Tim Burton's unrealized projects

The following is a list of unproduced Tim Burton projects, in roughly chronological order. During a career that has spanned over 30 years, Tim Burton has worked on a number of projects which never progressed beyond the pre-production stage under his direction.

1980s

After the success of Pee-wee's Big Adventure (1985), and before his hiring of Beetlejuice (1988), Warner Bros. sent Burton various scripts. He was disheartened by their lack of imagination and originality, one of them being Hot to Trot (1988).^[1]

1990s

Conversations with Vincent

Burton held a fascination with Vincent Price films since his childhood. He first worked with the actor on the 1982 short film, Vincent. During the production of Edward Scissorhands (1990), in which Price portrayed the Inventor, Burton conceived the idea of making an independent documentary film on the actor,^[2] using the working title Conversations with Vincent.^[3] With self-financing from his own production company, Burton shot the film in black-and-white over a three-day period at the Vincent Price Gallery in East Los Angeles College in April 1991. In addition to Price, Roger Corman and Samuel Z. Arkoff were interviewed. Conversations with Vincent was stalled when Burton went to work on Batman Returns (1992),^[2] and after Price's death in October 1993.^[3] In December 1994 it was announced that Burton was returning to the hour-long documentary, now titled A Visit with Vincent. Lucy Chase Williams, author of The Complete Films of Vincent Price, was working as a consultant. The film likely would have been released in the direct-to-video market,^[4] but the project was ultimately abandoned and remains unfinished.^[2]

Mai, the Psychic Girl

Beginning in the late 1980s, new wave rock band Sparks attempted to make the Japanese manga Mai, the Psychic Girl into a musical, with interest from Burton^[5] and Carolco Pictures,^[6] who purchased the film rights in August 1991. Carolco hoped Burton would start production in 1992, but he chose to work on The Nightmare Before Christmas and Ed Wood for Disney.^[7] The option on the film rights eventually expired, and Burton dropped out.^[5] Francis Ford Coppola later developed the property in the 1990s. In June 2000, Sony Pictures Entertainment started on a new different project with Kirk Wong attached to direct.^[8] By February 2001, a script had been written by Lisa Addario and Joey Syracuse for Sony's Columbia Pictures.^[9] The release of The Seduction of Ingmar Bergman, a radio musical by Sparks, in August 2009, was informed by the six years the band spent trying to get their Mai, the Psychic Girl produced. The album generated new interest, and gained a "second wind", vocalist Russell Mael explained. "The music is all ready and we are hoping that this still might see the light of day.”^[5]

Stay Tuned

Morgan Creek Productions originally wanted Tim Burton to direct Stay Tuned because of his work on Beetlejuice and his art style, but Burton left the project to direct Batman Returns, the sequel to his 1989 Batman film, and was replaced by Peter Hyams while having some of the art styles paying tribute to Burton.

Jurassic Park

Before Michael Crichton's novel Jurassic Park was published, Hollywood studios were highly interested in purchasing the film rights. This included Warner Bros. and Burton, Sony Pictures Entertainment and Richard Donner, and 20th Century Fox and Joe Dante.^[10] Universal Pictures acquired the rights in May 1990 for Steven Spielberg, resulting in the 1993 film adaptation.^[11]

Mary Reilly

Producers Jon Peters and Peter Guber acquired the film rights to Mary Reilly in 1989, and optioned them for Warner Bros. with Roman Polanski as director.^[12] When Guber became CEO of Sony Pictures Entertainment later that year, he moved Mary Reilly to Sony's sister company, TriStar Pictures, where Burton was approached to direct with Denise Di Novi to produce in 1991.^[13] Christopher Hampton was hired to write the screenplay, and Burton signed on as director in January 1993, after he approved over Hampton's rewrite.^[12] He intended to start filming in January 1994, after he completed Ed Wood,^[14] but Burton dropped out in May 1993 over his anger against Guber for putting Ed Wood in turnaround. Stephen Frears was TriStar's first choice to replace Burton, and Di Novi was fired and replaced with Ned Tanen.^[13] The film ended up becoming the critically and commercially unsuccessful Mary Reilly in 1996, starring Julia Roberts and John Malkovich.

