R&G (Rhythm & Gangsta): The Masterpiece

R&G (Rhythm & Gangsta): The Masterpiece
Studio album by Snoop Dogg
Released	November 16, 2004 (2004-11-16)
Recorded	2003–04
Genre	Hip hop
Length	77:41
Label	Doggystyle Star Trak Geffen
Producer	Black Jeruz Hi-Tek J.R. Rotem Josef Leimberg L.T. Hutton Lil Jon Mr. Porter Ole Folks Ron Browz Sha Money XL Soopafly The Alchemist The Neptunes Warryn Campbell
Snoop Dogg chronology
Paid tha Cost to Be da Boss (2002) R&G (Rhythm & Gangsta): The Masterpiece (2004) Tha Blue Carpet Treatment (2006)
Singles from R&G (Rhythm & Gangsta): The Masterpiece
"Drop It Like It's Hot" Released: September 12, 2004 "Let's Get Blown" Released: December 14, 2004 "Signs" Released: April 25, 2005 "Ups & Downs" Released: August 15, 2005

R&G (Rhythm & Gangsta): The Masterpiece is the seventh studio album by American rapper Snoop Dogg; it was released on November 16, 2004, by Doggystyle Records, Star Trak Entertainment and Geffen Records. Production for the album took place during 2003 to 2004 at several recording studios and was handled by The Neptunes, The Alchemist, Lil Jon, Hi-Tek, Warryn Campbell and L.T. Hutton.

The album debuted at number 6 on the US Billboard 200 chart, selling 225,000 copies in its first week. Upon its release, R&G (Rhythm & Gangsta): The Masterpiece received generally mixed to positive reviews from music critics.

Background

In November 2002, Snoop Dogg released his sixth studio album Paid tha Cost to Be da Boss, which spawned two worldwide singles "From tha Chuuuch to da Palace" and two-time grammy nominated "Beautiful," both which were produced by The Neptunes. In June 2004, it was announced that Snoop Dogg had signed to Pharrell Williams and Chad Hugo's "The Neptunes" record label Star Trak Entertainment to produce and executive produce his upcoming seventh studio album.^[1]

Singles

"Drop It Like It's Hot" featuring Pharrell, was released as the album's lead single on September 14, 2004. With the production by The Neptunes, the song gained some critical attention for its very sparse production. The song essentially is just tongue clicks, keyboards and a drum machine beat, which compared to much early 2000s rap, was very minimalist. It was nominated at the Grammy Awards for Best Rap Song and Best Rap Performance by a Duo or Group, though it lost both awards to the songs "Jesus Walks" by Kanye West and "Let's Get It Started" by The Black Eyed Peas, respectively. The song reached at number 10 on the UK Singles Chart and number one on the US Billboard Hot 100, becoming Snoop's first US number one single. The song internationally reached the top-ten in a huge 12 countries.

The album's second single, "Let's Get Blown" featuring Pharrell, was released on December 14, 2004. The song was produced by The Neptunes. It did not repeat the success of "Drop It Like It's Hot", but it filled the gap between the aforementioned song and the club hit "Signs". Keyshia Cole, who had not garnered a reputation at that time and was therefore left uncredited (her contribution to the R&G song "Pass It Pass It" also went uncredited). The song samples and contains interpolations from Slave's "Watching You", which was also interpolated in "Gin and Juice." The single is one of Snoop Dogg's biggest hits in the UK for peaking at number 13 and number 54on the US Billboard Hot 100.

The album's third single, "Signs" featuring Justin Timberlake and Charlie Wilson, was released on April 25, 2005. The song was produced by The Neptunes. In May 2005, the single reached at number 2 on the UK Singles Chart and number 46 on the US Billboard Hot 100 chart. However, it was more popular in Australia staying at number one on the Australian Singles Chart for two weeks. Internationally, the song reached the top-ten in 11 countries.

The album's fourth and final single, "Ups & Downs" featuring Bee Gees, was released on August 15, 2005. The song was produced by Warryn Campbell. The song interpolates The Bee Gees' 1979 hit "Love You Inside Out". The song charted in several countries, but didn't match the success from his previous singles on the album.

