National Gallery of Victoria

National Gallery of Victoria

Established	1861
Location	Southbank, Melbourne, Australia
Coordinates	37°49′21″S 144°58′07″E / 37.822595°S 144.968634°E / -37.822595; 144.968634
Type	Art museum
Visitors	1,941,921 (2013)
Director	Tony Ellwood
Public transit access	Flinders Street Station Tram routes 1, 3, 5, 6, 8, 16, 64, 67, 72
Website	http://www.ngv.vic.gov.au

The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Australia. Founded in 1861, it is Australia's oldest and most visited art museum, and houses an encyclopedic art collection across two sites: NGV International, located on St Kilda Road in the heart of the Melbourne Arts Precinct of Southbank, and the Ian Potter Centre: NGV Australia, located nearby at Federation Square. The St Kilda Road building, designed by Sir Roy Grounds, opened in 1968, and was renovated by Mario Bellini before reopening in 2003. The Ian Potter Centre: NGV Australia was designed by Lab Architecture Studio and opened in 2002.^[1]

History

The NGV was founded in 1861. Victoria had been an independent colony for only ten years, but in the wake of the Victorian gold rush, it was the richest colony in Australia, and Melbourne was the largest city in Australia. The collection has been built from both gifts of works of art and monetary donations. In particular, the Felton Bequest, established by the will of Alfred Felton in 1904, has purchased over 15,000 works of art for the NGV.^[2] The NGV currently holds over 70,000 works of art.^[3]

The National Gallery of Victoria Art School, associated with the gallery, was founded in 1867. It was the leading centre for academic art training in Australia until about 1910.^[4] The School's graduates went on to become some of Australia's most significant artists.

Australian collection

Ian Potter Centre: NGV Australia

The NGV's Australian art collection encompasses Indigenous (Australian Aboriginal) art and artefacts, Australian colonial art, Australian Impressionist art, 20th century, modern and contemporary art.

In the late 19th and early 20th century, domestic art began to thrive (particularly with the Heidelberg School in what was then an outer suburb of Melbourne) and the NGV was well-placed to add an excellent collection of key Australian works, which trace the metamorphosis of imported European styles into distinctively Australian art. The NGV houses many of the most recognisable Australian paintings, including Frederick McCubbin's The Pioneer and Tom Roberts' Shearing the Rams.

The Australian collection includes works by Charles Blackman, John Brack, Arthur Boyd, Louis Buvelot, Rupert Bunny, Nicholas Chevalier, Charles Conder, David Davies, William Dobell, Russell Drysdale, E. Phillips Fox, John Glover, Eugene von Guerard, Hans Heysen, George W. Lambert, Sydney Long, John Longstaff, Frederick McCubbin, Sidney Nolan, John Perceval, Margaret Preston, Hugh Ramsay, Tom Roberts, John Russell, Grace Cossington Smith, Arthur Streeton, Fred Williams and others.

A large number of works were donated by Dr. Joseph Brown in 2004 which form the Joseph Brown Collection.

Gallery

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  Aboriginal shields

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  Tom Roberts, Shearing the Rams, 1890

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  Arthur Streeton, ‘The purple noon's transparent might’, 1896

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  Frederick McCubbin, The Pioneer, 1904

International collection

NGV International

The NGV's international art collection encompasses European and international paintings, fashion and textiles, photography, prints and drawings, Asian art, decorative arts, Mesoamerican art, Pacific art, sculpture, antiquities and global contemporary art. It has strong collections in areas as diverse as old masters, Greek vases, Egyptian artefacts and historical European ceramics, and contains the largest and most comprehensive range of artworks in Australia.^[5]

The international collection includes works by Bernini, Bordone, Canaletto, Cézanne, Constable, Correggio, Degas, van Dyck, Gainsborough, Gentileschi, El Greco, Manet, Memling, Modigliani, Monet, Picasso, Pissarro, Poussin, Rembrandt, Renoir, Ribera, Rodin, Rothko, Rubens, Tiepolo, Giambattista Pittoni, Tintoretto, Turner, Uccello, Veronese and others.

