The Birds (film)

The Birds
Theatrical release poster
Directed by	Alfred Hitchcock
Produced by	Alfred Hitchcock
Screenplay by	Evan Hunter
Based on	The Birds  by Daphne du Maurier
Starring	Rod Taylor Tippi Hedren Jessica Tandy Suzanne Pleshette Veronica Cartwright
Cinematography	Robert Burks, ASC
Edited by	George Tomasini
Distributed by	Universal Pictures
Release dates	March 28, 1963 (1963-03-28)
Running time	119 minutes
Country	United States
Language	English
Budget	$3.3 million[1]
Box office	$11.4 million[2]

The Birds is a 1963 horror film directed by Alfred Hitchcock, loosely based on the 1952 story of the same name by Daphne du Maurier. It focuses on a series of sudden and unexplained violent bird attacks on the people of Bodega Bay, California over the course of a few days.

The film features the screen debut of Tippi Hedren. It also starred Rod Taylor, Jessica Tandy, Suzanne Pleshette and Veronica Cartwright. The screenplay is by Evan Hunter. Hitchcock told him to develop new characters and a more elaborate plot, keeping du Maurier's title and concept of unexplained bird attacks.

Plot

Birds invade the Brenner house

Melanie Daniels (Tippi Hedren), a young socialite, meets lawyer Mitch Brenner (Rod Taylor) in a San Francisco bird shop. He wants to purchase a pair of lovebirds for his sister's eleventh birthday, but the shop has none. He recognizes her from a previous encounter, but she does not remember him, so he plays a prank by pretending to mistake her for a salesperson. She is infuriated when she realizes this, even though she also likes to play practical jokes. Intrigued, she finds his address in Bodega Bay, purchases a pair of lovebirds, and takes the long drive to deliver them. She secretly deposits the birdcage inside his mother's house, with a note. He spots her on the water through a pair of binoculars during her retreat, and manages to talk to her after she is attacked and injured by a seagull. He invites her to dinner, and she hesitantly agrees.

Melanie gets to know Mitch, his widowed mother Lydia (Jessica Tandy), and his younger sister Cathy (Veronica Cartwright). She also befriends local school teacher Annie Hayworth (Suzanne Pleshette), who is Mitch's ex-lover. When she spends the night at Annie's house, they are startled by a loud thud; a gull has killed itself by flying into the front door. At Cathy's birthday party the next day, the guests are set upon by seagulls. The following evening, sparrows invade the Brenner home through the chimney. The next morning, Lydia visits a neighboring farmer to discuss the unusual behavior of their chickens. She discovers his eyeless corpse, the result of a bird assault on his house. She flees the scene in terror. After being comforted by Melanie and Mitch, she expresses concern for Cathy's safety at school. Melanie drives there and waits for class to end, unaware that a huge number of crows are massing nearby in the playground area. Horrified when she sees the jungle gym engulfed by them, she warns Annie, and they evacuate the children. The commotion stirs the crows, and they attack, injuring several of the children.

Melanie meets Mitch at a local restaurant. Several patrons describe their own encounters with strange bird behavior. A drunken doomsayer believes the attacks are a sign of the apocalypse, and a traveling salesman suggests exterminating them all. An amateur ornithologist dismisses the reports of attacks as fanciful and argues about it with Melanie. A young mother becomes increasingly distressed by the conversation and chides them all for frightening her children. The birds begin to attack people outside the restaurant. A gas station attendant is attacked while filling a car with gasoline; he is knocked unconscious by a flying gull and the gasoline pours out onto the street. The salesman from the restaurant, unaware that he is standing in a puddle of the gasoline, attempts to light a cigar. The gasoline ignites, killing him. The flash of the explosion attracts a mass of gulls, which begin to swarm menacingly as townsfolk attempt to tackle the fire. The birds begin attacking the town as people pour from the restaurant to survey the damage; Melanie is forced to take refuge in a phone booth as birds create chaos outside. Mitch rescues her and they return to the restaurant, where the young mother becomes hysterical and accuses Melanie of causing the attacks, as the birds did not start their vicious behavior until she arrived. The ornithologist sits in stunned silence. Melanie and Mitch return to Annie's house and find that she has been killed by the crows while ushering Cathy to safety.

Melanie and the Brenners barricade themselves inside the Brenner home. It is attacked by waves of birds of all different species, which several times nearly break in through the sealed doors and windows. During a night-time lull between attacks, Melanie hears the sound of fluttering wings. Not wanting to disturb the others' sleep, she enters the kitchen and sees the lovebirds are sedentary. Realizing the sounds are emanating from above, she cautiously climbs the staircase and enters Cathy's bedroom, where she finds that the birds have broken through the roof. They violently attack her, trapping her in the room until Mitch comes to her rescue. She is badly injured and nearly catatonic; Mitch insists they must get her to the hospital and suggests they drive away to San Francisco. When he looks outside, it is dawn and a sea of birds ripple menacingly around the Brenner house as he prepares her car for their escape. The radio reports the spread of bird attacks to nearby communities, and suggests that the National Guard may be required to intervene because civil authorities are unable to combat the attacks, which continue to remain unexplainable. In the final shot, the car carrying Melanie, the Brenners, and the lovebirds slowly make its way through a landscape in which thousands of birds are perching.

