Slipknot (album)
Slipknot | ||||
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Studio album by Slipknot | ||||
Released | June 29, 1999 | |||
Recorded | September 29, 1998 – February 1999 | |||
Studio | Indigo Ranch Studios in Malibu, California, United States | |||
Genre | Nu metal[1] | |||
Length | 58:33 | |||
Label |
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Producer |
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Slipknot chronology | ||||
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Singles from Slipknot | ||||
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Slipknot is the self titled debut studio album by American heavy metal band Slipknot. It was released on 29 June 1999 through Roadrunner Records, following a demo containing a few of the songs which had been released in 1998, and was reissued in December 1999 with a slightly altered track listing and mastering as the result of a lawsuit. It was the first release by the band to be produced by Ross Robinson, who sought to refine Slipknot's sound rather than alter the group's musical direction.
The album spans several genres, but is generally noted for its extensive percussion and overall heavy sound. It was well received by fans and critics alike and was responsible for bringing Slipknot a large increase in popularity. The album peaked at number 51 on the Billboard 200, and has gone on to become certified double platinum in the United States, making it the band's best selling album. It was voted the best debut album of the last 25 years by readers of Metal Hammer magazine.[2]
Recording and production
In 1997, following the band's demo release Mate. Feed. Kill. Repeat., the members of Slipknot continued to write new material and work in SR Audio, a local studio, with new vocalist Corey Taylor.[3] The band had started work on a follow-up but never got further than pre-production.[3] Songs written and recorded in this period include "Slipknot", "Gently", "Do Nothing", "Tattered and Torn", "Heartache and a Pair of Scissors", "Me Inside", "Coleslaw", "Carve", "Windows" and "May 17th".[4] In 1998, Slipknot was receiving growing attention from record labels including Epic and Hollywood Records.[5]
On September 29, 1998, Slipknot left Des Moines, Iowa for Indigo Ranch Studios in Malibu, California, anxious to record an album after a long wait to be signed.[6][7] They released this demo to prospective labels and producers; the track "Spit It Out" was the main focus of the demo and, with help from their manager Sophia John, they were able to get a copy of the eponymous demo to Ross Robinson.[8] The band wanted him to work with them on their debut album and after meeting with the band Robinson signed them to his own label, I Am, but later helped sign them to Roadrunner Records.[8]
The album's recording process was "very aggressive and chaotic", as producer Robinson strove to capture the intensity that the band created when performing live. Within three days all the drums were recorded, which contributed to the raw, live sound on the album that the band considers integral to its musical direction.[9] By November 11, 1998, the recording of the album seemed complete and the band returned to Des Moines.[10] During the Christmas period, guitarist Josh Brainard, who recorded on all the tracks to that point, decided to leave the band. The reasons for his departure are unclear; it was widely thought to have been because of family constraints, however, Brainard dispels these rumours, explaining that "some decisions were made that I wasn't particularly happy with."[11] His replacement was Jim Root, with whom the band returned to the studio in February 1999.[12] Slipknot finished recording during this period, with two extra songs: a re-recording of "Me Inside", and a new track called "Purity". The mixing stages were very challenging, as drummer Joey Jordison and producer Robinson mastered the entire album with analog equipment, instead of the then more common method of using digital formats.[13] "Wait and Bleed" and "Spit It Out", which had appeared on the demo prior to the album, were released on the album, also; the demo songs "Interloper" and "Despise" are available on the digipak version of the same album. "Snap" was featured on the soundtrack for the film Freddy vs. Jason[14] and "Eyeless" appeared on an episode of The Sopranos.