In 2011 the NGV celebrated its 150th birthday and acquired an important painting by Correggio.

Gallery

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  Jan van Eyck, Ince Hall Madonna, 1433

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  Hans Memling, The Man of Sorrows in the arms of the Virgin, 1475

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  Antonio da Correggio, Madonna and Child with infant St John the Baptist, 1514–15

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  Jacopo Tintoretto, Doge Pietro Loredano, 1567–70

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  Rembrandt, Two old men disputing, 1628

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  Nicolas Poussin, The Crossing of the Red Sea, 1634

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  Anthony van Dyck, Rachel de Ruvigny, Countess of Southampton, 1640

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  Giovanni Battista Tiepolo, The Banquet of Cleopatra, 1743–44

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  Thomas Gainsborough, An officer of the 4th Regiment of Foot, 1776

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  Jules Bastien-Lepage, October, 1878

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  Claude Monet, Vétheuil, 1879

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  Camille Pissarro, Boulevard Montmartre, morning, cloudy weather, 1897

Photography collection

In 1967, the NGV established the first curatorial department dedicated to photography in an Australian public gallery,^[6] one of the first in the world. It now holds over 15,000 works. In that same year, the Gallery acquired the photography collection's first work, Surrey Hills street 1948 by David Moore and in 1969 the first international work was acquired, Nude 1939 by František Drtikol. The first photographer to exhibit solo at the NGV was Mark Strizic in 1968^[7]. Jennie Boddington, a filmmaker, was appointed first full-time curator of photography^[8] in 1972,^[9] possibly only the third such appointment amongst world public institutions.

As a "National Gallery"

The world's largest stained-glass ceiling in the NGV's Great Hall, designed by Australian artist Leonard French^[10]

Grimwade gardens, ground level of NGV

For some people the name "National Gallery of Victoria" is contentious as it is sometimes confused with the National Gallery of Australia (NGA) in Canberra, and there have been calls for the NGV to be renamed. However, the NGV was founded some 40 years before the formation of the Commonwealth of Australia, when Victoria was a self-governing British colony and a discrete political entity. It was also established more than a century before the NGA. According to former Victorian Premier Steve Bracks, "We won't be renaming the National Gallery of Victoria. It has a great tradition. It is the biggest and best gallery in the country and it's one of the biggest and best in the world."

Ian Potter Centre and NGV International

In 1959, the commission to design a new gallery and cultural centre was awarded to the architectural firm Grounds Romberg Boyd. In 1962, Roy Grounds split from his partners Frederick Romberg and Robin Boyd, retained the commission, and designed the gallery at 180 St Kilda Road (now known as NGV International). The building was completed in December 1967^[11] and opened on 20 August 1968. One of the features of the building is the Leonard French stained glass ceiling, one of the world's largest pieces of suspended stained glass, which casts colourful light on the floor below. The water-wall entrance is another well-known feature of the building. Grounds subsequently designed the adjacent Victorian Arts Centre with its iconic spire.

The NGV is now spread over two buildings a short distance from each other at the southern end of the CBD. The Ian Potter Centre: NGV Australia, in Federation Square opened in 2003 and houses the Australian art collection. Grounds' building, just south of the Yarra River, houses the international collection. It reopened in December 2003 after four years of renovations by architect Mario Bellini. The iconic Angel sculpture by Deborah Halpern was restored and was relocated to Birrarung Marr.

Picasso theft

A famous event in the history of the gallery was the theft of Pablo Picasso's painting The Weeping Woman in 1986 during the tenure of director Patrick McCaughey. A person or group who identified themselves as the "Australian Cultural Terrorists" claimed responsibility for the removal of the painting in protest against the perceived poor treatment of the arts by the state government of the time. They sought as a ransom the establishment of an art prize for young artists. The painting was returned in a railway locker two weeks later.^[12]

Melbourne Winter Masterpieces

The National Gallery of Victoria has held several large exhibitions known as Melbourne Winter Masterpieces exhibitions, starting with Impressionists: Masterpieces from the Musee d'Orsay in 2004, and an exhibition of Dutch masters in winter 2005 with Vermeer's painting The Love Letter from the Rijksmuseum in Amsterdam exhibited among many others. It was the first time a Vermeer painting had been exhibited in Australia. There was also an exhibition of Caravaggio paintings in 2004.

