Rising Damp

Rising Damp
Opening title of Series 1
Created by	Eric Chappell
Starring	Leonard Rossiter Frances de la Tour Richard Beckinsale Don Warrington Gabrielle Rose
Country of origin	United Kingdom
No. of series	4
No. of episodes	28 (list of episodes)
Production
Producer(s)	Yorkshire Television (ITV Productions)
Running time	30 minutes
Release
Original network	ITV
Picture format	4:3
Original release	2 September 1974 (1974-09-02) – 9 May 1978 (1978-05-09)

Rising Damp is a British sitcom produced by Yorkshire Television for ITV. ITV originally broadcast the programme from 1974 until 1978. It was adapted for television by Eric Chappell^[1] from his well-received 1971 stage play The Banana Box (retained as the working title early in the series).^[2] The series was the highest-ranking ITV sitcom in BBC's 100 Best Sitcoms poll of 2004.^[3]

Basic premise

Rising Damp starred Leonard Rossiter, Frances de la Tour, Richard Beckinsale and Don Warrington.^[4] Rossiter played Rupert Rigsby (originally Rooksby in the stage play): the miserly, seedy, and ludicrously self-regarding landlord of a run-down Victorian town house who rents out his shabby bedsits to a variety of tenants. Beckinsale played Alan Guy Moore, a long-haired, naive, good-natured and amiable medical student who occupies the top room. Frances de la Tour was Miss Ruth Jones: a fey, whimsical spinster and college administrator who rents another room, with whom Rigsby is in love and to whom he proposes in the last episode.

In the pilot episode, a new tenant arrives. Philip Smith (Don Warrington) is a planning student who claims to be the son of an African Chief. As a black man, he brings out the ill-informed fears and knee-jerk suspicions of Rigsby. However, the landlord quickly accepts his new tenant and henceforth regards him with a wary respect... wary because of Philip's intelligence and smooth manners, and especially because Miss Jones finds herself attracted to the handsome sophisticate. Of these four principal actors, only Beckinsale was a new recruit - the others had all played their roles in the original stage play.

In the first series, there was another tenant Spooner, a professional wrestler, played by Derek Newark. Rigsby gets on his bad side when he and Alan 'borrow' his clothes in the episode 'A Night Out'. Spooner made only two appearances but is mentioned in other episodes in Series 1. Other tenants occasionally move into the house but never became permanent residents, often appearing only in a single episode. Peter Bowles and Peter Jeffrey were among the actors portraying these tenants. The series is in the British comedy tradition of having failure as a key underlying theme, each of the characters leading a life of quiet desperation.

Frances de la Tour temporarily left the series in 1975, after appearing in four episodes of the second series, because of theatre commitments. She was 'replaced' by Gabrielle (Gay) Rose for three episodes as new tenant Brenda (she also appeared in la Tour's last episode of 1975 "Moonlight and Roses"), whilst Henry McGee also stood in for one episode as new tenant and conman Seymour. Frances de la Tour returned for the final two series.

Richard Beckinsale did not appear in the fourth series due to West End theatre commitments. Eric Chappell wrote some lines into the intended first episode 'Fire and Brimstone' to explain Alan's absence (he had passed his exams to become a doctor) but these were cut when it was decided to broadcast the second episode 'Hello Young Lovers' as the first episode instead.

Eric Chappell defended Rigsby by saying he 'was not a racist or a bigot, but he was prejudiced and suspicious of strangers. But he accepted Philip and his only concern afterwards was that he didn't get a legover Miss Jones.'

Setting

The setting is a rundown Victorian townhouse let out as bedsits in Yorkshire. The exact setting is not explicitly stated although it is implied to be Leeds; through references to Leeds United, Yorkshire Rider, the M62 and the Corn Exchange.

Emphasis on personal failure

The programme depicts closely the failing lives of three of the four main characters. Rigsby is longtime separated from his wife and has since become a seedy, ignorant man who is suspicious of anyone different from himself. Miss Jones is an unhappy spinster who is shown to be desperate for male attention (even willing, in effect, to pay for it). Alan is socially inept and remains a virgin throughout much of the series, despite appearing to be in his mid 20s. Philip, by contrast, is a relatively learned and emotionally intelligent man, who responds to Rigsby's racist ignorance with a kind of ironic complicity, as expressed through lies reminiscing about his African life full of magic, violence and sexual promiscuity, often resulting in Rigsby making a fool of himself through his gullible willingness to believe these stories.