Cast

Production

Development

On August 18, 1961, residents in the town of Capitola, California, awoke to find sooty shearwaters slamming into their rooftops, and their streets covered with dead birds. News reports suggested domoic acid poisoning (amnesic shellfish poisoning) as the cause. According to a local newspaper, the Santa Cruz Sentinel, Alfred Hitchcock requested news copy in 1961 to use as "research material for his latest thriller".^[4] At the end of the same month, he hired Evan Hunter to adapt Daphne du Maurier's novella, "The Birds", first published in her 1952 collection The Apple Tree.^[5] Hunter had previously written "Vicious Circle" for Alfred Hitchcock's Mystery Magazine, which he adapted for the television anthology series Alfred Hitchcock Presents.^[6] He also adapted Robert Turner's story "Appointment at Eleven" for the same television series.^[5] Hunter later suspected that he was hired because he had demonstrated he could write suspense (with the 87th Precinct novels, as Ed McBain) and because his novel The Blackboard Jungle had received critical acclaim.^[7] The relationship between Hunter and Hitchcock during the creation of The Birds was documented by the writer in his 1997 autobiography Me and Hitch, which contains a variety of correspondence between the writer, director and Hitchcock's assistant, Peggy Robertson.^[8]

Hunter began working on the screenplay in September 1961.^[9] He and Hitchcock developed the story, suggesting foundations such as the townspeople having a guilty secret to hide, and the birds an instrument of punishment.^[10] He suggested that the film begin using some elements borrowed from the screwball comedy genre then have it evolve into "stark terror".^[11][12][13] This appealed to Hitchcock, according to the writer, because it conformed to his love of suspense: the title and the publicity would have already informed the audience that birds attack, but they do not know when. The initial humor followed by horror would turn the suspense into shock.^[10]

Hitchcock solicited comments from several people regarding the first draft of Hunter's screenplay. Consolidating their criticisms, Hitchcock wrote to Hunter, suggesting that the script (particularly the first part) was too long, contained insufficient characterization in the two leads, and that some scenes lacked drama and audience interest.^[14] Hitchcock at later stages consulted with his friends Hume Cronyn (whose wife Jessica Tandy was playing Lydia) and V.S. Pritchett, who both offered lengthy reflections on the work.^[15]

Soundtrack

Many of the sound effects were created on the Mixtur-Trautonium, an electronic musical instrument developed by Oskar Sala.

Hitchcock decided to do without any conventional incidental score.^[16] Instead, he made use of sound effects and sparse source music in counterpoint to calculated silences. He wanted to use the electroacoustic Mixtur-Trautonium to create the birdcalls and noises. He had first encountered this predecessor to the synthesizer on Berlin radio in the late 1920s. It was invented by Friedrich Trautwein and further developed by Oskar Sala into the Trautonium, which would create some of the bird sounds for this film.^[17][18][19]

The director commissioned Sala and Remi Gassmann to design an electronic soundtrack.^[16] They are credited with "electronic sound production and composition", and Hitchcock's previous musical collaborator Bernard Herrmann is credited as "sound consultant".

Source music includes the first of Claude Debussy's Deux arabesques, which Tippi Hedren's character plays on piano, and "Risseldy Rosseldy", an Americanized version^[20] of the Scottish folk song "Wee Cooper O'Fife", which is sung by the schoolchildren.

Special effects

The special effects shots of the attacking birds were done at Walt Disney Studios by animator/technician Ub Iwerks, who used the sodium vapor process ("yellow screen") which he had helped to develop. The SV process films the subject against a screen lit with narrow-spectrum sodium vapor lights. Unlike most compositing processes, SVP actually shoots two separate elements of the footage simultaneously using a beam-splitter. One reel is regular film stock and the other a film stock with emulsion sensitive only to the sodium vapor wavelength. This results in very precise matte shots compared to blue screen special effects, necessary due to "fringing" of the image from the birds' rapid wing flapping.^[21]

Premiere and awards

The film premiered March 28, 1963 in New York City. The Museum of Modern Art hosted an invitation-only screening of it as part of a 50-film retrospective of Hitchcock's film work. The MOMA series had a booklet with a monograph on him written by Peter Bogdanovich. The film was screened out of competition in May at a prestigious invitational showing at the 1963 Cannes Film Festival^[22] with Hitchcock and Hedren in attendance.

