Sweet Home Alabama

For the film, see Sweet Home Alabama (film).
"Sweet Home Alabama"
Single by Lynyrd Skynyrd
from the album Second Helping
B-side "Take Your Time"
Released June 24, 1974
Format 7 inch
Recorded June 1973
Genre
Length 4:45
Label MCA
Writer(s)
Producer(s) Al Kooper
Certification Platinum (RIAA)
Lynyrd Skynyrd singles chronology
"Don't Ask Me No Questions"
(1974)
"Sweet Home Alabama"
(1974)
"Free Bird"
(1974)
Alternative cover
Music sample
Sweet Home Alabama

"Sweet Home Alabama" is a song by Southern rock band Lynyrd Skynyrd that first appeared in 1974 on their second album, Second Helping.

It reached #8 on the US charts in 1974 and was the band's second hit single.[1] The song was written in reply to "Southern Man" and "Alabama" by Neil Young; Young is noted by name in the song's lyrics.

Creation and recording

At a band practice shortly after bassist Ed King had switched to guitar, he heard fellow guitarist Gary Rossington playing a guitar riff that inspired him (in fact, this riff is still heard in the final version of the song and is played during the verses as a counterpoint to the main D  C9  G chord progression). In interviews, King has said that during the night following the practice session, the chords and two main guitar solos came to him in a dream, note for note. King then introduced the song to the band the next day. Also written at this session was the track that followed "Sweet Home Alabama" on the Second Helping album, "I Need You".

A live version of the track on the compilation album Collectybles places the writing of the song during the late summer of 1973, as the live set available on the album is dated October 30, 1973.

The track was recorded at Studio One in Doraville, Georgia, using just King, bassist Wilkeson, and drummer Burns to lay down the basic backing track. King used a Marshall amp belonging to Allen Collins. The guitar used on the track was a 1972 Fender Stratocaster. However, King has said that the guitar was a pretty poor model and had bad pickups, forcing him to turn the amp up all the way to get decent volume out of it. This guitar is now displayed at the Rock and Roll Hall of Fame Museum in Cleveland, Ohio.

The famous "Turn it up" line uttered by Ronnie Van Zant at the beginning was actually not intended to be in the song. Van Zant was simply asking producer Al Kooper and engineer Rodney Mills to increase the volume in his headphones so that he could hear the track better.

There is a semi-hidden vocal line in the second verse after the line "Well, I heard Mr. Young sing about her". In the left channel, you can hear the phrase "Southern Man" being sung lightly (approximately at 0:55). This was producer Al Kooper doing a Neil Young impression and was just another incident of the band members amusing themselves in the studio while being recorded. According to Leon Wilkeson, it was Kooper's idea to continue and echo the lines from "Southern Man" after each of Van Zant's lines. "Better...keep your head"..."Don't forget what your / good book says", etc. But Van Zant insisted that Kooper remove it, not wanting to plagiarize or upset Young. Kooper left the one line barely audible in the left channel.

Following the two "woos" (Wilkeson's, the first; King's, the second) at the start of the piano solo (at approximately 4:08), Van Zant can be heard ad-libbing "My, Montgomery's got the answer." The duplicate "my" was produced by Kooper turning off one of the two vocal takes. For Lynyrd Skynyrd's 1976 film Free Bird, this final line was changed to "Mr. (Jimmy) Carter got the answer." in a reference to the 1976 Presidential Election. While this line has many variations, and was commonly sung as "My Montgomery's got the answer," in the original recording, the line was "Ma and Pop Stoneman got the answer," referring to Hattie and Ernest Stoneman, better known as Ma and Pop Stoneman of the bluegrass/country music group and a TV show of the same name, The Stoneman Family.

The count-in heard in the beginning of the track is spoken by King. The count-in to the first song on an album was a signature touch that producer Kooper usually put on albums that he made.