Characters

Main cast of Rising Damp: (from left) Frances de la Tour, Leonard Rossiter, Richard Beckinsale and Don Warrington

Rigsby

The landlord of the house, Rupert Rigsby (Leonard Rossiter) is dour, interfering and tight fisted. He has strong right wing views which are adopted without morals or reason. For example, in the film adaptation he states that hanging should be reinstated but this time in public. Rigsby is an old fashioned colonial type with prejudiced views. He is suspicious of anything beyond his parochial sphere of interest and, most particularly of Philip, who is suave, intelligent, well-spoken - and black. He is also jealous of Philip because he is enigmatic, adroit, charismatic, and educated, all that Rigsby aspires to be but isn't. Rigsby is an ardent patriot, believing himself to be an illegitimate member of the British royal family. He also makes exaggerated and romanticised references to his military service during World War II, frequently referring to 'a bit of trouble with the old shrapnel' and fighting at the Battle of Anzio. Rigsby is also a tremendous snob, obsessed with being perceived as middle class. He often affects an 'old school tie' attitude- another of his fantasies. While Rigsby tries to flirt with the upper-classes, when they invariably reject him he distances himself, declaring himself to be a self-made man and calling the prospective Conservative candidate an 'upper-class twit' after he refers to Rigbsy's lodging house as the 'unacceptable face of capitalism' and accuses Rigsby of having cheated at Billiards in the local conservative club.

Seedy and furtive, Rigsby has poor interpersonal skills. His professed love of Miss Jones is merely sexual; he spends most of the series trying to convince her otherwise, inevitably to no avail.

As he pries and spies upon his tenants, Rigsby often carries Vienna, his large, fluffy, black-and-white tomcat. Rigsby's amiable pet, and confidant, is so named because - as Rigsby tells it - when he goes to put him out on a cold dark night, if there is another set of eyes out there, then it's Good Night, Vienna.

Miss Jones

Ruth Jones (Frances de la Tour) is an educated college administrator and lifelong spinster. She is a romantic, but usually only gets male attention from Rigsby which, although sometimes enjoying it, she mostly finds an annoyance. Like Rigsby, Miss Jones has pretensions, believing herself to be better than the life she leads and to be reasonably sophisticated. The comedy uses pathos to touch upon the sad, failing life of Miss Jones; in one episode she gives money to a man she has romantic interest in, knowing full well he is conning her, but craving male attention to a point where she is willing to effectively pay him for it. Miss Jones openly fancies Philip, frequently cooking for him, much to the annoyance of Rigsby. However, unfortunately for her, this is not reciprocated. She does find solace in Philip's superior intellect and the two appear to be friends. Besides being a sexual interest of Rigsby, Miss Jones is also a social interest to him, being as she is genuinely middle class (seemingly upper middle class). Rigsby sees her as a sophisticate and any courtship with Miss Jones would be a social as well as sexual conquest.

Alan

Alan Guy Moore (Richard Beckinsale) is a likeable young medical student. Rigsby treats him with mistrust, mainly because of Alan's permissive, left wing views. Alan has little luck with girlfriends, but is content with his life. Alan hails from a middle class family and appreciates music and arts. Although Alan is academically successful, socially he is somewhat inept, appearing to have few friends outside of the lodging house. Alan occasionally confides his problems with Rigsby, who is always unsympathetic. On one occasion however, Alan is defended by Rigsby, when the incandescent father of Brenda (one of his girlfriends) suspects the two of them have been having sex, Rigsby sends the man out of the house with a 'flea in his ear', defending Alan, apparently because Rigsby was offended the man assumed Rigsby to be Alan's father. Alan is immature and Rigsby does become something of a strange father figure for him.

