Pioneer Drum and Bugle Corps
Pioneer Drum & Bugle Corps & Color Guard logo | |
Location | Milwaukee, WI |
---|---|
Division | World Class |
Founded | 1961 |
Director | Roman Blenski |
Championship titles |
Class A60: 1991 Division II: 1994 & '95 |
Uniform |
White jacket w/Orange & Black baldric Dark green pants White gauntlets w/orange trim White combination hat w/orange trim-ribbon & a large shamrock badge |
Website | http://www.pioneer-corps.org |
The Pioneer Drum & Bugle Corps & Color Guard is a World Class (formerly Division I) competitive junior drum and bugle corps. Based in Milwaukee, Wisconsin, Pioneer is a member corps of Drum Corps International (DCI).[1]
History
Pioneer traces its roots to the St.Patrick's (Catholic) parish of Milwaukee and its drum and bugle (D&B) corps, the Imperials of St. Patrick, founded in 1961, although some have said that the actual founding of the corps was the start of the Thunderbolts of Cedarburg, Wisconsin in 1953.(See Note A) Both corps had been active in the Milwaukee area and the Midwest region, and both attended the inaugural DCI World Championship prelims in Whitewater, Wisconsin in 1972, with the Imperials of St. Patrick finishing in 19th place and the Thunderbolts in 28th.
By 1973, the Imperials were facing financial difficulties, and the Thunderbolts were having difficulty maintaining support staff, so the two corps merged. This resulted in a 150 member corps that was not only much larger than most drum corps of that time, but one that had both financial and staff stability. Unable to decide on a better name and wearing the vastly different uniforms of both corps, the new corps was called "The Thing" during its first season. In 1974, the corps received the sponsorship of the Pioneer Container Corporation and found a name.
While not initially a power, Pioneer became a regular competitor in the Midwest region during the remainder of the 1970s, and in 1978, the corps was one of the founding members of Drum Corps Midwest (DCM) which was to become the premier regional circuit in North America over the next quarter century. The corps also started a cadet feeder corps, known as Pioneer II, and in 1985, when the primary corps went inactive, Pioneer II began a transition into becoming Pioneer in 1986. By 1989, Pioneer had started to become a power in Class A60. In 1991, the corps won both the DCM Division III (DIII) title and the DCI Class A60 World Championship; in 1992, they won their 3rd DCM DIII championship but finished second in DCI DIII to the Mandarins.
In 1993 Pioneer, moved into Division II (DII), where the corps was an immediate challenger for the championship. The corps was DCM DII champions four consecutive years, 1993-96. In 1994, the corps was undefeated and won the DCI DII crown. They defended their DCI title in 1995, but in 1996, fell in finals to Quebec's Les Etoiles by two tenths of a point. Pioneer moved to Division I (DI) in 1997, and have continued to compete in that division (now known as World Class), where the corps' best finish at the DCI World Championships was 16th place in 2000. Although Pioneer won the DCM DI title in 2004 and 2005, making them the only corps to win DCM titles in 3 divisions; the most prominent corps had abandoned DCM by then, and there were no other competitors for the DI titles.[2][3]
Pioneer celebrated the corp's 50th anniversary during the 2011 season.[4]
Sponsorship
The Pioneer Drum & Bugle Corps & Color Guard is a 501 (c)(3) musical organization. As such, it has a Board of Directors, director, and staff assigned to carry out the organization's mission. Roman Blenski(See Note B) is the corps director and the organization's Executive Director.[5]
Notes
Note A--- Originally the Cedarburg High school Drum & Bugle corps, the Thunderbolts gained sponsorship by the Kiekhaefer Mercury Corporation, a manufacturer of outboard motors, and they were officially named the Mercury Thunderbolts. In 1971, the corps and Mercury parted company, and the corps took the name Thunderbolts of Cedarburg. When The Thing was formed, the corps also brought a cadet feeder corps into the new organization. In 1976, the Thunderbolt Cadets parted company with Pioneer, and, using the name Cedarburg Thunderbolts, marched as a separate unit until ceasing operations after the 1979 season.[2][3]
Note B---Roman Blenski, a member of the DCI Hall of Fame, World Drum Corps Hall of Fame, and the Canadian Legion of Honor, began his association with the corps in the Imperials of St. Patrick's first season. In 1961, while still a marching member of the Norwood Park (IL) Imperials, Blenski was hired to teach the young, novice brass players from the St. Patrick Parish School. He has been associated with the corps ever since. His wife Susan was also an instructor for the Imperials of St. Patrick. Their children marched in Pioneer, a family tradition passed on to grandchildren. Blenski was also Executive Director of DCM from 1979 until it ceased operations in 2005 and continues to serve as a member of the Executive Board of DCI. Susan Blenski serves as Pioneer's treasurer and director of its bingo operation.[6][7]
Show Summary (1973-2016)
Gold background indicates DCI Championship; Pale shaded background indicates DCI Top 12 Finalist.
