Reception of J. R. R. Tolkien

The works of J. R. R. Tolkien, especially The Hobbit and The Lord of the Rings, have exerted considerable influence since their publication. A culture of fandom sprang up in the 1960s, but reception by the establishment of literary criticism has been slower. Nevertheless, academic studies on Tolkien's works have been appearing at an increasing pace since the mid-1980s.

Reviews of The Lord of the Rings

Main article: The Lord of the Rings

The Lord of the Rings has received mixed reviews since its inception, ranging from terrible to excellent. Recent reviews in various media have been, in a majority, highly positive and Tolkien's literary achievement is slowly being acknowledged as a significant one. On its initial review the Sunday Telegraph felt it was "among the greatest works of imaginative fiction of the twentieth century." The Sunday Times seemed to echo these sentiments when in its review it was stated that "the English-speaking world is divided into those who have read The Lord of the Rings and The Hobbit and those who are going to read them." The New York Herald Tribune also seemed to have an idea of how popular the books would become, writing in its review that they were "destined to outlast our time."[1] W. H. Auden, an admirer of Tolkien's writings, regarded 'The Lord of the Rings' as a 'masterpiece', furthermore stating that in some cases it outdid the achievement of Milton's Paradise Lost. Other supporters of the book from the literary world included Iris Murdoch, Naomi Mitchison, Richard Hughes and C.S. Lewis.

Not all original reviews, however, were so kind. New York Times reviewer Judith Shulevitz criticized the "pedantry" of Tolkien's literary style, saying that he "formulated a high-minded belief in the importance of his mission as a literary preservationist, which turns out to be death to literature itself."[2] Critic Richard Jenkyns, writing in The New Republic, criticized a perceived lack of psychological depth. Both the characters and the work itself are, according to Jenkyns, "anemic, and lacking in fiber."[3] Even within Tolkien's literary group, The Inklings, reviews were mixed. Hugo Dyson complained loudly at its readings, and Christopher Tolkien records Dyson as "lying on the couch, and lolling and shouting and saying, 'Oh God, no more Elves.'"[4] However, another Inkling, C. S. Lewis, had very different feelings, writing, "here are beauties which pierce like swords or burn like cold iron." Despite these reviews and its lack of paperback printing until the 1960s, The Lord of the Rings initially sold well in hardback.[5]

Several other authors in the genre, however, seemed to agree more with Dyson than Lewis. Science-fiction author David Brin criticized the book for what he perceived to be its unquestioning devotion to a traditional elitist social structure, its positive depiction of the slaughter of the opposing forces, and its romantic backward-looking worldview.[6] Michael Moorcock, another famous science fiction and fantasy author, is also critical of The Lord of the Rings. In his essay, "Epic Pooh", he equates Tolkien's work to Winnie-the-Pooh and criticizes it and similar works for their perceived Merry England point of view.[7] Incidentally, Moorcock met both Tolkien and Lewis in his teens and claims to have liked them personally, even though he does not admire them on artistic grounds.

In 1957, it was awarded the International Fantasy Award. Despite its numerous detractors, the publication of the Ace Books and Ballantine paperbacks helped The Lord of the Rings become immensely popular in the 1960s. The book has remained so ever since, ranking as one of the most popular works of fiction of the twentieth century, judged by both sales and reader surveys.[8] In the 2003 "Big Read" survey conducted by the BBC, The Lord of the Rings was found to be the "Nation's best-loved book." In similar 2004 polls both Germany[9] and Australia[10] also found The Lord of the Rings to be their favourite book. In a 1999 poll of Amazon.com customers, The Lord of the Rings was judged to be their favourite "book of the millennium."[11]

Literary criticism

Main article: Tolkien studies

Tolkien's fiction began to acquire respectability among academics only at the end of his life, with the publication of Paul H. Kocher's 1972 Master of Middle-Earth. Since then, Tolkien's works have become the subject of a body of academic research, both as fantasy and as an extended exercise in invented languages. Serious study began to reach the broader community with Tom Shippey's 1982 The Road to Middle-earth and Verlyn Flieger's Splintered Light in 1983 \. To borrow a phrase from Flieger, the academy had trouble "... taking seriously a subject which had, until he wrote, been dismissed as unworthy of attention."[12] Pressure to study Tolkien seriously was exogenous to the academy, coming initially from fans; the scholarly legitimacy of the field was still a subject of debate in 2015.[13][14]