"Sweet Home Alabama" was a major chart hit for a band whose previous singles had "lazily sauntered out into release with no particular intent". The hit led to two TV rock show offers, which the band turned down.[2] In addition to the original appearance on Second Helping, the song has appeared on numerous Lynyrd Skynyrd collections and live albums.

None of the three writers of the song were originally from Alabama. Ronnie Van Zant and Gary Rossington were both born in Jacksonville, Florida. Ed King was from Glendale, California.

During live performances, there is another guitar solo performed at the end after the piano solo. This live solo also includes the "Ahh ahh ahh, Alabama" used in the first solo.

Controversy

"Sweet Home Alabama" was written as an answer to two songs, "Southern Man" and "Alabama" by Neil Young, which dealt with themes of racism and slavery in the American South. "We thought Neil was shooting all the ducks in order to kill one or two," said Ronnie Van Zant at the time.[2] The following excerpt shows the Neil Young mention in the song:

Well, I heard Mister Young sing about her
Well, I heard ol' Neil put her down
Well, I hope Neil Young will remember
A Southern man don't need him around anyhow

In his 2012 autobiography Waging Heavy Peace, Young commented on his role in the song's creation, writing "My own song 'Alabama' richly deserved the shot Lynyrd Skynyrd gave me with their great record. I don't like my words when I listen to it. They are accusatory and condescending, not fully thought out, and too easy to misconstrue".[3]

Van Zant's other response was also controversial, with references to the Governor of Alabama, George Wallace (a noted supporter of segregation) and the Watergate scandal:

In Birmingham, they love the governor (boo boo boo)
Now we all did what we could do
Now Watergate does not bother me
Does your conscience bother you?
Tell the truth
...
Sweet home Alabama, oh, sweet home baby
Where the skies are so blue and the governor's true

Music historians point out that the choice of Birmingham in connection with the governor (rather than the capital Montgomery) is significant for the controversy as "In 1963, the city was the site of massive civil rights activism, as thousands of demonstrators led by Martin Luther King, Jr. sought to desegregate downtown businesses...[and] was the scene of some of the most violent moments of the Civil Rights Movement. Segregationist police chief Bull Connor unleashed attack dogs and high-pressure water cannons against peaceful marchers, including women and children; just weeks later, Ku Klux Klansmen bombed a black church, killing four little girls."[4]

In 1975, Van Zant said: "The lyrics about the governor of Alabama were misunderstood. The general public didn't notice the words 'Boo! Boo! Boo!' after that particular line, and the media picked up only on the reference to the people loving the governor."[5] "The line 'We all did what we could do' is sort of ambiguous," Al Kooper notes. "'We tried to get Wallace out of there' is how I always thought of it."[5] However, neither explanation accounts for the barely audible "and the governor's true" toward the end of the song. Journalist Al Swenson argues that the song is more complex than it is sometimes given credit for, suggesting that it only looks like an endorsement of Wallace.[5] "Wallace and I have very little in common," Van Zant himself said, "I don't like what he says about colored people."[5]

Music historians examining the juxtaposition of invoking Nixon and Watergate after Wallace and Birmingham note that one reading of the lyrics is an "attack against the liberals who were so outraged at Nixon's conduct" while others interpret it regionally: "the band was speaking for the entire South, saying to northerners, we're not judging you as ordinary citizens for the failures of your leaders in Watergate; don't judge all of us as individuals for the racial problems of southern society".[4]

Muscle Shoals

One verse of the song includes the line "Now Muscle Shoals has got the Swampers/And they've been known to pick a song or two." This refers to the town of Muscle Shoals, Alabama, a popular location for recording popular music because of the "sound" crafted by local recording studios and back-up musicians. "The Swampers" referred to in the lyrics are the Muscle Shoals Rhythm Section. These musicians, who crafted the "Muscle Shoals Sound", were inducted into the Alabama Music Hall of Fame in 1995[6] for a "Lifework Award for Non-Performing Achievement" and into the Musician's Hall Of Fame in 2008 (the performers inducted into the latter were the four founding Swampers—Barry Beckett, Roger Hawkins, David Hood, Jimmy Johnson—plus Pete Carr, Clayton Ivey, Randy McCormack, Will McFarlane, and Spooner Oldham).[7][8] The nickname "The Swampers" was given to the Muscle Shoals Rhythm Section by producer Denny Cordell during a recording session by singer/songwriter Leon Russell, in reference to their 'swampy' sound.