Year | Theme | Repertoire | Score | Placement |
---|---|---|---|---|
1973 | Fanfare (Unknown) / Circus March (Unknown) / Rule Britannia by Thomas Arne and James Thomson / Skyliner by Charlie Barnet and Dale Bennett / Elijah Rock (Traditional) / Here There And Everywhere by Lennon–McCartney | 65.15 | 26th | |
1974 | Fanfare (Unknown) / Elegy March by Roger Nixon / Hey Jude by Lennon–McCartney / Skyliner by Charlie Barnet and Dale Bennett / In the Mood by Wingy Manone, Joe Garland, and Andy Razaf / 1812 Overture by Pyotr Ilyich Tchaikovsky | 71.10 | 22nd | |
1975 | Alexander's Ragtime Band by Irving Berlin / Temptation by Nacio Herb Brown and Arthur Freed / In the Mood by Wingy Manone, Joe Garland, and Andy Razaf / Encore in Jazz by Vic Firth / How the West Was Won by Alfred Newman / Battle Hymn of the Republic by William Steffe and Julia Ward Howe | 74.45 | 22nd | |
1976 | Alexander's Ragtime Band by Irving Berlin / Encore in Jazz by Vic Firth / My Quiet Thoughts (Unknown) / El Malo by Willie Colón / Selections from Cabaret by John Kander and Fred Ebb | 72.30 | 36th | |
1977 | Sheherazade by Nikolai Rimsky-Korsakov / Selections from Cabaret by John Kander and Fred Ebb | 65.95 | 34th | |
1978 | Could it be Magic by Adrienne Anderson, Barry Manilow, and Frédéric Chopin / Pepsi Theme (Unknown) / McDonalds Theme by Kevin Gavin and Sid Woloshin / Bandstand Boogie by Charles Albertine / Theme from New York New York by John Kander and Fred Ebb | 57.85 | 4th Class A | |
1979 | Circus March (Unknown) / Harrigan by George M. Cohan / Sheik Of Araby by Harry B. Smith, Francis Wheeler, and Ted Snyder / Give My Regards to Broadway (from Little Johnny Jones) by George M. Cohan / Try to Remember by Harvey Schmidt and Tom Jones | 65.96 | 31st | |
1980 | Circus March (Unknown) / Mambo Tambo by Miguelito Valdés / They're Playing Our Song by Marvin Hamlisch and Carole Bayer Sager / Pippin by Stephen Schwartz | 53.95 | 35th | |
1981 | Annie by Charles Strouse and Martin Charnin / New York Jump (Unknown) / Walking Papers (from The Act) by John Kander and Fred Ebb / Mambo Tambo by Miguelito Valdés / Morning Glow (from Pippin) by Stephen Schwartz | 60.55 | 3rd Class A | |
1982 | Selections from 42nd Street by Harry Warren and Al Dubin / Morning Glow (from Pippen) by Stephen Schwartz | 56.30 | 5th Class A | |
1983 | Alexander's Ragtime Band by Irving Berlin / Way Down Yonder in New Orleans by John Turner Layton, Jr. and Henry Creamer / I Feel the Earth Move by Carole King / Waiting for the A Train by Jimmie Rodgers / Lullaby of Broadway (from 42nd Street) by Harry Warren and Al Dubin | 51.45 | 32nd | |
1984 | Far From Over by Vince DiCola and Frank Stallone / All Night Long by Lionel Richie / Shop Around by Smokey Robinson and Berry Gordy / Waiting for the A Train by Jimmie Rodgers / La Cage Aux Folles by Jerry Herman | 64.70 56.20 | 15th Div.III 39th | |
1985 | Oklahoma! (from Oklahoma!) by Richard Rodgers and Oscar Hammerstein II / Medley of George M. Cohan pieces / Comedian's Galop by Dmitry Kabalevsky / Return of the Spiders by Alice Cooper, Glen Buxton, Michael Bruce, Dennis Dunaway, and Neal Smith / The Hands of Time (Theme from Brian's Song) by Michel Legrand, Marilyn and Alan Bergman | --- | --- | |