Richard C. West compiled Tolkien Criticism: An Annotated Checklist in 1981.[15] The pace of scholarly publications on Tolkien increased dramatically in the early 2000s. The dedicated journal Tolkien Studies has been appearing since 2004. The open-access Journal of Tolkien Research has been published since 2014.[16] A bibliographic database of Tolkien criticism is maintained at Wheaton College.[17]

Earlier reactions could be very negative. The editor and publisher Edmund Wilson made harsh comments about Tolkien's work, which he referred to as "juvenile trash", saying "Dr. Tolkien has little skill at narrative and no instinct for literary form."[18] Jared Lobdell, evaluating the reception of Tolkien in the mainstream literary establishment (as opposed to dedicated Tolkien scholarship), cited the widely quoted negative critique by Wilson and the partly favourable one by Edwin Muir, concluding that "no 'mainstream critic' appreciated The Lord of the Rings or indeed was in a position to write criticism on it — most being unsure what it was and why readers liked it."[19] Studies of Tolkien's fiction were the origin of Signum University in 2012.

Marxist criticsm of Tolkien is divided. Some have vilified Tolkien for his social conservatism, and for the "veiled geopolitics" implied in readings that interpret Sauron's Mordor and Sharkey's dictatorship in the Shire as parodies of Soviet Communism (Oberhelman 2006). E.P. Thompson in 1981[20] blames the cold warrior mentality on "too much early reading of The Lord of the Rings". Inglis (1983) modifies earlier accusations of fascism against Tolkien, but still maintains that the novel is a "political fantasy" for escapist middle-class readers in modern capitalist society. Griffin (1985) examines Tolkien in relation to Italian neofascism, again suggesting a proximity of Tolkien's ideals to those of the radical right. Other Marxist critics, however, have been more positive towards Tolkien. While criticizing Tolkien's politics embedded in The Lord of the Rings,[21] China Miéville admires Tolkien's creative use of Norse mythology, tragedy, monsters, and subcreation, as well as his criticism of allegory.[22]

Reception of non-fiction works

Tolkien was an accomplished philologist of Anglo-Saxon, but has left a comparatively meagre output of academic publications. His works on Anglo-Saxon philology which have received the most recognition are Beowulf: The Monsters and the Critics, a 1936 lecture on the interpretation of the Beowulf epic, and his identification of what he termed the "AB language", an early Middle English literary register of the West Midlands. Outside Anglo-Saxon philology, his 1939 lecture On Fairy Stories is of some importance to the literary genres of fantasy or mythopoeia. His 1930 lecture A Secret Vice addressed artistic languages at a time when the topic was of very limited visibility compared to the utilitarian projects of auxiliary languages. His 1955 valedictory lecture English and Welsh expounds upon his philosophy of language, his notion of native language and his views on linguistic aesthetics (c.f. cellar door). Smith (2007) is a monograph on Tolkien's philosophy of language.[23]

Fandom

Main article: Tolkien fandom

Tolkien fandom is an international, informal community of fans of the works of J. R. R. Tolkien, especially of the Middle-earth legendarium which includes The Hobbit, The Lord of the Rings, and The Silmarillion.

Tolkien's The Hobbit, a children's book, was first published in 1937, and it proved popular. However, The Lord of the Rings, first published in 1954 through 1955, would give rise to the fandom as a cultural phenomenon.

Bootleg paperbacks published by Ace Books eventually found their way into colleges in the U.S.A. in the 1960s. In response, a revised, authorised edition was published by Ballantine Books. The "hippie" following latched onto the book, giving its own spin to the work's interpretation, such as the Dark Lord Sauron representing the United States military draft during the Vietnam War, to the chagrin of the author who stated that "Many American fans enjoy the books in a way which I do not". Many fantasy series written in the period were created by fans of The Lord of the Rings, such as the Shannara books by Terry Brooks.