Part of the reference comes from the 1971–1972 demo reels that Lynyrd Skynyrd had recorded in Muscle Shoals with Johnson as a producer/recording engineer. Johnson helped refine many of the songs first heard publicly on the Pronounced album, and it was Van Zant's "tip of the hat" to Johnson for helping out the band in the early years and essentially giving the band its first break.

Lynyrd Skynyrd remains connected to Muscle Shoals, having since recorded a number of works in the city and making it a regular stop on their concert tours.

The PBS show Independent Lens aired a documentary on Muscle Shoals and its place in music history in mid-April 2014.

Personnel

Lynyrd Skynyrd
Additional personnel

Charts

Weekly charts

Chart (1974) Peak
position
Austrian Singles Chart 56
Canada RPM Top Singles 6
German Singles Chart 87
Swiss Singles Chart 51
U.S. Billboard Hot 100 8
Chart (2008) Peak
position
UK Singles (Official Charts Company)[9] 44

Year-end chart

Chart (1974) Peak
position
U.S. Cashbox Top 100 58
Canadian RPM Top Singles 81

Sales and certifications

Region Certification Sales/shipments
Italy (FIMI)[10] Gold 15,000double-dagger
United Kingdom (BPI)[11] Gold 400,000double-dagger
United States (RIAA)[12] Gold 3,300,000 (digital)[13]

double-daggersales/streaming figures based on certification alone

Covers

An altered version by the country group Alabama (who changed the lyrics involving the Watergate scandal with a verse talking about Alabama football) was included on the 1994 tribute album Skynyrd Frynds. It peaked at number 75 on the Billboard Hot Country Singles & Tracks chart.[14]

In the late 1980s SF Bay Area band Lifeunderwater covered the song in their live shows.

In 1999, the Germany rock band Bonfire covered the song for their album, Fuel to the Flames and have performed the song live at concerts as well as for an acoustic performance (which was released as the double disc album One Acoustic Night).

In 2005, Universal Recording artists Boyz After Money Always (B.A.M.A.) recorded a rap remake to the classic rock song. B.A.M.A.'s version reached #16 on the Billboard hip-hop singles chart and went on to sell over 150,000 ringtones.

Kid Rock's 2008 song "All Summer Long" samples "Sweet Home Alabama" on the chorus and uses the guitar solo and piano outro; Billy Powell is featured on the track. "All Summer Long" also samples Warren Zevon's "Werewolves of London", which has similar chord progression to "Sweet Home Alabama". Since Kid Rock's release, the original song has charted in the UK charts at number 44. Zevon himself apparently hated "Sweet Home Alabama" and referred to it as "that dead band's song". He surmised that those who listen to it only do so because their own lives are miserable, and his views on the song are articulated in "Play It All Night Long," which appears on his 1980 album Bad Luck Streak in Dancing School.

Spanish punk rock group Siniestro Total released a parody under the title Miña Terra Galega, that is "My Galician Homeland", in Galician, "where the sky is always gray".[15]

In the video game StarCraft II: Wings of Liberty, "Sweet Home Alabama" is covered by the "Big Tuna Band" and appears with other 20th-century music in Jimmy's jukebox aboard the 26th-century battle cruiser Hyperion.

Although not a cover, former Metallica guitarist Dave Mustaine has admitted that the bridge to the song "The Four Horsemen" on the band's album Kill 'Em All is a direct copy of the main riff in "Sweet Home Alabama".[16]

In 1994, the Finnish rock band group "The Leningrad Cowboys featuring the Alexandrov Ensemble" did a cover of many songs on their album called Happy Together and performed it both on their 1993 Helsinki concert and the 1994 MTV Music Awards show.

