St. Cecilia: The Elektra Recordings

St. Cecilia: The Elektra Recordings
Studio album by Stalk-Forrest Group
Released	23 April 2001
Recorded	Elektra Sound Recorders, New York and Los Angeles, February–May 1970
Genre	Rock, psychedelic rock
Label	Elektra, Rhino
Producer	Dennis Murphy, Peter Seigel, Jay Lee

Professional ratings
Review scores
Source	Rating
Allmusic	[1]
Allmusic	[2]

St. Cecilia: The Elektra Recordings is an album by the American rock band Stalk-Forrest Group, which would later become the successful hard rock band Blue Öyster Cult. It was recorded in 1970, but it was not officially released until 2001.

Overview

The band (originally known as 'Soft White Underbelly') had recorded demos for Elektra Records in 1969. When original vocalist Les Braunstein left the band, Elektra decided not to put out the recordings and ended their recording contract. The band then recorded demos for Columbia Records after recruiting roadie Eric Bloom as their new vocalist. Some of these Columbia demos eventually surfaced as bonus tracks on the re-mastered version of the first Blue Öyster Cult album in 2001. After being rejected by Columbia as well, manager Sandy Pearlman convinced Elektra Records to give the band another shot, and they began work on a full-length album in February 1970. Meanwhile, the band had changed its name to Oaxaca, and would soon change it again to Stalk-Forrest Group. Ultimately, after being presented with two different versions of the album, Elektra decided not to release it, and dropped the band from the label. These recordings finally surfaced as a bootleg in the late 1990s. Confusingly, the bootleg was titled Curse of the Hidden Mirrors, after a song on the Elektra album, but Curse of the Hidden Mirror was eventually used as the title of a Blue Öyster Cult studio album in 2001.

The untitled Elektra album was finally released officially in 2001 (along with nine bonus tracks from the sessions) as St. Cecilia: The Elektra Recordings by Rhino Entertainment in a limited, numbered edition of 5000 copies. It is now out of print. This same release was reissued in 2013 by Wounded Bird Records and is also now out of print.

Inferior "bootleg" versions of the album with a shuffled track listing are available as grey-area releases, such as St. Cecilia: The California Album on Radioactive Records (not the real Radioactive label, but a grey area label using the same name). These releases are not made from the original master tapes like the Rhino/Wounded Bird release.

Bass player Andrew Winters was fired from the band not long after the St. Cecilia sessions. He was replaced by Joe Bouchard, brother of drummer Albert Bouchard. The band re-named themselves Blue Öyster Cult, and they would finally secure a solid recording contract with Columbia Records in 1971.

Song details

• The song "I'm on the Lamb" was re-recorded for Blue Öyster Cult's first proper album Blue Öyster Cult in 1971. It was re-worked and recorded again for the Tyranny & Mutation album (1973), under the title "The Red and the Black".

• The very last part of the song "Gil Blanco County" would later re-emerge at the end of "(Don't Fear) The Reaper" on the popular live album Some Enchanted Evening (1978).

• The chord changes for "Arthur Comics" were recycled for the instrumental "Buck's Boogie", released on the 1975 live album On Your Feet or on Your Knees. More directly, however, the bridge from "Gil Blanco County" was used as the main development section in "Buck's Boogie," although the progression is in D rather than Db in "Buck's Boogie."

• Demo versions of three songs from this album ("What Is Quicksand?", "Donovan's Monkey" and "A Fact About Sneakers"), appear on the remastered CD of the album Blue Öyster Cult, as does a cover of the Bobby Freeman tune "Betty Lou's Got a New Pair of Shoes". Another song from these sessions, "John L. Sullivan", was released on the 2001 promo-only CD "God Save Blue Oyster Cult From Themselves". All were recorded as demos for Columbia Records in 1969.

Track listing

1. "What Is Quicksand?" (Allen Lanier, Richard Meltzer) - 3:19
2. "I'm on the Lamb" (Eric Bloom, Albert Bouchard, Sandy Pearlman) - 3:00
3. "Gil Blanco County" (Lanier, Pearlman) - 3:37
4. "Donovan's Monkey" (Bouchard, Meltzer) - 3:44
5. "Ragamuffin Dumplin'" (Bouchard, Meltzer) - 5:12
6. "Curse of the Hidden Mirrors" (Bouchard, Meltzer) - 3:17
7. "Arthur Comics" (Bouchard, Meltzer) - 3:11
8. "A Fact About Sneakers" (Bouchard, Meltzer) - 7:53
9. "St. Cecilia" (Bouchard, Pearlman, Andrew Winters) - 6:48
10. "Ragamuffin Dumplin'" (alternate mix) (Bouchard, Meltzer) - 5:19
11. "I'm on the Lamb" (alternate take) (Bloom, Bouchard, Pearlman) - 2:54
12. "Curse of the Hidden Mirrors" (alternate mix) (Bouchard, Meltzer) - 3:17
13. "Bonomo's Turkish Taffy" (deleted from final album) (Bouchard, Meltzer) - 2:14
14. "Gil Blanco County" (alternate mix) (Lanier, Pearlman) - 3:37
15. "St. Cecilia" (alternate mix) (Bouchard, Pearlman, Winters) - 6:47
16. "A Fact About Sneakers" (alternate take) (Bouchard, Meltzer) - 3:10
17. "What Is Quicksand?" (mono single mix) (Lanier, Meltzer) - 3:21
18. "Arthur Comics" (mono single mix) (Bouchard, Meltzer) - 3:10

• Tracks 1-9 are the finished, but unreleased and untitled Elektra album EKS-74046
• Tracks 10-16 taken from earlier version of the unreleased album labeled "OAXACA"
• Tracks 17 and 18 are from the Elektra promo single EKM-45693, released 20 July 1970

Personnel

• Eric Bloom aka "Jesse Python" - lead vocals, guitars
• Donald Roeser aka "Buck Dharma" - lead guitar, vocals
• Andrew Winters aka "Andy Panda" - bass, acoustic guitar on "St. Cecilia"
• Allen Lanier aka "La Verne" - keyboards, guitar
• Albert Bouchard aka "Prince Omega" - drums, vocals

The nicknames in quotes were given to the band members by manager Sandy Pearlman. Nearly all of the members hated the nicknames, with the exception of Donald Roeser, who continues to use "Buck Dharma" as his stage name.

References