There were active Tolkien enthusiasts within science fiction fandom from the mid-1950s. The first organized Tolkien fan group was "The Fellowship of the Ring", founded by fans including Ted Johnstone and Bruce Pelz at Pittcon, the 18th World Science Fiction Convention (Worldcon) in 1960. Articles on The Lord of the Rings had appeared regularly since 1962 in the science fiction fanzine Niekas, edited by Ed Meskys.

Widespread organized Tolkien fandom only took off with the publication of the second hardcover edition and the paperbacks in the 1960s. The Tolkien Society (U.K.) was founded in the U.K. in 1969, and remains active as a registered charity. The society has two regular publications, a bi-monthly bulletin of news and information, Amon Hen, and an annual journal, Mallorn, featuring critical articles and essays on Tolkien's work. They host several annual events, including a conference held at Oxford, Oxonmoot.

The Mythopoeic Society held its first Mythcon conference in 1970, which featured readings, a costume competition, an art show, and other events typical of science fiction conventions of the day.

Influence

The works of Tolkien have served as the inspiration to many painters, musicians, film-makers and writers, to such an extent that Tolkien is sometimes seen as the "father" of the entire genre of "high fantasy.[24] The production of such derivative works is sometimes of doubtful legality, because Tolkien's published works will remain copyrighted until 2043. The film, stage and merchandise rights of The Hobbit and The Lord of the Rings are owned by Tolkien Enterprises, while the rights of The Silmarillion and other material remain with The J.R.R. Tolkien Estate Ltd.

By region

Outside English-speaking countries, The Lord of the Rings has to a significant extent been received in translation. The J.R.R. Tolkien Encyclopedia dedicates separate entries to the reception of Tolkien in various European linguistic spheres of influence, viz. Germanic (Swedish, Danish, Norwegian, German, Dutch), Slavic (Russian, Polish; Hooker (2003) is a monograph on the history of reception in Russia in particular), Romance (French, Italian, Spanish), Greek, Finnish, Turkish and Hungarian translation, besides reception in Japan. A separate entry is dedicated to the reception of Tolkien in technological subcultures.

A number of dedicated Tolkien Societies provide platforms for a combination of fandom and academic literary study in various countries. The most notable societies in the Anglosphere are The Tolkien Society (UK) and the Mythopoeic Society (USA).

United Kingdom

The Tolkien Society was formed in 1969 as an educational charity in the UK, but has a worldwide membership. The society publishes a regular bulletin called Amon Hen, with articles, artwork and occasional fiction. The society has three regular UK gatherings: an Annual General Meeting and Dinner; a Seminar with a mix of serious and lighthearted talks; and the Oxonmoot, a regular September gathering organised by the British Tolkien Society.

Cover of Issue 23 of Mallorn, 1978

Mallorn is an annual journal produced by and for members of The Tolkien Society. It consists of long articles studying aspects of Tolkien's work, plus some artwork. The name is a reference to the Mallorn tree and an illustration of such a tree appears on the front of each issue. In the past it was issued every autumn, but since 2003 has been released in mid-summer.

Part of the collection of The Tolkien Society (UK) can be viewed online.

German-speaking Europe

The German translation of The Hobbit appeared in 1957 (translated by Walter Scherf), and that of The Lord of the Rings in 1972 (translated by Margaret Carroux and Ebba-Margareta von Freymann).

The Deutsche Tolkien Gesellschaft (DTG) is a German association dedicated to the study of the life and works of J. R. R. Tolkien. Founded in 1997, it is based in Cologne. The DTG has more than 500 members (as of 2005) and is organised in a widespread network of local chapters. It is the main driving force of Tolkien reception in the German speaking countries (c.f. Honegger (2006); the first Swiss Tolkien Society (Eredain) was founded in 1986 and published the Aglared journal;[25] it dissolved in 2006 and a second Swiss Tolkien Society (Seryn Ennor) was founded in 2014[26] and is based in Jenins; an Austrian Tolkien Society was founded in 2002). The DTG organized a seminar on Tolkien studies in Cologne in 2004, in Jena in 2005 and in Mainz in 2006. The conference proceedings are published in their Hither Shore yearbook.[27]

