The Search (2014 film)

The Search
Fictional nine-year-old Hadji (Abdul Khalim Mamutsiev) holding his infant brother, both orphaned by Russian soldiers during the Second Chechen War.
Directed by	Michel Hazanavicius
Produced by	Michel Hazanavicius Thomas Langmann
Written by	Michel Hazanavicius
Starring	Bérénice Bejo Annette Bening
Music by	Selim Azzazi
Cinematography	Guillaume Schiffman
Edited by	Anne-Sophie Bion Michel Hazanavicius
Production company	La Petite Reine Worldview Entertainment La Classe Américaine Georgian Film Investment Group Sarke Studio
Distributed by	Warner Bros.
Release dates	21 May 2014 (2014-05-21) (Cannes) 26 November 2014 (2014-11-26) (France)
Running time	134 minutes
Country	France Georgia[1]
Language	English French Russian Chechen[2]

The Search is a 2014 French drama film written, directed, produced and co-edited by Michel Hazanavicius and co-produced by Thomas Langmann. The film is a reiteration of the Oscar-winning post-Holocaust drama also called The Search,^[3] directed by Fred Zinnemann, in which a compassionate westerner helps a lost child find what is left of his family amidst the chaotic flood of post-war civilian refugees. In the 1948 film the backdrop is post-war Berlin; The Search (2014) takes place in the "front lines of the Russian invasion of Chechnya"^[4] during the first year of the Second Chechen War (1999-2009).^[5] In both cases international aid workers help the families reunite.^[6] The Search was selected to compete for the Palme d'Or in the main competition section at the 2014 Cannes Film Festival.^[1]

Plot

The film begins and ends on the October 16th, 1999^[7] with 20-year-old Kolia, (Maksim Emelyanov), a Russian army recruit, recording and narrating with a handheld video camera, as young, drunken Russian soldiers taunt, terrorize and finally execute a civilian Chechen couple in front of their teenage daughter Raissa (Zukhra Duishvili).^[8] Kolia's story is one of four personal narratives that unfold against the backdrop of the ruins of a village in Chechnya, the flood of civilian refugees from the village, and a family partially reunited. We first meet Kolia as a pot-smoking guitar player in Perm, 2300 kilometers from the Chechen border, where he is taken into custody for possession of drugs and drafted into army service. As a new recruit he undergoes a brutal transformation from an innocent youth into a "dehumanized killing machine."^[4] When Kolia's fellow soldiers, kill the Chechnan couple, the couple's nine-year-old son, Hadji (Abdul Khalim Mamutsiev) hides and watches and when it is safe, he is able to carry his infant brother to relative safety. The trauma of his parents' death renders him mute. He is helped along the way to the refugee camp by other Chechen refugees and eventually, he is befriended by Carole (Bérénice Bejo), a French-born, Chechnya-based NGO worker. Carole, who works as a researcher and representative of the Human Rights Committee of the European Union, helps Hadji regain his ability to speak. Hadji's elder sister Raïssa searches for both brothers. Helen (Annette Bening), a Red Cross worker, is interviewed by Carol and places hope in the International response to the Second Chechen War to the centuries-old struggle of the Chechen people.^[9] Raissa reunited with her baby brother escapes once again from the village with the help of other Chechen refugees. She has to leave without Hadji against her will because of the Russian federal forces' aerial bombing.^[10] Raissa helps Helen at the International Red Cross orphanage. Both Helen and Carole are discouraged when the United Nations Commission of Human Rights report of April 2000 does not declare the situation in Chechnya a humanitarian disaster.^{[11][12][13][14][15]} Carole delivers her report to the United Nations but soon realizes that not many of the participants are listening. With the help of Carole and Helen^[8] Hadji is reunited with his siblings. The film ends at the beginning with Kolia's filming of the attack on Hadji's family.

Locations

Much of the filming took place alongside the Caucasus Mountains in Georgia depicting places like a village near Grozny, NGO offices in the city of Nazran in nearby Ingushetia, a federal subject of Russia that borders Chechnya, the city of Perm, Russia.^[16][17] Film critic Justin Chang praised the work of set designer, Emile Ghigo, who used buildings, places and geographical features in the "mountainous, battle-scarred landscape" of Georgia that were similar to those in Chechnya including buildings destroyed by bombs, army barracks and refugee camps.^[4] McCarthy also cited Ghigo's contribution with his "well-chosen locations, the crowded city scenes, detention centers and army barracks reek with the feel, sounds and discomfort of humanity pressed into unnaturally tight quarters."^[18]

Cinematography

Critics praised the work of Guillaume Schiffman,^[4][18] the French cinematographer, who also worked with director Michel Hazanavicius on films such as The Artist.^[19] McCarthy described how they used "muted but still sharply defined colors, as well as with what appear to be mostly handheld cameras, to achieve a somber yet vitally immediate look."^[18]

Criticism

The Guardian journalist Peter Bradshaw argued that Hazanavicius' attempt at "Old Hollywood big-hearted sincerity" devolved from an earnest rejection of violence against all actors in a war, into naive sentimentality.^[8] Bradshaw did commend Hazanavicius for reminding the west and the European Union of their lack of concern and inaction when Boris Yeltsin attacked Chechenya.^[8] Chang also praised all the actors for turning "in fine work within fairly circumscribed parameters;" he described the production as "first-rate" and the sound work as excellent. However he called the film a "grueling, lumbering, two-and-a-half-hour humanitarian tract that all but collapses under the weight of its own moral indignation" with an approach that was "ultimately hectoring" and "didactic."^[4] The Globe and Mail critic Liam Lacey described the film as "long, unoriginal and heavy-handed", a direct opposite of Hazanavicius' Oscar-winning silent movie comedy, The Artist.^[20] Critic Todd McCarthy observed that the Chechen faction to which the Russians were responding — referred to as rebels, terrorists or invaders elsewhere — are conspicuously absent from the film's mosaic. McCarthy remarked that, "it might have behooved [the film maker] to have everyday Chechens as well as the foreigners reference them, positively or negatively, to at least make them a presence and a factor in the tragedy."^[18]

Cast

• Bérénice Bejo as Carole
• Annette Bening as Helen
• Maksim Emelyanov as Kolia
• Abdul Khalim Mamutsiev as Hadji
• Zukhra Duishvili as Raïssa
• Lela Bagakashvili as Elina
• Yuriy Tsurilo as The Colonel
• Anton Dolgov as Soldier
• Mamuka Matchitidze as Father
• Rusudan Pareulidze as Mother

References

External links

• The Search at the Internet Movie Database