Ranjit Makkuni

Ranjit Makkuni

Ranjit Makkuni in front of his Flute Tree sculpture (2011)
Education IIT, Kharagpur
Alma mater University of California Los Angeles
Website www.sacredworld.info

Ranjit Makkuni is an international multimedia artist and designer, the honorary director of the design think tank, the Sacred World Research Laboratory,[1] as well as a musician,[2] sitar player,[3] and songwriter.

His multimedia museum works are intersections between traditional and modern art, design and technology, such that the results help both traditional and modern cultures. They are intended to show that the wisdom of traditional communities can positively negate the homogenizing influences of modern technology; and that the intelligence, creativity and sense of freedom afforded by modern design and technology can reciprocally help traditional artists.[4]

His major works are several museum projects: Eternal Gandhi Multimedia Museum,[5] Planet Health Museum,[6] The Goddess and Temples of Music,[7] and The Crossing: Living, Dying and Transformation in Banaras.[8]

Education and research

E Egg from the Crossing Project, a culturally personalized wireless information retrieval device, 1999

Ranjit obtained a B.Arch. from IIT, Kharagpur, and a Masters in Design Theory and Methods from University of California Los Angeles (UCLA). He has been a scientific consultant to HP Labs Palo Alto, HP Labs Bangalore, and a member of the Explorer’s club of the Ivrea Institute of Design, Ivrea, Italy.[9] He is a member of the mentoring group of Nehru Memorial Museum, New Delhi, constituted by the Prime Minister of India.[10]

Works done at Xerox Palo Alto Research Center (PARC)

In 1985, Ranjit joined the System Concepts Lab of PARC, becoming part of the group which developed the object-oriented programming language Smalltalk-80 and the world's first graphical user interface.[11] From that base, Ranjit pioneered explorations in computer-aided design (CAD), gesture recognition interfaces, and multimedia applications to develop the Active Learning Project at PARC.[12][13] These have been demonstrated as museum exhibitions in the US, India, Europe and Thailand (see Bibliography - Exhibitions below), transforming people’s perceptions of traditional cultures,and presenting an Asian approach to interaction with computing technology.[14][15][16][17][18]

In 1989, The Electronic Sketchbook of Tibetan Thangka Painting was displayed in the Asian Art Museum of San Francisco.[19] This project represents one of the world's first multimedia applications of any kind[20][21] and a pioneering example of a computer based cultural learning tool.

During 1994-1997, he worked with scholars at the Indira Gandhi National Centre for the Arts, New Delhi, to develop the Gita-Govinda Multimedia Experience,[22] a pioneering demonstration of a physical-virtual multimedia document based on the poet Jayadeva’s 12th century love poem, the Gita Govinda. This project brought the footprints of multimedia computing technology to India.[23][24][25]

The Ayurveda Story installation, Planet Health Museum, 2010

Works done at Sacred World Research Laboratory

During 1998-2002, Ranjit conceived and directed The Crossing Project: Living, Dying, and Transformation in Banaras[8][13][26][27][28][29][30][31] which developed a panorama of digital information access devices and technologies personalized by the cultural traditions of Banaras. The project brought together Western Information Access Knowledge systems and Indian notions of 'connection' and interaction based on India’s city of Knowledge, Banaras. The project was a pioneering demonstration of physical computing, and culturally personalized computing hardware and interactions.[32][33][34][35]

People hold hands to light up the Unity Pillar, Eternal Gandhi Multimedia Museum, 2006
Goddess and Temples of Music 2012

During 2003-2005, Ranjit visualized and directed the Eternal Gandhi Multimedia Museum, New Delhi,[36] one of the world’s first digital multimedia museums. Located at the site where Mahatma Gandhi attained martyrdom, the museum preserves the historical events of Gandhiji’s life in digital form but also presents a spectrum of information technology visions inspired by Gandhian thought. The project revives the values by which India obtained freedom; it also redefines those values in order to animate modern products and design. Through a collection of over 50 originally designed works of technology and art, the project interpreted Gandhian thought in the design of new technology and illustrated how village aesthetics and creativity can shape modern design.[36][37]

In 2010, Ranjit built the Planet Health Museum,[6][38][39] an interactive museum that allows people to access traditional Green philosophy and the concept and experience of health from the perspectives of Ayurveda and Yoga. Starting from the concept of health and Indian perspectives of the body, the project illustrated new visions and tools for a healthy society and planet. The project presents this vision across a spectrum of disciplines using many forms of visual and performing arts, ancient sciences and modern interaction design to communicate the vision. Planet Health Museum has also been studied for its use of interactive art as educational device.[40]

Ranjit’s 2012 exhibition, The Goddess and Temples of Music[41][42] project puts forth a vision of the beauty and spirituality of the feminine, and hopes to inspire in people respect for Woman, based on the world’s Goddess traditions. Using the forms of musical instruments and music as a tool to unravel the language of the sacred feminine, the project transforms Modern Man’s perceptions, illustrating possibilities for a positive, compassionate, sustainable way of life.

