Phoenix (2014 film)

Phoenix
Theatrical release poster
Directed by	Christian Petzold
Produced by	Florian Koerner von Gustorf Michael Weber
Written by	Christian Petzold Harun Farocki
Starring	Nina Hoss Ronald Zehrfeld Nina Kunzendorf Michael Maertens
Music by	Stefan Will
Cinematography	Hans Fromm
Release dates	September 25, 2014 (2014-09-25) (Germany) July 24, 2015 (2015-07-24) (United States)[1]
Running time	98 minutes
Country	Germany
Language	German English
Box office	$4 million[2]

Phoenix is a 2014 German drama film directed by Christian Petzold. Loosely adapted from the 1961 novel Le Retour des Cendres (English: The Return from the Ashes) by French author Hubert Monteilhet, the film stars Nina Hoss and Ronald Zehrfeld as Nelly and Johnny Lenz respectively.

Phoenix is set within Germany in the aftermath of World War II, where Nelly, a Jew who was able to survive an Auschwitz concentration camp, decides to go back to her husband Johnny in Berlin, despite her reconstructed face after disfigurement due to a bullet wound, thus her husband is unable to recognize who she is. The film marks the sixth collaboration between Petzold and Hoss, as well as being the second film both Hoss and Zehrfeld star opposite each other after Barbara (2012), also directed by Petzold.

Phoenix was released in Germany on September 25, 2014 and in the United States on July 24, 2015. The film received significant critical acclaim from critics, with praise going towards the film's suspenseful narrative, direction, Nina Hoss' performance, production design, and its symbolic elements. The film will be released on Blu-ray and DVD in North America by The Criterion Collection on April 26, 2016.

Plot

The film follows Nelly Lenz, a Holocaust survivor and former cabaret singer, who returns to Berlin after undergoing facial reconstruction surgery for damage caused by a bullet wound.

Following the end of World War II and the liberation of the concentration camps, Nelly returns to Germany with her friend Lene. Here, Lene takes Nelly to a reconstructive plastic surgeon. Although Nelly tells the surgeon that she would like to look exactly like she used to, he is unable to fully recreate her old face and Nelly is clearly disappointed with the final result upon catching a glimpse of her reflection.

Lene finds an apartment for herself and Nelly. Since Nelly's family members have all died during the war, Nelly has inherited a considerable amount of money. Lene suggests to Nelly that she collect the money and that the two of them then travel to Palestine, where they will be safer and can use the money to help with the creation of an independent Jewish state.

Although Lene warns Nelly that her husband Johnny may have been the one to betray her to the Nazis, Nelly denies this possibility and leaves the apartment at night to locate him. She finds Johnny working in a nightclub called Phoenix. Johnny fails to recognize her, yet states that she bears an uncanny resemblance to his late wife, Nelly. In order to obtain his wife's inheritance, he asks Nelly to impersonate his wife. Johnny slowly transforms Nelly into an image of her previous self before her arrest. Nelly goes along with Johnny's plan and keeps her true identity concealed, telling Johnny that her name is Esther. Although Lene continues to warn Nelly that Johnny was possibly complicit in her arrest, Nelly maintains a romantic view of the relationship. As Esther, she questions Johnny about his feelings for his wife and his behavior at the time of her arrest. Johnny avoids answering most of Nelly's questions, wishing instead to stay focused on teaching her to better impersonate his wife. Johnny tells Nelly that he plans to stage her "return" from the camps within the week and invites several of the couple's old friends to meet her with him at the train station.

After spending several days with Johnny, Nelly returns to the apartment she shares with Lene. Here, the landlady informs her that Lene has killed herself, leaving behind a note for Nelly. In this note, Lene admits to Nelly that she knows that Johnny divorced Nelly the day before her arrest. She also includes a copy of the divorce decree, which forces Nelly to accept Johnny's betrayal.

