Robert Gavin Hampson

Robert Gavin Hampson (born Liverpool 1948) was educated at King's College London and the University of Toronto.[1] He has taught at Royal Holloway, University of London, since 1973, and has been Professor of Modern Literature there since 2000.

During the 1970s he co-edited the poetry magazine Alembic with Peter Barry and Ken Edwards and was part of the British Poetry Revival.[2] He co-edited The New British poetries: The scope of the possible (1993) with Peter Barry. His poetry publications include Assembled Fugitives: Selected poems 1973-1998 (2001), Seaport (2008),an explanation of colours (2010), Reworked Disasters (2012), which was long-listed for the Forward Prize. During his time as Head of the Department of English, he founded the MA in Poetic Practice at Royal Holloway, University of London, with Redell Olsen in 2002 and the MA in Creative Writing with Andrew Motion in 2003.[3] Graduates of the Poetic Practice programme include Elizabeth-Jane Burnett, Becky Cremin, Frances Kruk, Ryan Ormonde, Jooyeon Park, Sophie Robinson, Karen Sandhu and Steven Willey.

His work as one of the editors of Alembic has received attention in two books by Wolfgang Gortschacher - Little Magazine Profiles: The Little Magazines in Great Britain, 1939-1993 (University of Salzburg, 1993) and Contemporary Views on the Little Magazine Scene (Poetry Salzburg, 2000)- and, more recently, in an interview (with Ken Edwards) by Sophie Seita in the magazine mimeo mimeo (2014). His best-known work is probably Seaport, which has been written about by Peter Barry, Andrew Duncan, Amy Cutler, Neal Alexander and others. His poetry has been translated into German, Italian and Rumanian. See, for example, Wolfgang Gortschacher & Ludwig Laher, So Also Ist Das: Eine Zweisprachige Anthologie Britischer Gegenswartslyrik (Haymon-Verlag, 2002), and the translation of the sequence 'Lou Mistrau' in the Italian journal 'Soglie' (August 2014)..

In 1999, he was asked to take over the TALKS series that Bob Perelman had established at King's College, London, during his year as a visiting professor there. Hilda Bronstein has given an account of the early years of the London TALKS series in How2 <<www.asu.edu/pipercwcenter/how2journal]]>> He subsequently set up the Runnymede International Literary Festival in collaboration with Royal Holloway and Runnymede Borough Council. He has continued to be the Festival Director. More recently, the Festival transferred some of it activities to Central London as 'Runnymede in London' through collaboration with the Centre for Creative Collaboration (c4cc) <<https://audioboom.com/boos/143889-c4cc-launch/>>, which also provided the venue for Polyply, the event series run by Redell Olsen, Will Montgomery and Kristen Kreider. <<https://polyply.wordpress.com/>> In 2010-11, he collaborated with the Palestinian visual artist, Leena Nammari, on an concertina book, 'The Long View', as part of the Beyond Text project.<<http://www.poetrybeyond text.org/hampson-namari>> During 2014, he curated an event series, Amid the Ruins, with Carrie Foulkes at the Daniel Blau Gallery, Hoxton Square, London.<<http://otherroom.org/tag/roberthampson>>

His more recent work includes 'love's damage', which was published in the Surrey Poetry Festival Magazine (21.05.11), edited by Amy De'Ath and Jonty Tiplady <<static1.1.sqspcdn.com/static/f/436447/12796874>>; 'sonnets 4 sophie' first published in Veer Vier (September 2013)<<epc.buffalo.edu/library/Veer-56-1014.pdf>>, while 'an explanation of colours' was reviewed by Edmund Hardy and Melissa Flores-Borquez in Intercapillary Space <<http://intercapillaryspace. blogspot.co.uk>> and 'out of sight' (crater, 2012)and 'Liverpool (hugs &) kisses', his 2014 collaboration with Robert Sheppard, are reviewed on the other room website. <<http://otherroom.org/tag/roberthampson>>

He has also pursued a parallel career as a Conrad scholar and editor with three monographs on Joseph Conrad: Joseph Conrad: Betrayal and Identity (1992), Cross-Cultural Encounters in Joseph Conrad's Malay Fiction (2000) and Conrad's Secrets (2013). He was editor of The Conradian (1989–96) and edited various Conrad texts - Lord Jim (1986), Victory (1989), Heart of Darkness (1995) - for Penguin books, as well as Rudyard Kipling's Something of Myself (1987) and Soldiers Three (1993) and Rider Haggard's King Solomon's Mines (2000).[4] He was recently elected Chair of the Joseph Conrad Society(UK)<<www.josephconradsociety.org/>>.

He also makes an appearance (lightly disguised) in Adam Roberts's 2003 science-fiction novel, 'Polystom. <<http://www.adamroberts.com/writing/polystom>>

Publications

Poetry

Joseph Conrad

Joseph Conrad: Betrayal and Identity (Macmillan, 1992).

Cross-Cultural Encounters in Joseph Conrad's Malay Fiction (Palgrave, 2000).

Conrad's Secrets (Palgrave Macmillan, 2012).

Ford Madox Ford

(Co-edited with Tony Davenport), Ford Madox Ford: A Re-Appraisal (Rodopi, 2002).

(Co-edited with Max Saunders), Ford Madox Ford's Modernity (Rodopi, 2003).

Critical Work on Poetry

(Co-edited with Peter Barry), New British poetries: The scope of the possible (Manchester University Press, 1993).

(Co-edited with Will Montgomery), Frank O'Hara Now (Liverpool University Press, 2010)

References

  1. ↑ Hampson, Robert. www.rhul.ac.uk/portal/en/persons/robert-hampson. Missing or empty |title= (help);
  2. ↑ Miller/ Price, David/ Richard (2006). British Poetry Magazines 1914-2000. The British Library. p. 127. ISBN 0-7123-4941-3.
  3. ↑ Hampson, Robert. www.rhul.ac.uk/portal/en/persons/robert-hampson. Missing or empty |title= (help);
  4. ↑ Hampson, Robert. www.rhul.ac.uk/portal/en/persons/robert-hampson. Missing or empty |title= (help);
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