Musical and lyrical themes
The musical style of Slipknot is a constantly contested issue and the genres that the band are categorized in vary depending on the source, however, this album is generally regarded as nu metal, while showing influences of many different genres.[15] The influence of death metal on the album is clear, and on the subject Jordison stated; "the roots are death metal, thrash, speed metal, and I could go on and on about all those bands."[16] The album also shows influences from alternative metal and even rap metal. Critics have also noted an industrial influence.[17] Due to the band's large line-up consisting of additional percussionists and electronics, the album has a very dense, layered sound. Alternative Press stated that the album used "inventive sampling, creative guitar work and an absolute percussive overload",[18] while Q magazine described the album as "a terrifying racket".[19] Slipknot also includes melody, most notably in the single "Wait and Bleed".[16]
"742617000027" is the intro track to the album. It contains some guitar scratches and abstract sound samples from the sampler Craig Jones. Some of the dialogue was reportedly taken from a Charles Manson documentary. The dialogue is "The whole thing, I think it's sick." In an interview shortly after the album was released, Joey Jordison claimed the voice is Corey Taylor's, sped up.[20] 742617000027 was the barcode number on their 1996 self-released album Mate. Feed. Kill. Repeat. All of the band members wear that number on their jumpsuits.
The album features Corey Taylor as lead vocalist; he had previously appeared on their second demo, which, in turn, resulted in them signing to Roadrunner Records.[21] Rick Anderson of AllMusic noted that on "Scissors", Taylor "actually sounds like he's about to burst into tears.[22] Taylor's aggressive, expletive-filled lyrics were noted by AllMusic; "[the] lyrics that are discernible are not generally quotable on a family website; suffice it to say that the members of Slipknot are not impressed with their fathers, their hometown or most anything else."[22] "Eeyore", a hidden track placed at the end of "Scissors", begins after dialogue shared among the band members that was recorded while they were viewing a scene in a pornographic film that involved coprophilia, is heard.[23] It has been played live many times and appears on both the DVD Disasterpieces and the live album 9.0: Live.[24]
Critical reception
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
AllMusic | [22] |
Alternative Press | [18] |
Kerrang! | [25] |
Q | [19] |
Slipknot was well received by critics and fans; following its release the band gained popularity beyond their own expectations.[26] Reviewing for AllMusic, Rick Anderson awarded the album four out of five stars, calling it "an auspicious debut" and proclaimed, "You thought Limp Bizkit was hard? They're The Osmonds. These guys are something else entirely. And it's pretty impressive."[22] The album's aggression and heavy sound was widely praised; Rolling Stone stated Slipknot is "metal with a capital m",[27] Kerrang! added "raw and wholly uncompromising, each track delivered a powerful blow to the senses", and in 2001, Q magazine included the album in their list "50 Heaviest Albums of All Time".[19][25] CMJ ranked the album as the twelfth highest "Editorial Pick" for 1999.[28] The album was also included in the book 1001 Albums You Must Hear Before You Die by Robert Dimery.[29]
A single from the album, "Wait and Bleed", was nominated for Best Metal Performance at the 2001 Grammy Awards, but lost to Deftones' "Elite".[30] The song was also named the 36th greatest metal song of all time by VH1.[31] The release of the album and the touring which followed greatly increased the band's popularity. The album became the "biggest selling extreme metal album at the time."[32] It was ranked by American Soundscan as the fastest-selling metal debut in Soundscan's history.[33] On May 2, 2000, the album was certified platinum in the United States, a first for any album released by Roadrunner Records.[34] On February 5, 2005, the RIAA certified it Double Platinum.[34] In Canada, the Canadian Recording Industry Association certified the album as Platinum on October 10, 2000.[35] The British Phonographic Industry certified the album as Platinum on October 17, 2008 in the UK.[36]
Controversy
"Can you imagine a girl being buried in a box and have all this lecherous bullshit drip down on her from this guy? It just hurts your head."