Nelly keeps her knowledge of the divorce a secret, meeting Johnny and her friends at the train station as planned. Later, at the home of one of the friends, Nelly invites the group to listen to her sing, accompanied by Johnny on piano. As Nelly sings, Johnny recognizes her voice and sees the number that was tattooed on her arm during her time in the concentration camps. He stops playing the piano, finally recognizing Nelly as she finishes the song a cappella and silently walks away.

Cast

• Nina Hoss as Nelly Lenz
• Ronald Zehrfeld as Johannes "Johnny" Lenz
• Nina Kunzendorf as Lene Winter
• Michael Maertens as Arzt
• Imogen Kogge as Elisabeth

Production

Deviations from source novel

The film's screenplay is loosely based on Hubert Monteilhet's 1961 French detective novel Le Retour des cendres (English: The Return from the Ashes), which set the story in France. The novel was previously adapted into the 1965 J. Lee Thompson film Return from the Ashes. Christian Petzold decided to change the setting to Berlin shortly after the German surrender at the end of World War II.^[3] The screenplay was co-written by Petzold and the artist Harun Farocki. It was the last screenplay of Farocki's career.

In the process of adapting the novel, the scenarists changed the characters' names and occupations. They eliminated the book's narrative device, in which the survivor's daughter Fabienne discovers the story of her mother's and stepfather/lover's relationship through journal entries written by her mother, who is revealed to have died under suspicious circumstances. They also dropped a secondary plot in which Fabienne has developed a relationship with her stepfather, and thus challenges her mother for his affection when everyone's identity has not yet become clear.

Soundtrack

The film features the Kurt Weill/Ogden Nash song "Speak Low" (1943), and Cole Porter's "Night and Day".

Release

Home media

Phoenix was released on Blu-ray and DVD in Germany by Indigo on March 27, 2015.^[4][5]

In the United Kingdom, the film was released on Blu-ray and DVD by Soda Pictures on August 31, 2015, with the Blu-ray including a 21-minute "making-of" featurette and the film's trailer.^[6][7]

On April 26, 2016, the film will be released by The Criterion Collection for Region 1 on Blu-ray and DVD in a new 4K digital master. Both will include a conversation between director Christian Petzold and actress Nina Hoss, a new interview with the film's cinematographer Hans Fromm, and a new documentary featuring interviews with the cast and crew from 2013, as well as including the film's original trailer and a new English subtitle translation. Exclusive to the Blu-ray will be the 5.1 surround DTS-HD Master Audio soundtrack for the film. The new Blu-ray and DVD cover is made by Nessim Higson.^[8][9]

Reception

Box office

Phoenix was given a limited release in two theaters under Sundance Selects on 24 July 2015, where it grossed $28,210 during the weekend.^[1] As of 30 October 2015 the film has earned a gross of $3,143,677 in North America, making it one of the highest-grossing German films in the United States in recent years.^[2]

Critical response

Phoenix received significant critical acclaim from critics. On Metacritic, which assigns a rating in the 0–100 range based on reviews from top mainstream critics, the film has an average score of 89, based on 30 reviews, indicating "universal acclaim".^[10] The review aggregator website Rotten Tomatoes reported a 98% approval rating with an average rating of 8.1/10 based on 101 reviews. The site's critical consensus reads, "Tense, complex, and drenched in atmosphere, Phoenix is a well-acted, smartly crafted war drama that finds writer-director Christian Petzold working at peak power."^[11]

The A.V. Club's A.A. Dowd described Phoenix as a "noir psychodrama for the ages" and Nina Hoss as "an actress of old-school glamour and modern nuance." He wrote: "Petzold has made a expertly tuned genre piece, one whose pulpiness—guns, face changes, a danger-laced nightlife—doesn’t conflict with its more serious aims, and whose deep real-world resonance doesn’t compromise its dramatic economy. No scene is unnecessary. No shot is wasted."^[12]

The National Board of Review named Phoenix as one of the Top 5 Foreign Language Films of 2015. ^[13]

References

External links

• Official website (German)
• IFC Films official site
• Phoenix at the Internet Movie Database
• Phoenix at AllMovie
• Phoenix at Box Office Mojo
• Phoenix at Metacritic
• Phoenix at Rotten Tomatoes