Hungary

The Magyar Tolkien Társaság (Hungarian Tolkien Society) is a registered public benefit organization[28] whose declared aim is to enhance public knowledge on the works and mythology created by J. R. R. Tolkien. Apart from organizing the Hungarian Tolkien aficionados into a community (choir, charity ball, creative workshops), the Association has grown multifaceted since its foundation in 2002, it provides professional and technical editorial support for new publications, publishes the semiannual magazine Lassi Laurië featuring scolarly articles, interviews and various literary works and organizes numerous conferences, meetings and summer camps.[29] In 2002, for its tenth anniversary, the Society organized a joint conference with the Institute of English Studies of Károli Gáspár University of the Reformed Church in Hungary entitled "J. R. R. Tolkien: Fantasy and Ethics" and published a book of studies containing the papers presented.[30] The Magyar Tolkien Társaság also maintains relations with other tertiary institutions such as the Department of History and Philosophy of Science of Eötvös Loránd University, together with whom it regularly launches courses on Tolkienian subjects ("J. R. R. Tolkien - A 20th Century Mythology")[31]

Nordic countries

Sweden

The Tolkien Society of Sweden was the first J. R. R. Tolkien society in Europe. It was started in Gothenburg, Sweden, in 1968 by members of Club Cosmos.[32] They published the members' magazine Långbottenbladet. Originally it was just called "The Tolkien Society" but when the British society of the same name was created the members added "of Sweden" to its name.[33][34]

The Tolkien Society Forodrim was founded in Sweden in 1972 and is one of the oldest Tolkien fan organizations. Forodrim was founded in a public toilet during a science fiction convention (possibly SF-Kongressen 1973) as a name change of Sam J Lundwall's Hyboria. Co-founders were Jörgen Peterzén and Anders Palm.[35]

Forodrim has an especially active group interested in Tolkienian linguistics, Mellonath Daeron.

Forodrim is Sindarin for "People of the North". The society is based in Stockholm, but has spawned daughter-organizations in Gothenburg and Malmö.

Denmark

In Denmark, Tolkien became well known in the 1970s and has considerably influenced Danish language fantasy literature since. In 1977, Queen Margrethe II of Denmark illustrated The Lord of the Rings. There are two Danish Tolkien societies; Bri, the Danish Tolkien Society,[36] and Imladris,[37] which is a virtual community.

Norway

The Hobbit appeared in Norwegian translation in 1972 and The Lord of the Rings followed from 1973 to 1975 (Tiden Norsk Forlag). Both translations were harshly criticized for errors and inconsistencies and complaints resulted in a new translation of LotR, published in 1980/81. By the late 1980s, Tolkien's works were well known to the Norwegian public. A translation of the Silmarillion appeared in 1994. The unsatisfactory Hobbit translation was replaced only in 1997. By the mid-1990s, the popularity of Tolkien had risen to a level that made viable translations of his minor works. Arthedain - The Tolkien Society of Norway was founded in 1981.

Finland

The Finnish Tolkien Society Kontu (Suomen Tolkien-seura Kontu ry in Finnish) is a registered society based in Finland. The Society was earlier two different Societys that unify in beginning of year 2012. The Finnish Tolkien Society (Suomen Tolkien seura) was founded on January 3, 1992 and Kontu Internet Community (Verkkoyhteisö Kontu ry) was founded on December 19, 2006. The main focus of the society is to improve the knowledge of J. R. R. Tolkien and his works in Finland as well as to maintain the virtual community and thus the website the society originated from. The many parts of the website contain a discussion forum, a wiki and an IRC channel. KontuWiki has been credited in several Finnish Tolkien related publications since 2007. The Society awarding every year Kuvastaja-prize at last year's best finnish Fantasy book. There is much smial-activity and the Society also organises meetings and other events for Tolkien fans from all over the country.

Kontu[38] is the Finnish translation of "The Shire".

Russia

Interest in Russia awoke soon after the publication of The Lord of the Rings in 1955, long before the first Russian translation. A first effort at publication was made in the 1960s, but in order to comply with literary censorship in Soviet Russia, the work was considerably abridged and transformed. The ideological danger of the book was seen in the "hidden allegory 'of the conflict between the individualist West and the totalitarian, Communist East.'" (Markova 2006), while, ironically, Marxist readings in the west conversely identified Tolkien's anti-industrial ideas as presented in the Shire with primitive communism, in a struggle with the evil forces of technocratic capitalism. Russian translations of The Lord of the Rings were published only after the collapse of the Soviet Union, but then in great numbers, no less than ten official Russian translations appeared between 1990 and 2005 (Markova 2006). Tolkien fandom in Russia grew especially rapidly during the early 1990s at Moscow State University. Many unofficial and partly fragmentary translations are in circulation. The first translation appearing in print was that by Kistyakovskij and Muraev (volume 1, published 1982).

