The Norwegian National Opera

The Norwegian National Opera
Video by Ulver
Released	28 November 2011[1]
Recorded	31 July 2010
Genre	Experimental, electronic, ambient
Length	120 Minutes
Label	Jester Records, Kscope
Director	Erlend Gjertsen
Ulver chronology
Wars of the Roses (2011) The Norwegian National Opera (2011) Childhood's End (2012)

The Norwegian National Opera
Live album by Ulver
Released	20 April 2013
Recorded	31 July 2010
Genre	Experimental, electronic, ambient
Length	120 Minutes
Label	Jester Records, Kscope
Ulver chronology
Wars of the Roses (2011) The Norwegian National Opera (2011) Childhood's End (2012)

The Norwegian National Opera is a concert film by Norwegian experimental collective Ulver. Directed by Erlend Gjertsen, the film was issued on DVD and Blu-ray Disc in November 2011^[1] via Jester Records and Kscope. The film documents Ulver’s performance at The Norwegian National Opera on 31 July 2010. The concert was later issued as a CD/DVD set, and double LP. The film holds an 18 rating from the BBFC for containing strong sex and bloody images,^[2] however, no cuts were made to the performance.^[3]

The concert also included performances from artist Ian Johnstone, “welcoming everyone as Mr. Ark Todd in a static dance under a levitating moon, and parting with a pillar, on the skeleton legs of a horse, pale and naked as nature intended. The two pieces were accompanied by piano prepared by Daniel and the sound of a sleeping beast from Kris' pad.”^[4]

Until recently Ulver had remained exclusively within the studio. This changed in May 2009 when the band accepted an invitation to appear at the Norwegian Festival of Literature.^[5] The success of this gig lead to them embarking on a string of other live performances in 2009 and 2010, selling out prestigious venues such as the Queen Elizabeth Hall in London, Volksbühne in Berlin and La Cigale in Paris before they returned to their homeland for their performance at The Norwegian Opera House.^[6][7]

Ulver were the first band outside the established Norwegian music scene to be invited to play at the Opera House.

On 9 September 2011 a trailer was released by Kscope.^[8]

Background

During their first fifteen years Ulver never played live, which contributed to the shaping of their musical legacy. Stig Sæterbakken finally persuading the band to play their first concert at the Norwegian Festival of Literature in May 2009, fans came from all over the world – including Australia, Japan, Canada and the US.

A national newspaper wrote on the band's concert at the Logen Theatre in Bergen, "The cult band hit us hard with suggestive music. Ulver is one of the few bands which can move from pictures of Jesus to sex, burlesque and atom bombs without making you jump. The music alone is too powerful for anything to make you more flabbergasted."^[7]

Malcolm Dome, writing for Classic Rock Magazine, commented, "Ulver's presentation is surreal and stark. A psychedelic excursion, an immersive experience, fuelled by haunting, progressive art. After such a night, you don't want to see another band for a few days. Because anything else would pale when put alongside Ulver."^[7]

Mojo writer, Phil Alexander, added, "In many respects, Ulver epitomise what happens when metal's melancholic strand is taken to its logical conclusion. While the band's roots lie in clattering black metal, their evolution began with the release of 1998's openly progressive Themes From William Blake's The Marriage Of Heaven And Hell. By the time they'd got to Shadows Of The Sun, they'd wandered still further away from their gnashing early work, sitting at the remote, windswept crossroads of art-rock, ambient adventurism, improvisational noise, and the hymnal aspects of modern classical music."^[7]

Critical reception

Upon release The Norwegian National Opera received positive reviews from music critics.

Mats Johansen, writing for Mind Over Metal gave the DVD a 5/5 rating, calling it “a magnificent rock extravaganza.”^[9]

Craig Haze, writing for Hellbound called the film “mesmerizing and stunning beautiful.”^[10]

Tom De Val, writing for Dutch Progressive Rock Page, rated the album 8.5/10, noting “they are a unique and at times hypnotic live experience; far from a conventional one, true; I’d liken seeing them live as more akin to a piece of performance art than a standard concert.”^[11]

Track listing

Personnel

References