Philip

Philip Smith (Don Warrington) is a second generation African immigrant from Croydon, although for most of the series he claims to be the son of an African tribal King. Phillip's lies about his 'primitive' background seem most obviously an ironic response to Rigsby's racist remarks, and sometimes result in moments when Rigsby's gullibility and desperation lead to his belief in some aspect of Phillip's lore: for example, the 'love wood' which fails to excite Miss Jones (in the 'Charisma' episode, first broadcast 1974). Philip is an intelligent, educated man (more so than the moderately educated Alan and Miss Jones), he is sophisticated and suave; this makes Rigsby suspicious of him, particularly as Miss Jones openly fancies him. Philip does not reciprocate Miss Jones' romantic interest.

Brenda

Brenda (Gabrielle Rose) is a close friend of Alan's, who takes up residence in the boarding-house when Miss Jones is going away to get married to the eccentric Desmond. She is implied to have been staying at Rigsby's for a while, because in the Series 3 episode 'For the Man Who Has Everything', it is Christmas, and she has been staying since July. Alan claims she has an O-level in divinity, (though this is most likely a lie told to impress Rigsby). She is a nude artiste, and poses for the local art club.

Episodes

Film

A feature film version was released in 1980, reusing several storylines from the television series. As Richard Beckinsale had died the year before, Christopher Strauli was cast as a new character, art student John. The character of Alan is briefly referenced, as having left. The film's theme song features lyrics by Eric Chappell and was released as a 7" single. The B-side features comedy dialogue between Rigsby and Miss Jones.

Philip is revealed not to be a chief's son from Africa, but from Croydon, adopting his false persona to start a new life and gain respect. When Rigsby finds out, he tells Philip that he believes he must have some royal ancestry and he does not tell the rest of the characters about his deception. This plotline is from the original stageplay The Banana Box.

Repeats, DVD and scripts

As of 2016 the series is still repeated on UK digital channel ITV3. The complete series has been released on Region 2 DVD and Acorn Media is releasing it on region 1 DVD in North America as well (see below). The series was repeated on Channel 4 between 1998 and 2004 until ITV3 was launched.

On screen episode titles have been added to the DVD versions of series 1 & 2, the episode titles on series 3 & 4 are however original.

The complete scripts for the series have been published as Rising Damp: The Complete Scripts by Eric Chappell; edited by Richard Webber. London: Granada Media, 2002. This collection does not include the feature film version. In his introduction, Eric Chappell writes: "When I decided to publish the scripts of Rising Damp my first thought was, did I have them all? What followed was a desperate search in the loft amongst piles of mildewed papers until I found them.… The scripts were written in feverish haste by someone who didn’t really know what he was doing, and who was finding things out as he went along. I didn’t admit this at the time, even to myself. I took the view that sitcom writers fell into two categories: the quick and the dead, and I didn’t intend to be one of the latter!"

Meaning of the title

Rising damp is a condition caused by ground moisture rising up a masonry wall by capillary action. It often occurs where there is no damp-proof course (DPC) or where the DPC has been damaged or bridged. Older houses, such as depicted in the show, were built without damp-proof courses or with a barrier material that is liable to failure.

In the temperate/wet British climate, water infiltration into a house can be a problem, particularly in houses without a cellar or crawl space beneath them. The result of water penetrating the inner wall is visible as a darker patch on the plaster lining of the inner wall, usually starting at floor level on the ground floor and rising up from there, hence the term. In extreme cases, salt leached out of the wall forms crystals on the surface of the plaster as the water evaporates. The appearance of rising damp everywhere in a house is a symptom of neglect, age, decrepitude etc.

DVD releases

^ This includes the film version, since Carlton had acquired the rights to the film, and through the mergers of the various ITV companies Granada Television subsequently acquired the rights to both the Carlton and Yorkshire Television archives.

See also

• List of films based on British sitcoms

References

External links

• Rising Damp at BBC Online
• Rising Damp at the Internet Movie Database
• Rising Damp at TV.com
• Rising Damp at the British Comedy Guide
• Rising Damp at the BFI's Screenonline
• Rising Damp at British TV Comedy Guide
• The Rising Damp Discussion Forums
• Encyclopedia of Television