1986 | Irish Rhapsody by Victor Herbert / McNamara's Band by Guy Bonham, John J. Stamford, Red Latham, Shamus O'Connor, and Wamp Carlson / The Girl I Left Behind from (the Irish Suite) (Traditional), adapted by Leroy Anderson / Reeling and Railing (Traditional) / Kelly the Boy from Calion (Traditional) / When Irish Eyes Are Smiling by Ernest R. Ball, Chauncey Olcott, and George Graff, Jr. | 53.4 | 15th Class A60 | |
1987 | The American Spirit | America (from West Side Story) by Leonard Bernstein and Stephen Sondheim / When Irish Eyes Are Smiling by Ernest R. Ball, Chauncey Olcott, and George Graff, Jr. / America by Neil Diamond / Stars and Stripes Forever, Thunder March & Manhattan Beach March by John Philip Sousa / | 57.50 | 13th Class A60 |
1988 | Rhapsody in Blue by George Gershwin / Jericho by Morton Gould / Carioca by Vincent Youmans, Edward Eliscu, and Gus Kahn / Rockin' Robin by Leon René / My Old Kentucky Home & Camptown Races by Stephen Collins Foster / Autumn Leaves by Joseph Kosma and Jacques Prévert, adapted by Johnny Mercer / Way Down Yonder in New Orleans by Turner Layton and Henry Creamer | 69.20 | 11th Class A60 | |
1989 | (Up a) Lazy River by Hoagy Carmichael and Sidney Arodin / Go Tell It on the Mountain (Traditional) / Jericho by Morton Gould / Carioca by Vincent Youmans, Edward Eliscu, and Gus Kahn / Where is the Love by Ralph MacDonald and William Salter | 76.10 | 8th Class A60 | |
1990 | Repertoire unavailable | 85.59 | 3rd Class A60 | |
1991 | Irish Festival | A collection of traditional Irish folk songs | 86.00 | 1st Class A60 |
1992 | Jig (from Saint Paul's Suite, First Movement) by Gustav Holst / Freda by Kenny Baker / Minstrel Boy (Traditional) / The Rakes of Mallow (Traditional), adapted by Leroy Anderson / Four Scottish Dances by Malcolm Arnold | 88.90 88.70 | 2nd Div.III 5th Div.II/III | |
1993 | Gary Owen March (Traditional) / Over There by George M. Cohan / Tramp! Tramp! Tramp! by George F. Root / My Bonny Boy (Traditional), adapted by Ralph Vaughan Williams / Far and Away by John Williams | 91.10 65.50 | 4th Div.II 27th | |
1994 | Voices of the Isle | Four Scottish Dances by Malcolm Arnold / Maggie Goes To Scotland & The Seduction (from Year of the Comet) by Hummie Mann / Gary Owen March (Traditional) / Danny Boy (Traditional) and Frederic Weatherly | 96.00 69.60 | 1st Div.II 18th |
1995 | Shades of the Emerald | Diamond Dance by Bill Douglas / Maggie Goes To Scotland, Helicopter Chase& The Seduction (from The Year of the Comet) by Hummie Mann / Cursum Perficio & Storms in Africa by Enya and Roma Ryan | 95.40 74.70 | 1st Div.II 18th |
1996 | Celtic Twilight | Highstep by Bill Douglas / The Journey Home by John Doan / Scotland the Brave (Traditional) / Gary Owen March (Traditional) | 95.30 74.10 | 2nd Div.II 20th |
1997 | Riverdance | Riverdance, The Heart's Cry, Shivna, Woman of Sidhe, Russian Dervish, American Wake, Firedance & Home and the Heartland All from Riverdance by Bill Whelan | 76.80 | 19th |
1998 | Irish in your Face | Irish Washerwoman (First Movement from Irish Suite) (Traditional), adapted by Leroy Anderson / Irish Tune from County Derry (Traditional), adapted by Percy Grainger / Irish Rhapsody by Victor Herbert | 77.20 | 18th |
