Rob Tregenza

Rob Tregenza (born November 14, 1950) is a North American cinematographer, film director, and producer. Besides shooting his own projects, Tregenza also worked as a director of photography with other directors, including Béla Tarr (Werckmeister Harmonies), Claude Miller (Marching Band), Pierre William Glenn (The Sad and Lonely Death of Edgar Allan Poe), and Alex Cox (Three Businessmen).

Early work

Tregenza earned his PhD from UCLA in 1982. He has produced, directed and photographed three feature films: Talking to Strangers (1987), which appeared at the Berlin International Film Festival, Edinburgh International Film Festival, Toronto International Film Festival; The Arc (1991), a co-production with Film Four International which showed in Berlin, Edinburgh, Toronto, and Chicago; and Inside/Out (1997), which screened at Cannes, Toronto, Rotterdam, and Sundance.

Tregenza's first feature, Talking to Strangers, won him acclaim and the eye and praise of Jean-Luc Godard, who personally selected the film in 1996 to be showcased at the Toronto Film Festival. Richard Brody, of The New Yorker, wrote of the film: "The drive for purity extends through all domains—intimate, intellectual, artistic, and, for that matter, religious—as the quest for experience comes into conflict with the yearning for the realization of a higher, even transcendently great, ideal."[1]

Tregenza's third feature, Inside/Out, premiered at the 1997 Cannes Film Festival in the Un Certain Regard section.[2]

Cinematic technique

Tregenza's work often employs the use of long takes to create mise en scene. His cinematic inspirations include the works of Michelangelo Antonioni, Kenji Mizoguchi, & Jean-Luc Godard.

VCUarts Cinema

Tregenza is currently the Director of the Cinema Program at the Virginia Commonwealth University School of the Arts in Richmond, Virginia. In its 8th year, the VCUarts Cinema Program is a 3 year program that dually emphasizes on theory and production in the fall and spring semesters. Students shoot 4-8 shorts (ranging from 20-40 minutes) each summer generally on 35 mm film with Arriflex film cameras. His lectures range from Mise en scène theory to the work of Gilles Deleuze and "the fold."[3]


References

  1. ↑ Brody, Richard. "“Talking to Strangers,” at Light Industry". The New Yorker. Retrieved 2/18/15. Check date values in: |access-date= (help)
  2. ↑ "Festival de Cannes: Inside/Out". festival-cannes.com. Retrieved 2009-09-26.
  3. ↑ VCUarts Biography

External links

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