The 2006 Melbourne Winter Masterpieces exhibition was titled Picasso: Love and War 1935–1945 and ran from 30 June 2006 and 8 October 2006. The exhibition of over 300 Picasso drawings and paintings from the years 1935–1945 was curated by Anne Baldassari, Director of the Musée Picasso, Paris.^[13]

The 2007 Melbourne Winter Masterpieces exhibition was titled "Guggenheim Collection 1940s to now" (30 June to 7 October 2007) and showed more than 85 works by 68 artists, mainly from the Solomon R. Guggenheim Museum, New York City, but also from other Guggenheim Museums in Venice, Bilbao, and Berlin. The exhibition did not travel to any other city; it was seen by more than 180,000 visitors.^[14][15]

The 2008 Melbourne Winter Masterpieces exhibition was titled "Art Deco 1910—1939" and ran from 28 June to 5 October 2008. The exhibition was organized by the Victoria and Albert Museum, London.^[16]

The 2009 Melbourne Winter Masterpieces exhibition was titled "Salvador Dalí Liquid Desire" and ran from 13 June to 4 October 2009.^[17]

The 2010 Melbourne Winter Masterpieces exhibition was "European Masters: Städel Museum, 19th–20th Century".

The 2011 Melbourne Winter Masterpieces exhibition was titled "Vienna Art and Design" and ran from 13 June to 4 October 2011.^[18]

The 2012 Melbourne Winter Masterpieces exhibition was "Napoleon: Revolution to Empire".

In 2013, the Melbourne Winter Masterpieces exhibition was "Monet's Garden: The Musee Marmottan Monet, Paris" which ran from 10 May to 8 September and attracted over 342,000 visitors.

In 2014, the NGV showcased "Italian Masterpieces from Spain's Royal Court, Museo del Prado" as part of the Melbourne Winter Masterpieces series, from 16 May to 31 August.

The 2015 Melbourne Winter Masterpieces exhibition was titled "Masterpieces from the Hermitage- The Legacy of Catherine the Great". The exhibition featured pieces by Rembrandt, Rubens, Velazquez, Van Dyck, and others. The exhibition ran from 31 July to 8 November.

NGV Triennial

In 2013 the NGV launched "Melbourne Now", an exhibition which celebrated the latest art, architecture, design, performance and cultural practice to reflect the complex cultural landscape of creative Melbourne. "Melbourne Now" ran from 22 November 2013 – 23 March 2014 and attracted record attendances of 753,071.^[19] Following the success of "Melbourne Now", in 2–14 March the NGV announced a major new initiative, the NGV Triennial. Beginning in the Summer of 2017 and to be held every three years, this ambitious event will be a large-scale celebration of the best of contemporary international art and design.^[20]

Directors of the NGV

Directors of the NGV since its inception:^[21]

• G. F. Folingsby, 1882–91
• Lindsay Bernard Hall, 1891–35
• William Beckwith McInnes, (acting) 1935–36
• P. M. Carew-Smyth, (acting) 1937
• J. S. Macdonald, 1936–41
• Sir Ernest Daryl Lindsay, 1942–55
• Eric Westbrook, 1956–73
• Gordon Thomson, 1973–74
• Eric Rowlison, 1975–80
• Patrick McCaughey, 1981–87
• Rodney Wilson, 1988
• James Mollison, AO, 1989–95
• Timothy Potts, 1995–98
• Gerard Vaughan, 1999–2012
• Tony Ellwood, 2012 - present. Tony Ellwood is the current Director at the National Gallery of Victoria^[22]

References

External links

Wikimedia Commons has media related to National Gallery of Victoria.

• Official website
• Egyptian objects in the National Gallery of Victoria
• Contact Information for the National Gallery of Victoria
• Video: Artscape – The NGV Story (Part 1), (Part 2)