Critical reception

Professional ratings
Aggregate scores
Source	Rating
Metacritic	(63/100)[2]
Review scores
Source	Rating
Allmusic	[3]
Blender	[4]
Entertainment Weekly	B−[5]
HipHopDX	[6]
Los Angeles Times	[7]
Pitchfork Media	[8]
RapReviews	[9]
Robert Christgau	[10]
Rolling Stone	[11]
USA Today	[12]

R&G (Rhythm & Gangsta): The Masterpiece received generally positive reviews from music critics. At Metacritic they based on an average score of 63 on the review website which indicates "generally favorable reviews."^[2] Uncut rated the album 3 stars out of 5 and wrote that "Snoop still manages some earthy funk, assisted by a gargantuan guest list."^[13]

Tom Moon of Rolling Stone wrote that "Truth-in-advertising alert: Even at its most deliriously debauched, R&G isn't quite the worlds-coming-together rap-soul masterpiece the title promises. That said, the top-shelf producers here provide the Dogg with some of the most radio-ready backing of his career: The serpentine down-tempo single "Drop It Like It's Hot," produced by the Neptunes, links Snoop's slyly exuberant delivery to a relentless dance-floor bounce. The same basic formula prevails on "Ups and Downs," which reshnizzles the Bee Gees' "Love You Inside and Out." Trouble comes when the Dogg hits the streets: What should have been a sparky duet with 50 Cent, "Oh No," sours quickly, and a coarse anthem featuring Lil Jon and Trina, "Step Yo Game Up," starts out unimaginatively lewd and descends from there. R&G begs for a little more R and some cleverer G -- or, if Snoop really wanted to be bold, no G at all".^[11]

Tom Breihan of Pitchfork Media wrote that R&G; is Snoop's first album for Star Trak, the label run by fallen-off hip-hop hit makers The Neptunes, a duo who all but ruled international radio with dazzling sci-fi stomp-clap new wave beats, but who've been starving for hits ever since they switched up their style to overcooked Vegas schmaltz—all bloopy bass and shuffling drums and swooshing keyboards and unbelievably obnoxious falsetto crooning. The production duo laced five of this album's songs, but their fingerprints are everywhere else here. R&G; has a unified sound, rare in hip-hop albums, but it's a sound based on tinkly pianos and noodly guitars and windchimes. It sounds something like The Black Eyed Peas if they tried to make a Barry White album, but with more falsetto warbling.^[8]

Commercial performance

R&G (Rhythm & Gangsta): The Masterpiece debuted at number 6 on the US Billboard 200 chart, selling 225,000 copies in its first week.^[14] In its second week, the album fell to number 9 on the Billboard 200, selling 203,000 copies, for a two-week total of 428,000 units.^[15] As of September 2007, the album has sold 2,485,000 copies worldwide.^[16] As of March 2008, the album sales 1,724,000 copies in the United States.^[17]

Track listing

Sample credits

• "I Love to Give You Light" contains a sample from "I Come That You Might Have Life" performed by Andraé Crouch Singers and "The Greatest Love of All" performed by Eddie Murphy.
• "Drop It Like It's Hot" contains a sample from "White Horse (Laid Back song)" performed by Laid Back.
• "Can I Get a Flicc Witchu" contains a sample from "One for the Treble (Fresh)" performed by Davy DMX.
• "Ups & Downs" contains a sample from "Love You Inside Out" performed by Bee Gees.
• "The Bidness" contains a sample from "Think (About It)" performed by Lyn Collins, "Runnin" performed by Edwin Starr, "Richard Pryor Dialogue" performed by Richard Pryor and "Cinderfella Dana Dane" performed by Dana Dane.
• "Let's Get Blown" contains samples from "Watching You" performed by Slave.
• "No Thang on Me" contains a sample from "No Thing on Me (Cocaine Song)" performed by Curtis Mayfield and "All Around the World" performed by Lisa Stansfield.

Personnel

Credits adapted from Allmusic.^[18]

Charts

Certifications

See also

• Boss'n Up

References