1999 | Greensleeves | Flute Concerto Movement III by Christopher Rouse / The Girl I Left Behind (from Irish Suite) (Traditional), adapted by Leroy Anderson / Magh Seola (The Level Plain) by Gerard Fahy / The Cat Rambles to the Child's Saucepan (Traditional) / English Dances 4th Movement by Malcolm Arnold / Dargason (from The Saint Paul's Suite - Movement 4) (Traditional), adapted by Gustav Holst | 75.20 | 17th |
2000 | Dances of Brigadoon | Fanfare (Original by Pioneer Staff) / McConachy Square, Come To Me, Almost Like Being in Love & The Chase From Brigadoon by Alan Jay Lerner and Frederick Loewe | 77.60 | 16th |
2001 | Irish in the Civil War... A Quest for Freedom | Main Theme from Gettysburg by Randy Edelman / Variations on the Theme from Minstrel Boy by Frank McNamara / Over the Fence & Dawn (from Gettysburg) by Randy Edelman / Dixie by Daniel Decatur Emmett / Battle at Devil's Den (from Gettysburg) by Randy Edelman / America the Beautiful by Samuel A. Ward and Katharine Lee Bates | 79.30 | 18th |
2002 | Oliver! | Where is Love?, Main title theme, Be Back Soon, Consider Yourself, The Robbery, As Long As He Needs Me & Who Will Buy All from Oliver! by Lionel Bart | 73.25 | 22nd |
2003 | Spirit of the Pioneer | Song of Moses by David Holsinger | 72.30 | 23rd |
2004 | Return to Ireland | By Loch and Mountain by Robert W. Smith / Irish Washerwoman (First Movement from Irish Suite) (Traditional), adapted by Leroy Anderson / Irish Washerwoman (Traditional), adapted by Robert W. Smith / Lord of the Dance by Ronan Hardiman / Believe Me, if All those Endearing Young Charms (Traditional ) and Thomas Moore / Riverdance by Bill Whelan | 71.60 | 24th |
2005 | This Place Called Ireland | Our Homeland (Unknown) / The Irish Spirit (Unknown) / Tragic Legacy (Unknown) / Celtic Pride (Unknown) | 71.525 | 23rd |
2006 | Emeraldscapes | Tarantella (from The Blue Room and Other Stories) by Phil Kline / Slane (Traditional), commonly attributed to Dallán Forgaill | 71.55 | 23rd |
2007 | Fields of Green | Suite in E♭ by Gustav Holst / Dargason (from The Saint Paul's Suite - Movement III) (Traditional), adapted by Gustav Holst / The Rakes of Mallow & Irish Washerwoman (Irish Suite, 1st Movement) (Traditional), adapted by Leroy Anderson / Minstrel Boy (Traditional) / Gary Owen March (Traditional) | 73.325 | 22nd |
2008 | Celtic Reflections | Suite in E♭ by Gustav Holst / Horkstow Grange (from Lincolnshire Posy) (Traditional) adapted by Percy Grainger / The Celtic Symphony by Brian Warfield / Richard III & Crown Imperial by William Walton | 74.125 | 20th |
2009 | Celtic Trinity | Three Celtic Dances by Brian Balmages / Into The Raging River by Steven Reineke | 75.75 | 21st |
2010 | Corps Prayer | Swing Low, Sweet Chariot by Wallace Willis / Make His Praise Glorious by Bill and Robin Wolaver / The Prayer by David Foster, Carole Bayer Sager, Alberto Testa and Tony Renis / Stained Glass by David Gillingham / Old Hundredth (the Doxology) by Loys Bourgeois | 73.95 | 23rd |
2011 | Celebrate | Four Scottish Dances by Malcolm Arnold / Song without Words, I'll Love My Love from 2nd Suite in F for Military Band (Traditional), adapted by Gustav Holst / New World Symphony by Antonin Dvořák / As Time Goes By (from Everybody's Welcome) by Herman Hupfeld | 68.40 | 27th |