The project presents both traditional and new instruments based on Indian Vina based instruments, Sitar, Burmese Harp, Thai Xylophone, Korean Kayagum, and Javanese & Balinese Gamelan. New Instruments with embedded computation demonstrate tactile computing, i.e., interaction with computers through gesture and kinaesthetic action. In addition, through responsive computing, people by their position, gesture, and movements control musical events in the environment.

In 2013, Ranjit launched Musical Landscapes and the Goddesses of Music at the National Museum, New Delhi.[43][44][45][46] [47][48] This exhibition explores the science, art and spirituality of Music, and its reflections in the Goddess images across Asian cultures. An expanded version titled Music and Goddess was presented in 2014 at the National Gallery of Modern Art, Mumbai.[49] [50] [51] [52]

Installation view, Musical Landscapes and the Goddesses of Music, 2013

Awards

Bibliography - books

Bibliography - museums

Bibliography - exhibitions

  • Music and Goddesses, National Gallery of Modern Art, Mumbai, 2014.[64]
  • Musical Landscapes and the Goddesses of Music, National Museum, New Delhi, 2013.
  • Goddess and her Temples of Music, National Museum, New Delhi, 2013.
  • So Many Minds II, Contributing artist, CMU art museum, Thailand, 2013.
  • New India Designscape, Contributing artist, Triennale Design Museum, Milan, 2012.[65][66]
  • So Many Minds I, Contributing artist, CMU art museum, Thailand, 2011.
  • Sacred Touch, Winter Olympics, Vancouver, Canada, 2010.
  • Eternal Gandhi, Technology Center, Jaipur, 2008.
  • Eternal Gandhi, Science City, Ahmadabad, 2007.[67]
  • Eternal Gandhi, International Convention Centre, Pune, 2006.
  • Eternal Gandhi, Prince of Wales Museum, Mumbai, 2006.
  • Eternal Gandhi, National Gallery of Modern Art, Mumbai, 2006.[68]

  • Secrets of Shiva, National Gallery, Bangkok, 2006.[69]
  • The Crossing Project: Living, Dying and Transformation in Banaras, OK Center for the Arts, Linz, 2002.[70]
  • The Crossing Project: Living, Dying and Transformation in Banaras, Asia Society, New York, 2002.[71]
  • The Crossing Project: Living, Dying and Transformation in Banaras, National Gallery of Modern Art, Mumbai, 2002.[72]
  • The Crossing Project: Living, Dying and Transformation in Banaras, India Habitat Centre, New Delhi. 2001.
  • Gita-Govinda Multimedia Experience, Indira Gandhi National Center for the Arts, New Delhi, 1997.
  • Electronic Sketch Book of Tibetan Thangka Painting, Asian Art Museum, San Francisco, 1989.

Sitar music

Raga Malkauns
2000, Sitar Jhalla, Raga Malkauns, Ranjit Makkuni & Mithilesh Jha

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Raga Sri
2003, Live Sitar Improvisation, Raga Sri, Ranjit Makkuni & Mithilesh Jha

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Raga Bag Bhim
2012, Raga Bag Bhim, Ranjit Makkuni & Mithilesh Jha

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Ranjit Makkuni studied sitar under the tutelage of maestro Ustad Ali Akbar Khan, and carries jewels of composition from bygone eras.[73]

References

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  2. "Community page of Ranjit Makkuni Bliss". community page.
  3. "Web site of Ranjit Makkuni Sensitive Sitar Player". community page.
  4. "Sacred World, Research Mission and About Us". sacredworld.info.
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  6. 1 2 "Sacred World". Sacredworld.info. Retrieved 2012-10-06.
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  10. "Nehru Memorial Museum". nehrumemorial.com.
  11. Stefik, Mark (1997-05-09). "Internet Dreams: Archetypes, Myths, and Metaphors". ISBN 9780262692021.
  12. "The electronic sketch book of Tibetan Thangka painting" (PDF). Retrieved 2012-10-06.
  13. 1 2 Makkuni, Ranjit; Khanna, Madhu (2006-01-01). "Banaras : The Crossing Project". ISBN 9788188934140.
  14. "Sacred Tech". Business Week. Retrieved 2007-02-26.
  15. "Domus 887 - Magazine - Domus". Domusweb.it. 2005-11-25. Retrieved 2012-10-17.
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  18. http://unesdoc.unesco.org/images/0014/001402/140274e.pdf
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  58. "Writers' World - Interview/Ranjit Makkuni" (PDF). Sacredworld.info. Retrieved 2012-10-26.
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  60. Makkuni, Ranjit (2014). Music & GoddessMid Day, Mumbai (2014). "The Sounds of Asia".
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  71. Vithal C. Nadkarni, TNN Jan 3, 2002, 02.44am IST (2002-01-03). "Expo brings digital avatar of Ganga". The Times of India. Retrieved 2012-10-26.
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