Ub Iwerks was nominated for an Academy Award for Best Special Effects. The winner that year was Cleopatra. Tippi Hedren received the Golden Globe Award for New Star of the Year – Actress in 1964, sharing it with Ursula Andress and Elke Sommer. She also received the Photoplay Award as Most Promising Newcomer. The film ranked No. 1 of the top 10 foreign films selected by the Bengal Film Journalists' Association Awards. Hitchcock also received the Association's Director Award for the film.^[23]

It also won the Horror Hall of Fame Award in 1991.^[24]

Reception and interpretation

The Birds received critical acclaim. received a Rotten Tomatoes approval rating of 96%, with the consensus: "Proving once again that build-up is the key to suspense, Hitchcock successfully turned birds into some of the most terrifying villains in horror history."^[25] The eminent film critic David Thomson refers to it as Hitchcock's "last unflawed film".^[26]

Humanities scholar Camille Paglia wrote a monograph about the film for the BFI Film Classics series. She interprets it as an ode to the many facets of female sexuality and, by extension, nature itself. She notes that women play pivotal roles in it. Mitch is defined by his relationships with his mother, sister, and ex-lover – a careful balance which is disrupted by his attraction to the beautiful Melanie.^[27]

Slovenian Marxist philosopher and cultural critic Slavoj Žižek, in his The Pervert's Guide to Cinema, posits that, like most Hitchcock films, the central mechanism is psychoanalytic in nature. In this case, the birds attack as a manifestation of maternal Oedipal energy.

The film was honored by the American Film Institute as the seventh greatest thriller and Bravo awarded it the 96th spot on their "The 100 Scariest Movie Moments" for the scene when the birds attack the town.^[28]

American Film Institute nominations

• AFI's 100 Years...100 Movies^[29]
• AFI's 100 Years...100 Heroes & Villains
  • Birds (Villains)^[30] Nominated
• AFI's 100 Years...100 Movies^[31]

Sequel and remake

Tippi Hedren on the set of The Birds II: Land's End (1994)

An unrelated sequel, The Birds II: Land's End, was released in 1994, with different actors. It was a direct-to-television film and received negative reviews. Its director, Rick Rosenthal, removed his name from it, opting to use the Hollywood pseudonym Alan Smithee.^[32] Hedren appeared in it in a supporting role, but not as her original character.

In October 2007, Variety reported that Naomi Watts would star in Universal's remake of the film, which would be directed by Casino Royale director Martin Campbell. The production would be a joint venture by Platinum Dunes and Mandalay Pictures.^[33] Hedren stated her opposition to the remake, saying, "Why would you do that? Why? I mean, can't we find new stories, new things to do?"^[34] However, since 2007, development has been stalled. On June 16, 2009, Brad Fuller of Dimension Films stated that no further developments had taken place, commenting, "We keep trying, but I don't know."^[35] Eventually, in December 2009, Martin Campbell was replaced as director by Dennis Iliadis.^[36][37]

Several shooting scenes from the film are reenacted in The Girl, a 2012 HBO/BBC film that gives a version of the relationship between Hitchcock and Hedren.

See also

• List of American films of 1963

References

Bibliography

• Auiler, Dan (1999). Hitchcock's Secret Notebook. London: Bloomsbury. ISBN 0-7475-4588-X. 
• Chandler, Charlotte (2005). It's Only a Movie: Alfred Hitchcock: A Personal Biography. Simon and Schuste. ISBN 0-7432-4508-3. 
• Gottlieb, Sidney; Allen, Richard, eds. (2009). The Hitchcock annual anthology: selected essays from, Volumes 10-15. Wallflower Press. ISBN 978-1-905674-95-4. 
• Hunter, Evan (1997a). Me and Hitch. London: Faber and Faber. ISBN 0-571-19306-4. 
• Hunter, Evan (1997b). "Me and Hitch". Sight & Sound (British Film Institute) 7 (6): 25–37. 
• Mcgilligan, Patrick (2004). Alfred Hitchcock: A Life in Darkness and Light. HarperCollins. ISBN 0-06-098827-4. 
• Paglia, Camille (1998). The Birds. London: British Film Institute. ISBN 0-85170-651-7. 
• Pinch, Trevor; Trocco, Frank (2004). Analog Days: The Invention and Impact of the Moog Synthesizer. Harvard University Press. ISBN 0-674-01617-3. 
• Raubicheck, Walter; Srebnick, Walter (2011). Scripting Hitchcock: Psycho, The Birds, And Marnie. University of Illinois Press. ISBN 978-0-252-07824-8. 
• Thompson, David (2008). “Have You Seen…?” A Personal introduction to 1,000 Films. New York: Knopf. ISBN 978-0-375-71134-3. 
• Vagg, Stephen (2010). Rod Taylor: An Aussie in Hollywood. Bear Manor Media. ISBN 978-1-59393-511-5. 

External links

Wikimedia Commons has media related to The Birds (film).

Wikiquote has quotations related to: The Birds

• The Birds at the Internet Movie Database
• The Birds at the TCM Movie Database
• The Birds at AllMovie
• The Birds at the American Film Institute Catalog
• The Birds at Box Office Mojo
• Monograph on The Birds at Senses of Cinema
• Analytical summary by Tim Dirks at AMC Filmsite
• Complete script of the film
• Video Essay on "Why Do the Birds Attack?" on YouTube

Streaming audio

• The Birds on Lux Radio Theater: July 20, 1953
• The Birds on Escape: July 10, 1954