After the release of the album, the band was accused of copyright infringement regarding the concept of the song "Purity". Corey Taylor, during a Q&A, claimed that the song's lyrics had been written five years prior to the song's release and that only the song's name had been inspired by the Purity Knight story, which was claimed by the authoring website as being fictional. Taylor, to his defense, said the song's inspiration came from films such as Boxing Helena and The Collector, and not the story itself.[38] The short track, "Frail Limb Nursery", which serves as a prelude to "Purity", contains audio samples of the imprisoned Purity Knight as recorded by a young boy, posted as evidence on the authoring website. Slipknot, in an effort to prevent the entire album from being pulled, removed "Purity" and "Frail Limb Nursery" from the album until the case could be settled. As a result, the band released slightly remastered standard and digipak versions of the album in December 1999, replacing both tracks with "Me Inside".[39][40] The band later won their case, and was subsequently able to still play the song during live performances. It is included in the band's second DVD Disasterpieces (the studio version appears here as well) as well as the live album 9.0: Live and Antennas to Hell, and the 10th anniversary edition of the self-titled album.[24]
10th Anniversary Edition
On September 9, 2009, Slipknot released a Special Edition version of the album to commemorate the tenth anniversary of its release. It was released in two forms, a digipak and a box set. The release date (09/09/09) is a reference to the fact that the band had nine band members and have sustained the same lineup since the original release of the album. The Special Edition box set includes: a CD and DVD set featuring all new digipak packaging, with a total of 25 songs, including the original album plus several previously unreleased cuts, demo tracks and "Purity".[41] The DVD, which was directed by percussionist Shawn Crahan, features footage of the band in 1999 and 2000,[42] titled Of the Sic: Your Nightmares, Our Dreams. The DVD also features all three music videos released in support of the album, an entire live concert recorded at the Dynamo Open Air, 2000 and "other surprises".[43] A "super deluxe" box set version of the re-release contains a T-shirt, patch, collectible cards, key chain, beanie and a note from vocalist Corey Taylor, and comes in packaging that resembles a safety deposit box.[41]
Track listing
All songs written and composed by Shawn Crahan, Paul Gray, Joey Jordison, Mick Thomson and Corey Taylor [44]
Demo | ||
---|---|---|
No. | Title | Length |
1. | "Spit It Out" | 2:35 |
2. | "Wait and Bleed" | 2:33 |
3. | "Snap" | 2:54 |
4. | "Interloper" | 2:18 |
5. | "Despise" | 3:40 |
Original issue | ||
---|---|---|
No. | Title | Length |
1. | "742617000027" | 0:36 |
2. | "(sic)" | 3:19 |
3. | "Eyeless" | 3:56 |
4. | "Wait and Bleed" | 2:27 |
5. | "Surfacing" | 3:38 |
6. | "Spit It Out" | 2:39 |
7. | "Tattered & Torn" | 2:54 |
8. | "Frail Limb Nursery" | 0:45 |
9. | "Purity" | 4:14 |
10. | "Liberate" | 3:06 |
11. | "Prosthetics" | 4:58 |
12. | "No Life" | 2:47 |
13. | "Diluted" | 3:23 |
14. | "Only One" | 2:26 |
15. | "Scissors" ("Scissors" last 8:23; there is a silence between 8:23 and 13:23; there is a conversation of the band between 13:23 and 16:30 and "Eeyore" last 2:48 minutes) | 19:16 |
Original issue - Digipak (Import) | ||
---|---|---|
No. | Title | Length |
1. | "742617000027" | 0:36 |
2. | "(sic)" | 3:19 |
3. | "Eyeless" | 3:56 |
4. | "Wait and Bleed" | 2:27 |
5. | "Surfacing" | 3:38 |
6. | "Spit It Out" | 2:39 |
7. | "Tattered & Torn" | 2:54 |
8. | "Frail Limb Nursery" | 0:45 |
9. | "Purity" | 4:14 |
10. | "Liberate" | 3:06 |
11. | "Prosthetics" | 4:58 |
12. | "No Life" | 2:47 |
13. | "Diluted" | 3:23 |
14. | "Only One" | 2:26 |
15. | "Scissors" | 8:23 |
16. | "Me Inside" | 2:39 |
17. | "Get This" | 2:02 |
18. | "Interloper (Demo)" | 2:18 |
