The Broken Column
| Spanish: La Columna Rota | |
 | |
| Artist | Frida Kahlo |
|---|---|
| Year | 1944 |
| Type | Oil on masonite |
| Dimensions | 39.8 cm × 30.6 cm (15.7 in × 12.0 in) |
| Location | Museo Dolores Olmedo, Xochimilco, Mexico City, Mexico |
The Broken Column (La Columna Rota in Spanish) is an oil on masonite painting by Mexican artist Frida Kahlo, painted in 1944 shortly after she had had spinal surgery to correct on-going problems which had resulted from a serious traffic accident when the painter was eighteen years old. The original is housed at the Museo Dolores Olmedo in Xochimilco, Mexico City, Mexico.[1]
As with many of her self-portraits, pain and suffering is the focus of the work,[2] though unlike many of her other works, which include parrots, dogs, monkeys and other people,[3] in this painting, Kahlo is alone. Her solitary presence on a cracked and barren landscape symbolize both her isolation[2] and the external forces which have impacted her life. As an earthquake might fissure the landscape, Kahlo's accident broke her body.[4]
In the painting Kahlo's nude torso is split, replicating the ravine-laced earth behind her and revealing a crumbling, Ionic column in place of her spine. Her face looks forward, unflinchingly, though tears course down her cheeks. In spite of the brokenness of her internal body, her external sensuality is unmarred. The cloth which wraps the lower part of her body and is grasped in her hands, is not a sign of modesty[4] but instead mirrors the Christian iconography of Christ's sheet, as do the nails which are piercing her face and body.[5] The metal corset, which depicts a polio support, rather than a surgical support,[6] may refer to her history of polio[3] or symbolize the physical and social restrictions of Kahlo's life.[4] By 1944, Kahlo's doctors had recommended that she wear a steel corset instead of the plaster casts she had worn previously. In The Broken Column this corset holds together Kahlo's damaged body.[5][7][8]
References
- ↑ Stavans, Ilan. "The Broken Column". Annenberg Learner. St. Louis, Missouri: Annenberg Foundation. Retrieved 1 October 2015.
- 1 2 Finger et al. 2013, p. 246.
- 1 2 Griffiths, Jay (26 March 2014). "Frida Kahlo: a life of hope and defiance". London: The Guardian. Retrieved 1 October 2015.
- 1 2 3 Lindauer 2011, p. 68.
- 1 2 Kettenmann 2000, p. 67.
- ↑ Collins, Amy Fine (3 September 2013). "Diary Of A Mad Artist". New York City, New York: Vanity Fair. Retrieved 1 October 2015.
- ↑ Staff writer. "Frida Kahlo: Room Guide: Room 11: Achieving Equilibrium". Tate Modern. Tate Modern. Retrieved 1 October 2015.
- ↑ Grosenick, Uta, ed. (2001). Women artists in the 20th and 21st century. Köln: Taschen. p. 252. ISBN 9783822858547.
Sources
- Finger, Stanley; Zaidel, Dahlia W.; Boller, Françoise; Bogousslavsky, Julien (2013). The Fine Arts, Neurology, and Neuroscience: Neuro-Historical Dimensions. Amsterdam, The Netherlands: Elsevier. ISBN 978-0-444-62736-0.
- Kettenmann, Andrea (2000). Frida Kahlo, 1907-1954: Pain and Passion. Hohenzollernring, Germany: Taschen. ISBN 978-3-8228-5983-4.
- Lindauer, Margaret A. (2011). Devouring Frida: The Art History and Popular Celebrity of Frida Kahlo. Middletown, Connecticut: Wesleyan University Press. ISBN 978-0-8195-7209-7.
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