Japanese female singer Chihiro Onitsuka covered the song in her 2012 cover album FAMOUS MICROPHONE.

Argentinian singers Charly Garcia and Javier Calamaro recorded "Sweet Home Buenos Aires", a song in the theme of "Sweet Home Alabama" but its lyrics are about Buenos Aires.

In their live concerts, swing band Big Bad Voodoo Daddy, while performing their ending tune, "So Long, Farewell, Goodbye", suddenly launch into the first few bars of "Sweet Home Alabama".

Garth Brooks recorded the song for the 2013 box set Blame It All on My Roots: Five Decades of Influences.

Riff sampled by The Geto Boys on an alternate version of "Gangster of Love".

In 1996, the Serbian rap group Sunshine sampled this song in their single "Žaklina traži sponzora".

In popular culture

Recognition and awards

References

  1. Sweet Hom xe Alabama song information, Songfacts.com
  2. 1 2 3 4 Dupree, T. (1974), Lynyrd Skynyrd in Sweet Home Atlanta [Electronic version]. Rolling Stone. Retrieved October 17, 2007.
  3. Young, Neil (2012). "Chapter Fifty-seven". Waging Heavy Peace: A Hippie Dream. New York, New York: Penguin Group. p. 417. ISBN 978-0-14-218031-0.
  4. 1 2 Shmoop Staff (2010). Sweet Home Alabama: Shmoop Music Guide. Shmoop University.
  5. 1 2 3 4 Ballinger, Lee. (2002 ©1999). Lynyrd Skynyrd: An Oral History. Los Angeles, California: XT377 Publishing. ISBN 0-9720446-3-9
  6. "The Muscle Shoals Rhythm Section". Alabama Music Hall of Fame. Archived from the original on February 17, 2012.
  7. "Which Band Will Reunite Next? Placing Odds on 14 Groups, from Led Zeppelin to N'Sync Pictures". Rolling Stone. October 29, 2008. Retrieved January 4, 2014.
  8. TimesDaily
  9. "Archive Chart: 2008-08-02" UK Singles Chart.
  10. "Italian single certifications – Lynyrd Skynyrd – Sweet Home Alabama" (in Italian). Federazione Industria Musicale Italiana. Select Online in the field Sezione. Enter Lynyrd Skynyrd in the field Filtra. Select 2015 in the field Anno. The certification will load automatically
  11. "British single certifications – Lynyrd Skynyrd – Sweet Home Alabama". British Phonographic Industry. Enter Sweet Home Alabama in the field Keywords. Select Title in the field Search by. Select single in the field By Format. Select Gold in the field By Award. Click Search
  12. "American single certifications – Lynyrd Skynyrd – Sweet Home Alabama". Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Single, then click SEARCH
  13. Appel, Rich (October 10, 2014). "Revisionist History 101: The Hot 100's Year-End No. 1 Songs, Then... And Now (Part One)". Billboard. Prometheus Global Media. Retrieved October 29, 2014.
  14. Whitburn, Joel (2013). Hot Country Songs 1944–2012. Record Research, Inc. p. 17. ISBN 978-0-89820-203-8.
  15. "Miña terra galega (Sweet home Alabama)". Siniestro.com. January 11, 2013. Retrieved January 4, 2014.
  16. "Dave Mustaine: The Story Behind Metallica's 'The Four Horsemen'". Roadrunnerrecords.com. August 15, 2011. Retrieved January 4, 2014.
  17. Associated Press (2007). Lynyrd Skynyrd Song Turns Alabama Tourist Theme [Electronic version]. USA Today. Retrieved October 17, 2007.
  18. Archived November 19, 2008 at the Wayback Machine
  19. Miller, John J. (May 26, 2006) Rockin' the Right, National Review

External links

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