Japan

The Hobbit appeared in a Japanese translation in 1965 (Hobitto no Boken) and The Lord of the Rings from 1972 to 1975 (Yubiwa Monogatari), both translated by Teiji Seta (1916–1979), in 1992 revised by Seta's assistant Akiko Tanaka. In 1982, Tanaka translated the Silmarillion (Sirumariru no Monogatari). Teiji Seta was an expert in classical Japanese literature and a haiku poet, and Arduini (2006) regards the Seta and Tanaka translations as "almost perfect".

Shiro No Norite ("The White Rider") is a Tokyo-based group of fans, established in 1981. But reception of Tolkien's work among the Japanese public remained rather limited until the appearance of Jackson's films, after which there was a surge of interest.

Greece

The Hobbit and Lord of the Rings were published in Greek by Kedros during the 1970s, each by different translators. In the mid-90s Aiolos published Silmarillion and Unfinished Tales.

In 2001, shortly before the release of the movies, the first Greek on-line community was formed in a promotional web site which in 2002 founded an official group of fans under the name The Prancing Pony. The group is unofficially divided in two 'smials', in Athens and Thessaloniki.

During and after the release of the movies, further Tolkien-related literature was published in Greek (both original and translations) including biographies, reading companions etc.

Turkey

Interest in Turkey awoke to The Lord of the Rings in the late 1980s, long before the first Turkish translation. A translation of The Lord of the Rings into Turkish was published as Yüzüklerin Efendisi in 1997. After the release of the movies, other Tolkien-related literature was published (Silmarillion, Roverandom etc.)

Pakistan

Interest in Prof Tolkien's work developed in Pakistan soon after its earliest inception as a separate nation[39] and has existed sporadically over the years. Interest grew manifold after the release and completion of the Lord of the Rings film trilogy and in 2003-2004, the 'Lahore Tolkien Reading Group' was established there,[40] in Lahore city. This small group expanded for some time and had a sizable membership covering some other areas too, but after 2009-2010, this interest declined again and there are probably a few enthusiasts in Lahore, Karachi, Islamabad and a few other major cities but no really large-scale organization.

Brazil

Brazilian Tolkien fans created a website called 'tolkienbrasil.com", that promotes the publication of articles and news related to Tolkien.