19. | "Despise (Demo)" ("Despise" ends at 3:41, followed by the hidden track "Eeyore") | 14:35 |
Reissue | ||
---|---|---|
No. | Title | Length |
1. | "742617000027" | 0:36 |
2. | "(sic)" | 3:19 |
3. | "Eyeless" | 3:56 |
4. | "Wait and Bleed" | 2:27 |
5. | "Surfacing" | 3:38 |
6. | "Spit It Out" | 2:39 |
7. | "Tattered & Torn" | 2:54 |
8. | "Me Inside" | 2:39 |
9. | "Liberate" | 3:06 |
10. | "Prosthetics" | 4:58 |
11. | "No Life" | 2:47 |
12. | "Diluted" | 3:23 |
13. | "Only One" | 2:26 |
14. | "Scissors" ("Scissors" last 8:23; there is a silence between 8:23 and 13:23; there is a conversation of the band between 13:23 and 16:30 and "Eeyore" last 2:48 minutes) | 19:16 |
European Limited Edition digipak import | ||
---|---|---|
No. | Title | Length |
1. | "742617000027" | 0:36 |
2. | "(sic)" | 3:19 |
3. | "Eyeless" | 3:56 |
4. | "Wait and Bleed" | 2:27 |
5. | "Surfacing" | 3:38 |
6. | "Spit It Out" | 2:39 |
7. | "Tattered & Torn" | 2:54 |
8. | "Me Inside" | 2:39 |
9. | "Liberate" | 3:06 |
10. | "Prosthetics" | 4:58 |
11. | "No Life" | 2:47 |
12. | "Diluted" | 3:23 |
13. | "Only One" | 2:26 |
14. | "Scissors" | 8:23 |
15. | "Get This" | 2:02 |
16. | "Interloper (Demo)" | 2:18 |
17. | "Despise (Demo)" ("Despise" ends at 3:41, followed by the hidden track "Eeyore") | 14:35 |
Reissue digipak bonus tracks | ||
---|---|---|
No. | Title | Length |
14. | "Scissors (Edit)" | 8:25 |
15. | "Get This" | 2:03 |
16. | "Spit It Out (Hyper Version)" | 2:24 |
17. | "Wait and Bleed (Terry Date Mix)" | 2:31 |
18. | "Interloper (Demo)" | 2:18 |
19. | "Despise (Demo)" | 3:41 |
20. | "Surfacing (Live Version)" (includes the track "Eeyore") | 12:39 |
10th Anniversary Edition | ||
---|---|---|
No. | Title | Length |
1. | "742617000027" | 0:35 |
2. | "(sic)" | 3:19 |
3. | "Eyeless" | 3:56 |
4. | "Wait and Bleed" | 2:27 |
5. | "Surfacing" | 3:38 |
6. | "Spit It Out" | 2:39 |
7. | "Tattered & Torn" | 2:53 |
8. | "Purity" | 4:25 |
9. | "Liberate" | 3:06 |
10. | "Prosthetics" | 4:58 |
11. | "No Life" | 2:47 |
12. | "Diluted" | 3:23 |
13. | "Only One" | 2:26 |
14. | "Scissors" | 8:23 |
15. | "Eeyore" | 2:49 |
16. | "Me Inside" | 2:39 |
17. | "Get This" | 2:03 |
18. | "Spit It Out (Hyper Version)" | 2:24 |
19. | "Spit It Out (Stamp You Out Mix)" | 2:36 |
20. | "(sic) (Molt-Injected Mix)" | 3:27 |
21. | "Wait and Bleed (Terry Date Mix)" | 2:31 |
22. | "Wait and Bleed (Demo)" | 2:34 |
23. | "Snap (Demo)" | 2:41 |
24. | "Interloper (Demo)" | 2:18 |
25. | "Despise (Demo)" | 3:41 |
- 10th Anniversary Edition DVD
- Of the Sic: Your Nightmares, Our Dreams (documentary film)
- Live at Dynamo Open Air 2000 (full concert)
- Music videos
- "Spit It Out"
- "Wait and Bleed"
- "Surfacing"
- "Wait and Bleed (Animated Version)"
Chart positions
Chart (1999) | Peak position |
---|---|
Australian Albums Charts | 32[45] |
Austrian Albums Chart | 44[46] |
Dutch Albums Charts | 42[47] |
Finnish Albums Chart | 30[48] |
French Albums Chart | 175[49] |
German Albums Chart | 57[50] |
New Zealand Albums Charts | 49[51] |
Swedish Albums Chart | 53[52] |
UK Albums Chart | 37[53] |
US Billboard 200 | 51[54] |
US Top Heatseekers | 1[55] |
Certifications
Country | Certification |
---|---|
Australia | Platinum[56] |
Canada | Platinum[35] |
Japan | Gold[57] |
Netherlands | Gold[58] |
United Kingdom | Platinum[36] |
United States | 2x Platinum[34] |
Personnel
Aside from their real names, members of the band are referred to by numbers zero through eight.[15]
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Release history
Region | Date | Label | Format | Catalog |
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Worldwide release | June 29, 1999 | Roadrunner Records | Compact disc | RR 8655-2 |
Digipak album | RR 8655-5 | |||
Worldwide reissue | December, 1999 | Compact disc | RR 8655-8 | |
Digipak album | RR 8655-9 | |||
Japan | Digipak album | 1686-185112 | ||
United States | LP | RR 8655-1 | ||
Picture disc | RR 8655-6 |
References
- ↑ "Polari Magazine review- Walter Beck.". polarimagazine.com. Retrieved 29 September 2015.