2012 | Irish Immigrants: The Hands that Built America | New World Symphony by Antonín Dvořák / Recollections of Ireland by Ignaz Moscheles / I'll Take You Home Again Kathleen by Thomas P. Westendorf / I'm Shipping Up To Boston by Woody Guthrie, Al Barr, Ken Casey, Matt Kelly, James Lynch, Marc Orrell, Josh "Scruffy" Wallace, and Tim Brennan | 66.20 | 27th |
2013 | A New Spirit | Doxology by Loys Bourgeois and Thomas Ken / Awesome God by Rich Mullins / It Is Well With My Soul by Philip Bliss and Horatio Spafford / Just A Closer Walk With Thee (Traditional) / When the Saints Go Marching In by Virgil Oliver Stamps and Luther G. Presley / The Hymn of Joy by Ludwig van Beethoven and Henry van Dyke / Gary Owen (Traditional) | 69.050 | 28th |
2014 | Joy! | A Mighty Fortress Is Our God by Martin Luther / We Gather Together by Adrianus Valerius / When the Saints Go Marching In by Virgil Oliver Stamps and Luther G. Presley / Hallelujah Chorus (from The Messiah, Part II) by George Frideric Handel Irish Tune from County Derry (Traditional), adapted by Percy Grainger / Gary Owen (Traditional) | 68.850 | 30th |
2015 | Exodus– Divide the Sea Unite the People | Exodus by Ernest Gold / The Ten Commandments by Elmer Bernstein / Man of Steel by Hans Zimmer | 66.175 | 29th |
2016 | St. Joan of Arc | Act I: Voices–Voices of the Sky by Samuel Hazo / Act II: Conflict–Lauds (Praise High Day) by Ron Nelson / Act III: Capture and Condemnation–Adagio for Strings by Samuel Barber / Act IV: Ascension–The Firebird Suite by Igor Stravinsky |
Traditions
Pioneer has a tradition of Irish and Celtic influence in it uniforms and in its musical programs. This and the corps' shamrock logo are a heritage of the Imperials of St. Patrick.
Since the corps' days in Division III, Pioneer's motto has been, "Better Every Day." This motto had been used by the Marion (OH) Cadets D&B corps, who, in 1990, allowed Pioneer to also use it.
Whether it is a part of the year's musical program or not, since at least the mid-1990s, at the conclusion of each performance, Pioneer has marched off the field and/or "trooped the stands" (marched across the front of the grandstand in parade formation) while playing the traditional Irish air Garryowen (better known as the Garry Owen march).
Pioneerland
Purchased on St.Patrick's Day in 1993, the Pioneer Musical Youth Center, better known as "Pioneerland" is a 7 acres (2.8 ha) property in the Milwaukee suburb of Cudahy, Wisconsin that is the corps base of operations. The site contains a full drill field, offices and work space for corps staff, a garage for the corps' trucks and buses, a parking lot, and plans for future additional buildings.[10]
References
- ↑ http://www.dci.org
- 1 2 A History of Drum & Bugle Corps, Vol. 2; Steve Vickers, ed.; Drum Corps World, 2003
- 1 2 http://www.corpsreps.com
- ↑ http://www.jsonline.com/news/milwaukee/125321973.html
- ↑ http://www.pioneer-corps.org
- ↑ http://www.high-velocity-media.com/Magazines/jan_2012/jan_2012.php Drum Corp World, Jan., 2012
- ↑ http://www.high-velocity-media.com/Magazines/jan_2012/feb_2012.php Drum Corp World, Feb., 2012
- ↑ http://www.corpsreps.com/corpsreps.cfm?view=corpsdet&corps=45&corpstype=Junior
- ↑ http://www.allmusic.com/
- ↑ http://www.pioneer-corps.org/about/pioneerland-history.html
External links
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