miniseries (but omitted the events of The Final Battle and V: The Series). Warner Bros. Television (who own the television rights to the V franchise) declined to make a continuation as Johnson had planned, and opted for a remake instead. A reimagining of V premiered on ABC on November 3, 2009 and ran for two seasons.^[7][8] Though Johnson was not involved in the remake, which featured all new characters, executive producer Scott Peters said that it would nod to the most iconic moments from the original franchise and may potentially include actors from the original in new roles. Both Jane Badler and Marc Singer appeared in the second season. As of 2009, Johnson has also said he is still moving ahead with his plans for a big screen remake of his original V mini-series^[9][10] though no progress has been made.

Production notes

Production was halted for two weeks when Dominique Dunne, the actress cast originally to play the part of Robin Maxwell, was murdered outside her apartment by her ex-boyfriend while running lines with actor David Packer. Some shots with her are still in the original series, but only of the back of her head. Blair Tefkin was hired on to play Robin after her death.

Johnson subsequently dedicated the series to her memory.

Cast

Releases

The miniseries was first released as V: The Original Miniseries on VHS during the mid-1990s, and later on DVD in 2001. The VHS release was in 4:3 fullscreen format as originally broadcast, while the DVD release is in a matted 16:9 widescreen format. The miniseries was originally filmed in open matte format, with director Kenneth Johnson stating he had also composed the picture to be more or less "widescreen safe" in the event that it got an overseas theatrical release (which it did not).

In 2012, SyFy broadcast the entire miniseries in high definition, leading to speculation that a Blu-Ray release was imminent. However, Warner Bros. Home Entertainment currently has no plans to release the show on Blu-Ray.

Novelization

A.C. Crispin wrote a 402-page V novelization in 1984 for Pinnacle Books that combined both the original miniseries and The Final Battle. Following the release of V: The Second Generation in 2008, Tor Books re-released the original miniseries' section of Crispin's book, with a new epilogue by Johnson that tied the events of the first miniseries with Second Generation.

References

External links

Wikiquote has quotations related to: V (1983 miniseries)

• V: The Original Miniseries at the Internet Movie Database
• V: The Original Miniseries at TV.com
• V: The Original Miniseries at Rotten Tomatoes
• Kenneth Johnson's Official Site
• A definitive source for the V saga
• Visitors Fifth Column V International Fan Club