Catwoman

Batman Returns would be the last film in the Warner Bros. Batman film series that featured Burton and Michael Keaton as director and leading actor. With Batman Forever, Warner Bros. decided to go in a "lighter" direction to be more mainstream in the process of a family film. Burton had no interest in returning to direct a sequel, but was credited as a producer.^[16] With Warner Bros. moving on development for Batman Forever in June 1993, a Catwoman spin-off was announced. Michelle Pfeiffer was to reprise her role, with the character not to appear in Forever because of her own spin-off.^[17]

Burton became attached as director, while producer Denise Di Novi and writer Daniel Waters also returned.^[18] In January 1994, Burton was unsure of his plans to direct Catwoman or an adaptation of The Fall of the House of Usher.^[19] On June 6, 1995, Waters turned in his Catwoman script to Warner Bros., the same day Batman Forever was released. Burton was still being courted to direct. Waters joked, "turning it in the day Batman Forever opened may not have been my best logistical move, in that it's the celebration of the fun-for-the-whole-family Batman. Catwoman is definitely not a fun-for-the-whole-family script."^[15] In an August 1995 interview, Pfeiffer re-iterated her interest in the spin-off, but explained her priorities would be challenged as a mother and commitments to other projects.^[20] The film labored in development hell for years, with Pfeiffer replaced by Ashley Judd. The film ended up becoming the critically panned Catwoman (2004), starring Halle Berry.^[21][22]

The Fall of the House of Usher

In 1994 Burton was close to directing an adaptation of the Edgar Allan Poe short story "The Fall of the House of Usher" with a screenplay by Jonathan Gems, but he chose to direct Mars Attacks! instead.

Superman Lives

After Kevin Smith had been hired to write a new Superman film, he suggested Burton to direct.^[23] Burton came on and Warner Bros. set a theatrical release date for the summer of 1998, the 60th anniversary of the character's debut in Action Comics.^[24] Nicolas Cage was signed on to play Superman, Burton hired Wesley Strick to rewrite Smith's script and the film entered pre-production in June 1997. For budgetary reasons, Warner Bros. ordered another rewrite from Dan Gilroy, delayed the film and ultimately put it on hold in April 1998. Burton then left to direct Sleepy Hollow.^[24] Burton has depicted the experience as a difficult one, citing differences with producer Jon Peters and the studio, stating, "I basically wasted a year. A year is a long time to be working with somebody that you don't really want to be working with."^[25]

X: The Man with the X-ray Eyes

Burton developed a script for a remake of 1963 science fiction B-film X: The Man with the X-ray Eyes with writer Bryan Goluboff, but it went unproduced.

Black Sunday

Around this time Burton considered directing a remake of the 1960 Italian horror film Black Sunday.

2000s

Tim Burton's Lost in Oz

Tim Burton's Lost in Oz would be a television series based on L. Frank Baum's The Wizard of Oz book series. Burton would be its executive producer. A pilot episode was filmed in 2000, but the series became unproduced due to budget constraints.^[26]

Ripley's Believe It or Not!

During the early 2000s, Burton was scheduled to direct a movie based on the famous Ripley's Believe It or Not! franchise, with Jim Carrey portraying Robert Ripley; the film ran over budget however, and was shelved by Paramount Pictures.

2010s

Addams Family stop-motion animated film

In 2010, it was announced that Illumination Entertainment, in partnership with Universal Pictures, had acquired the underlying rights to the Addams Family drawings.^[27] The film was planned to be a stop-motion animated film based on Charles Addams's original drawings. Tim Burton was set to co-write and co-produce the film, with a possibility to direct.^[28] In July 2013, it was reported that the film was cancelled.^[29]

Monsterpocalypse

In May 2010, DreamWorks announced that it had acquired the rights to a film adaptation of Monsterpocalypse, a Kaiju-themed collectible miniatures game.^[30] The studio has apparently approached director Tim Burton for the project.^[31] On July 19, 2010, it was confirmed that Burton was attached to direct.^[32]

Maleficent

Burton was briefly attached to direct Maleficent for Disney in 2011 but chose to pursue Dark Shadows and Frankenweenie instead.

Pinocchio

Robert Downey, Jr. enlisted Burton to direct a retelling of The Adventures of Pinocchio in 2012. Burton pursued Big Eyes and Ben Stiller is now attached to direct.

References

• Ken Hanke (1999). Tim Burton: An Unauthorized Biography of the Filmmaker. Los Angeles: Renaissance Books. ISBN 1-58063-162-2. 
• Mark Salisbury; Tim Burton (2006). Burton on Burton. London: Faber and Faber. ISBN 0-571-22926-3.