The Blood Demon

The Blood Demon

Poster of the original title
Directed by Harald Reinl
Produced by Constantin Film[1]
Written by Manfred R. Köhler
Based on The Pit and the Pendulum 
by Edgar Allan Poe
Starring
Music by Peter Thomas
Cinematography
  • Ernst W. Kalinke
  • Dieter Liphardt
Distributed by
Release dates
  • 1967 (1967)
Running time
 90 minutes[4]
Country Germany
Language English
German

The Blood Demon or Die Schlangengrube und das Pendel, also known as The Torture Chamber of Dr. Sadism, The Snake Pit and the Pendulum,[5] and Castle of the Walking Dead, is a 1967 German horror film directed by Harald Reinl and starring Christopher Lee, Karin Dor, and Lex Barker.[4][6] The plot is based on the short story The Pit and the Pendulum by Edgar Allan Poe and concerns the saga of Count Regula, played by Christopher Lee, who, after being drawn and quartered for murdering twelve maidens, returns to life seeking revenge.[7] The film was advertised in Rhode Island newspapers as Crimson Demon due to a practice at the time of deleting the word "Blood" from film titles.[7]

Plot

The plot chronology is set in the 18th century and the probable story location is Germany.[8] Baroness Lilian von Brabant and her lawyer Roger Mont Elise receive an invitation to the Blood Castle,[9] in Sander Valley, where a large inheritance is awaiting the baroness. Both decide to go; the Baroness because of the inheritance and Roger seeing a chance to get more information regarding his birth.[9] Upon arriving at the valley, they meet the monk Fabian with a proclivity for profanities who offers to assist them in finding their way to the castle, the place where, forty years ago, Count Regula had murdered twelve maidens, in an attempt to use their blood to achieve immortality.[3][10] However he was one maiden short of his goal,[3][2] and he was drawn, quartered and beheaded for his crime.[1][10] As he was dying, the Count threatened revenge against those responsible for his death.[11]

On their way to the castle, passing through a dead forest full of corpses, with human limbs and torsos hanging from the dead tree branches,[12] they get attacked by mysterious hooded creatures riding horses who try to abduct the women. Despite Roger's successful efforts to protect the Baroness and her maid Babette from the creatures,[1] the two women mysteriously vanish. Fabian, who is revealed to be a robber rather than a monk, is so terrified by the unexplained disappearance of the women that he offers to help Roger find them. The two men finally locate the women locked in an iron chamber at Blood Castle, although they get caught before they can rescue them.[1][10]

External shots for the film were taken at the medieval town of Rothenburg ob der Tauber.[13]

After their capture, the Count's evil, green-blooded,[11] servant Anatol informs the two men that he is planning to bring the Count back to life after forty years.[11] Anatol, using his own green blood,[12] finally achieves his goal of reviving the Count.[11] Following his resurrection, the Count appears to the prisoners wearing an iron mask, informing the men that he needs the blood of maiden number thirteen to achieve his goal of immortality. The maiden is revealed to be the Baroness.[10]

After the pronouncements by the Count, the prisoners make an escape attempt but they are unsuccessful. As punishment, the baroness is locked into a snake and spider pit where she loses her sanity. Roger, imprisoned in a pit with a pendulum, manages to overcome the odds and survive. He also recovers the diamond-encrusted cross of the Baroness, which he uses to destroy the Count and Anatol, finally succeeding in freeing the prisoners. The Baroness recovers and falls into Roger's embrace while Fabian leaves the crumbling castle with Babette.[1][10]

Cast

Selected cast.[2]

Distribution

The film was distributed as a single bill until Kane W. Lynn, president of low-budget distribution company Hemisphere Pictures, combined it in a double bill with the film Mad Doctor from Blood Island.[7][10]

Reception

The film featured the Externsteine stones found in the Teutoburg Forest.[14]

TLA Video & DVD Guide describes the film as "an effective bit of Grand Guignol".[4] European Nightmares: Horror Cinema in Europe Since 1945 describes it as "a more traditional Gothic Horror film".[15]

Halloween calls it a "delight for hardcore adult fans",[16] and the Katholisches Institut für Medieninformationen includes the description of the film as a "German attempt at a horror film by Edgar Allan Poe, more laughable than creepy".[17]

Fright Night on Channel 9 calls it "a really great double feature" when seen as a double bill with Mad Doctor from Blood Island.[18] The review goes on to mention that the film "dripped with a rich and evocative Euro-atmosphere" and that "this flick defines the term" and calls it a "Wizard of Oz-like journey into horror". The review also calls the film a "skillful blend of horror and adventure" and a picture which offers "creepy delights" such a "forest of hanging corpses", "a castle full of torture traps" and a "sinister one-legged messenger on a cobbled village street".[10]

According to TV Guide, the plot may be weak but the film has "fascinating visuals" including an "eerie forest of the dead".[3] Monsters & Vampires mentions that the "The movie had some good chilled moments, particularly a ghostly ride through a literally dead forest, with branches filled with severed limbs and torsos."[12] Film critic Leonard Maltin described the film as "atmospheric".[8]

Newspaper practice

In the state of Rhode Island in the United States, as well as some other U.S. states, a practice was adopted by newspapers of the era under which the word "Blood" was deleted from the title of film advertisements and another was substituted in its place. Film titles such as Blood Demon became Crimson Demon, Mad Doctor from Blood Island became Mad Doctor from Crimson Island, and Blood of Dracula's Castle became Red of Dracula's Castle, the only exception being Roger Corman's film Bloody Mama which retained its original title. The newspapers, when faced with enquiries regarding this unusual advertising practice, did not provide any answers. Theater managers were indifferent to the policy because it did not seem to have an impact at the box office.[7]