- ↑ "Slipknot Voted Best Debut Album of the Last 25 Years! | Roadrunner Records". Roadrunner Records. October 21, 2011. Retrieved July 4, 2013.
- 1 2 Arnopp 2001, pp. 70–71.
- ↑ Arnopp 2001, p. 78.
- ↑ Crampton 2001, p. 29.
- ↑ McIver, Joel (2001). Slipknot: Unmasked. Omnibus. p. 58. ISBN 0-7119-8677-0.
- ↑ Arnopp 2001, p. 104.
- 1 2 Arnopp 2001, pp. 82–93.
- ↑ Arnopp 2001, pp. 105–10.
- ↑ Arnopp 2001, pp. 112–14.
- ↑ McIver, Joel (2003). Slipknot: Unmasked (Again). Omnibus. pp. 61–63. ISBN 0-7119-9764-0.
- ↑ Crampton 2001, p. 35.
- ↑ Arnopp 2001, pp. 115–21.
- ↑ D'Angelo, Joe (June 30, 2003). "'Freddy Vs. Jason' Soundtrack Features Cuts from Slipknot, Sepultura, Others – Music, Celebrity, Artist News | mtv.com". MTV News. Retrieved July 4, 2013.
- 1 2 Huey, Steve. "Slipknot – Music Biography, Credits and Discography : AllMusic". AllMusic. Retrieved July 4, 2013.
- 1 2 Udo, Tommy (2002). Brave Nu World. Sanctuary Publishing. p. 124. ISBN 1-86074-415-X.
- ↑ Beck, Walter (January 17, 2013). "Slipknot | Classic Album | polarimagazine.com". Polari Magazine. Retrieved July 4, 2013.
- 1 2 Alternative Press: 116. December 1999. Missing or empty
|title=
(help) - 1 2 3 Q. July 2001. Missing or empty
|title=
(help) - ↑ MvIver, Joel (2012). Slipknot All Hope Is Gone. Omnibus Press. p. 83. ISBN 9781780383101.
- ↑ Arnopp 2001, pp. 45–83.
- 1 2 3 4 Anderson, Rick. "Slipknot – Slipknot : Songs, Reviews, Credits, Awards : AllMusic".
- ↑ Arnopp 2001, pp. 122–23.
- 1 2 Disasterpieces (DVD). Roadrunner Records. 2002.
- 1 2 Kerrang!: 51. November 6, 1999. Missing or empty
|title=
(help) - ↑ Crahan, Shawn (Director) (2006). Voliminal: Inside the Nine (DVD). Roadrunner Records.
- ↑ Eliscu, Jenny (March 2, 2000). "[Slipknot review]". Rolling Stone. Archived from the original on September 30, 2008. Retrieved July 4, 2013.
- ↑ "Editorial Picks". CMJ. January 10, 2000. p. 4.
- ↑ Dimery, Robert (2006). 1001 Albums You Must Hear Before You Die. Universe. ISBN 0-7893-1371-5.
- ↑ D'Angelo, Joe (February 16, 2001). "Slipknot Working on Album as They Ponder Grammys, Touring". MTV News. Retrieved July 4, 2013.
- ↑ "http://www.vh1.com/shows/dyn/the_greatest/103446/episode_this_list.jhtml". VH1. Archived from the original on September 13, 2006. Retrieved July 4, 2013. External link in
|title=
(help) - ↑ Begrand, Adrian (November 30, 2000). "Slipknot: 9.0 Live | PopMatters". PopMatters. Retrieved July 4, 2013.