References

  1. ↑ "Editorial Reviews - Fellowship of the Ring". Barnes & Noble. Retrieved 1 February 2011.
  2. ↑ Shulevitz, Judith (22 April 2001). "Hobbits in Hollywood". The New York Times. Retrieved 1 February 2011.
  3. ↑ Jenkyns, Richard (28 January 2002). "Bored of the Rings". The New Republic. Retrieved 1 February 2011.
  4. ↑ Derek Bailey (Director) and Judi Dench (Narrator) (1992). A Film Portrait of J. R. R. Tolkien (Television documentary). Visual Corporation.
  5. ↑ Ebert, Roger (2006). Roger Ebert's Movie Yearbook 2007. Andrews McMeel Publishing. p. 897. ISBN 978-0-7407-6157-7.
  6. ↑ Brin, David (2008). "The Lord of the Rings: J.R.R. Tolkien vs the Modern Age". Through Stranger Eyes: Reviews, Introductions, Tributes & Iconoclastic Essays. Nimble Books. ISBN 978-1-934840-39-9.
  7. ↑ Moorcock, Michael. "Epic Pooh". Retrieved 3 June 2010.
  8. ↑ Seiler, Andy (December 16, 2003). "'Rings' comes full circle". USA Today. Retrieved 2006-03-12.
  9. ↑ Diver, Krysia (October 5, 2004). "A lord for Germany". The Sydney Morning Herald. Retrieved 2006-03-12.
  10. ↑ Cooper, Callista (December 5, 2005). "Epic trilogy tops favourite film poll". ABC News Online. Retrieved 2006-03-12.
  11. ↑ O'Hehir, Andrew (June 4, 2001). "The book of the century". Salon.com. Retrieved 2006-03-12.
  12. ↑ Flieger, Verlyn (2002). Splintered Light: Logos and Language in Tolkien's World (2 ed.). Kent, Ohio: Kent State University Press. p. 38. ISBN 0-87338-744-9.
  13. ↑ Schürer, Norbert. "Tolkien Criticism Today". Los Angeles Review of Books. Retrieved 2016-01-07.
  14. ↑ Baugher, Luke; Hillman, Tom; Nardi, Dominic J. "Tolkien Criticism Unbound". Mythgard Institute. Retrieved 8 January 2016.
  15. ↑ West, Richard C. (1981). Tolkien Criticism: An Annotated Checklist. Kent, Ohio: Kent State University Press. ISBN 0873382560.
  16. ↑ "Journal of Tolkien Research". Journal of Tolkien Research. Valparaiso University. Retrieved 8 January 2016.
  17. ↑ "Tolkien Database". Wheaton College Dept. of English. Wheaton College. Retrieved 8 January 2016.
  18. ↑ Wilson, Edmund (14 April 1956). "Oo, THOSE AWFUL ORCS! A review of The Fellowship of the Ring". The Nation (JRRVF). Retrieved 1 September 2012.
  19. ↑ Lobdell, Jared (2007). Michael D. C. Drout,, ed. J. R. R. Tolkien encyclopedia : scholarship and critical assessment. New York [u.a.]: Routledge. ISBN 978-0-415-96942-0.
  20. ↑ Thompson, E.P. "America's Europe: A Hobbit among Gandalfs." Nation, January 24, 1981, 68-72.
  21. ↑ Mieville, China. "Tolkien - Middle Earth Meets Middle England". Socialist Review (January 2002).
  22. ↑ Mieville, China (15 June 2009). "There and Back Again: Five Reasons Tolkien Rocks". Omnivoracious. Amazon.com.
  23. ↑ see also Ross Smith, Fitting Sense to Sound: Linguistic Aesthetics and Phonosemantics in the Work of J.R.R. Tolkien, Tolkien Studies 3 (2006), 1-20.
  24. ↑ Mitchell, Christopher (12 April 2003). "J. R. R. Tolkien: Father of Modern Fantasy Literature" (streaming video). The Veritas Forum. Retrieved 22 August 2013..
  25. ↑ Bramlett, Perry C. "Appendix IV: Tolkien Journals, Societies, Newsletters, and Archives" from I Am in Fact a Hobbit: An Introduction to the Life and Works of J. R. R. Tolkien. Mercer University Press. Pg.230. 2003. ISBN 9780865548947
  26. ↑ Swiss Tolkien Society: Seryn Ennor
  27. ↑ Deutsche Tolkien Gesellschaft
  28. ↑ "Public benefit report the Hungarian Tolkien Society from 2012". Hungarian Tolkien Society.
  29. ↑ "Public benefit report the Hungarian Tolkien Society from 2012". Hungarian Tolkien Society.
  30. ↑ "Jubileumi Tudományos Konferencia és Szabadegyetem". Hungarian Tolkien Society. Retrieved 31 March 2014.
  31. ↑ Füzessy, Tamás. "ELTE Tolkien kurzus 2008-2009/I". Hungarian Tolkien Society. Retrieved 31 March 2014.
  32. ↑ Bengtsson Rylander, Louise [red.] (2014). Science Fiction i Göteborg: 60 år med Club Cosmos. ISBN 978-91-87669-93-4
  33. ↑ Engholm, Ahrvid (October 2002). "The Tolkien Society of Sweden". Enhörningen. nr 8.
  34. ↑ Fandboken 0.91
  35. ↑ Elfwood
  36. ↑ Bri
  37. ↑ imladris.dk
  38. ↑ Kontu
  39. ↑ See Hall Mark: Burn Hall School Magazine Annual 1959, Review, p.15, published by the Burn Hall School, Abbottabad, Pakistan
  40. ↑ Affiliated with and reported in the Official Tolkien Society newsletter see http://www.tolkiensociety.org/ in the UK

Bibliography

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