See also

References

  1. 1 2 3 4 5 The American Film Institute Catalog of Motion Pictures Produced in the United States. University of California Press. 1997. p. 103. ISBN 978-0-520-20970-1. Horror film. Inspired by: Edgar Allan Poe, "The Pit and the Pendulum," in The Gift (Philadelphia. 1843). Forty years after Count Regula is beheaded and dismembered for murdering 12 virgins. Baroness Lilian von Brandt, her maid, Babette, and ...
  2. 1 2 3 Peter Cowie (1977). World Filmography: 1967. Fairleigh Dickinson Univ Press. p. 154. ISBN 978-0-498-01565-6.
  3. 1 2 3 4 "The Blood Demon". TV Guide.
  4. 1 2 3 David Bleiler (8 April 2014). TLA Video & DVD Guide 2005: The Discerning Film Lover's Guide. St. Martin's Press. pp. 3175–3176. ISBN 978-1-4668-6782-6.
  5. ↑ Barb Karg; Arjean Spaite (17 December 2008). The Everything Vampire Book: From Vlad the Impaler to the vampire Lestat - a history of vampires in Literature, Film, and Legend. Everything Books. p. 224. ISBN 1-4405-0169-6.
  6. ↑ Dawn B. Sova (1 January 2007). Critical Companion to Edgar Allan Poe: A Literary Reference to His Life and Work. Infobase Publishing. p. 143. ISBN 978-1-4381-0842-1.
  7. 1 2 3 4 Fred Olen Ray (1 January 1991). The New Poverty Row: Independent Filmmakers as Distributors. McFarland. p. 74. ISBN 978-0-89950-628-9.
  8. 1 2 Michael Klossner (1 January 2002). The Europe of 1500-1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 Through 2000. McFarland & Company. p. 342. ISBN 978-0-7864-1223-5. The 18th century; probably Germany. A doctor executed for mass murder is resurrected and tries to wipe out the last survivors in the families of his enemies. The connection to the Poe story was very loose. Maltin found it atmospheric.
  9. 1 2 Don G. Smith (1999). The Poe Cinema: A Critical Filmography of Theatrical Releases Based on the Works of Edgar Allan Poe. McFarland & Company. pp. 176–177. ISBN 978-0-7864-0453-7. ... Baroness Lilian and her attorney, Roger, are invited by a mysterious messenger to the legendary Blood Castle (former home of Count Regula). Since Roger hopes to learn the secret of his birth and Lilian hopes to receive ...
  10. 1 2 3 4 5 6 7 James Arena (13 December 2011). Fright Night on Channel 9: Saturday Night Horror Films on New York's WOR-TV, 1973-1987. McFarland. pp. 88–90. ISBN 978-0-7864-8891-9.
  11. 1 2 3 4 Robert W. Pohle; Douglas C. Hart; Christopher Lee (1983). The Films of Christopher Lee. Scarecrow Press. p. 115. ISBN 978-0-8108-1573-5. However, a green-blooded supernatural creature named Anatol (Lange) greets them, and explains that he intends to revive Count Regula. In due course, Anatol accomplishes just this —with blood. Finally, the travelers meet Count Regula, ...
  12. 1 2 3 Alan G. Frank (1976). Monsters & Vampires. Cathay Books. p. 47. ISBN 978-0-86178-119-5. Lee is Count Regula, executed by being hanged, drawn and quartered for the murder of a dozen virgins and brought to life again by the transfusion of green blood provided by his faithful retainer Anatol! Lee is Count Regula, executed by being hanged, drawn and quartered for the murder of a dozen virgins and brought to life again by the transfusion of green blood provided by his faithful retainer Anatol! The movie had some good chilled moments, particularly a ghostly ride through a literally dead forest, with branches filled with severed limbs and torsos.
  13. ↑ "Von Kaspar Hauser bis Harry Potter: Rothenburg ob der Tauber ist beliebte Filmkulisse". Tagblatt.de (in German).
  14. ↑ "NATUR, GESCHICHTE UND KINDERABENTEUER - DER TEUTOBURGER WALD". Bad Pyrmont. Der Standort der Adlerwarte zwischen Externsteine und Hermannsdenkmal zog in kürzester Zeit viele Besucher an. In den fünfziger Jahren erlangte die Adlerwarte Weltruhm durch die bekannten Filme wie "Die Schlangengrube und das Pendel"
  15. ↑ Patricia Allmer; Emily Brick; David Huxley (2012). European Nightmares: Horror Cinema in Europe Since 1945. Columbia University Press. p. 182. ISBN 978-0-231-16209-8.
  16. ↑ LEONARD R. N. ASHLEY (21 June 2012). Halloween. Xlibris Corporation. p. 478. ISBN 978-1-4691-7950-6.
  17. ↑ Film-Dienst 46. Katholisches Institut für Medieninformationen, Katholische Filmkommission für Deutschland. 1993. p. 7. Deutscher Versuch eines Horrorfilms nach E. A. Poe, eher lachhaft als gruselig
  18. ↑ James Arena (13 December 2011). Fright Night on Channel 9: Saturday Night Horror Films on New York's WOR-TV, 1973-1987. McFarland. p. 50. ISBN 978-0-7864-8891-9.

External links

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