- ↑ Ambrose, Joe (2001). Moshpit: The Violent World of Mosh Pit Culture. Omnibus Press. p. 130. ISBN 0-7119-8744-0.
- 1 2 3 "RIAA – Gold & Platinum Searchable Database – July 03, 2013". RIAA. Retrieved July 4, 2013.
- 1 2 "Gold and Platinum". Music Canada. Retrieved July 4, 2013.
- 1 2 "Certified Awards". BPI. Retrieved July 4, 2013.
- ↑ Arnopp 2001, pp. 159–61.
- ↑ "Corey Taylor Speaks About Purity – YouTube". YouTube. November 23, 2011. Retrieved July 4, 2013.
- ↑ Arnopp 2001, pp. 159–161.
- ↑ "Wrecking Crew". Guitar. November 2001.
- 1 2 "Blabbermouth.net – More Slipknot Reissue Details Revealed". Blabbermouth.net. July 22, 2009. Retrieved July 4, 2013.
- ↑ "Slipknot Announce 10th Anniversary of Their Infamous Self Titled Debut – Roadrunner Records UK". Roadrunner Records. July 15, 2009. Retrieved July 4, 2013.
- ↑ "Slipknot to Release Special 10th Anniversary Debut | Roadrunner Records". Roadrunner Records. December 7, 2011. Retrieved July 4, 2013.
- ↑ Billmann, Peter; Jacobson, Jeff; Pappas, Paul (1999). Slipknot. Milwaukee, Wisconsin: Hal Leonard. ISBN 9780634017667.
- ↑ "Australian-charts.com – Slipknot – Slipknot". Australian-charts.com. Retrieved July 4, 2013.
- ↑ "Slipknot – Ten Year Anniversary 1999–2009 – Austriancharts.at". Austriancharts.at. Retrieved July 4, 2013.
- ↑ "dutchcharts.nl – Slipknot – Slipknot". dutchcharts.nl. Retrieved July 4, 2013.
- ↑ "Finnishcharts.com – Slipknot – Slipknot". Finnishcharts.com. Retrieved July 4, 2013.
- ↑ "Lescharts.com – Slipknot – Slipknot". Lescharts.com (in French). Retrieved July 4, 2013.
- ↑ "Die ganze musik im internet: charts, neuerscheinungen, tickets, genres, genresuche, genrelexikon, künstler-suche, musik-suche, track-suche, ticket-suche – Musicline.de". Musicline.de (in German). Retrieved July 4, 2013.
- ↑ "Charts.org.nz – Slipknot – Slipknot". Charts.org.nz. Retrieved July 4, 2013.
- ↑ "Swedishcharts.com – Slipknot – Slipknot". Swedishcharts.com. Retrieved July 4, 2013.
- ↑ "Slipknot | Artist | Official Charts". Official Charts Company. Retrieved July 4, 2013.
- ↑ "Slipknot – Chart History | Billboard". Billboard. Retrieved July 4, 2013.
- ↑ "Slipknot – Slipknot - Awards - AllMusic". AllMusic. Retrieved July 4, 2013.
- ↑ "ARIA Charts – Accreditations - 2001 Albums". ARIA. Retrieved July 4, 2013.
- ↑ "GOLD ALBUM 他認定作品 2002年7月度" [Gold Albums, and other certified works. July 2002 Edition] (PDF). The Record (Bulletin) (in Japanese) (Chūō, Tokyo: Recording Industry Association of Japan) 514: 14. September 10, 2002. Archived from the original (PDF) on January 14, 2014. Retrieved January 17, 2014.
- ↑ "Goud / Platina | NVPI". NVPI. Retrieved July 4, 2013.
Literature
- Arnopp, Jason (2001). Slipknot: Inside the Sickness, Behind the Masks. Ebury. ISBN 0-09-187933-7.
- Crampton, Mark (2001). Barcode Killers: The Slipknot Story in Words and Pictures. Chrome Dreams. ISBN 1-84240-126-2.
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