Phillippa Yaa de Villiers

Phillippa Yaa de Villiers (born 17 February 1966)^[1] is an award-winning South African writer and performance artist who performs her work nationally and internationally. She is noted for her poetry, which has been published in collections and in many magazines and anthologies, as well as for her autobiographical one-woman show, Original Skin, which centres on her confusion about her identity at a young age, as the bi-racial daughter of an Australian mother and a Ghanaian father who was adopted and raised by a white family in apartheid South Africa.^[2] She has written: "I became Phillippa Yaa when I found my biological father, who told me that if he had been there when I was born, the first name I'd have been given would be a day name like all Ghanaian babies, and all Thursday girls are Yaa, Yawo, or Yaya. So by changing my name I intended to inscribe a feeling of belonging and also one of pride on my African side. After growing up black in white South Africa, internalising so many negative 'truths' of what black people are like, I needed to reclaim my humanity and myself from the toxic dance of objectification."^[3] She has also said: "Because I wasn't told that I was adopted until I was twenty, I lacked a vocabulary to describe who I am and where I come from, so performing and writing became ways to make myself up."^[4] As Tishani Doshi observes in the New Indian Express: "Much of her work is concerned with race, sexuality, class and gender within the South African context."^[5]

Biography

De Villiers was born at Hillbrow in Johannesburg,^[6] where she spent the first months of her life in The Princess Alice Home, a facility for adopted babies. Half-Australian and half-Ghanaian,^[5] she was adopted at nine months of age, although not told of it by her white adoptive parents until she was 20 years old.^[7] She has written about the impact of these experiences:

"I started writing poetry when I was a child, my first published poem was when I was 11. I was brought up in a home that loved poetry and literature, especially the English language. But it was only when I was older that I realised that writing is so much more than words playing on a page. Writing contains the writer, their concerns, their social context and their history. My own history became a block to my creativity as I started to explore my identity as a black woman adopted by a white family in apartheid South Africa. I felt like the colonised and the coloniser were fighting each other inside my brain. Writing continued to be important to me but I was convinced that it was simply a therapeutic process, of no value to anyone else. As a mixed-race African and adoptee I feel, paradoxically, oppressed and completely free....My adult life has been largely devoted to healing this rift. The freedom of my paradoxical position, is in fact that I don't have the constraints of a traditional role and I have access to the world."^[8]

She studied for a journalism degree at Rhodes University, Grahamstown,^[9][10] and also obtained an Honours degree in Dramatic Art and Scriptwriting from the University of the Witwatersrand.^[9] She is a graduate of the Lecoq International School of Theatre in Paris, France, where she studied mime and theatre.^[11][12] She then spent some time living in Los Angeles^[1] before returning to South Africa in 1998 to settle in Johannesburg.^[6] She worked as an actor for two years "and then Bell's palsy sent her towards writing as an alternative career. She continued to participate in street theatre and went to school to learn scriptwriting".^[7]

Over the next eight years she wrote television scripts,^[7] for shows including Backstage, Tsha Tsha, Thetha Msawawa, Takalani Sesame and Soul City among others,^[12][13] and she collaborated with Pule Hlatshwayo and Swedish writer Charlotte Lesche to create Score, a three-hour miniseries for Swedish Broadcasting and SABC.^[12][14] In 2005, de Villiers won a mentorship with English poet John Lindley through the British Council/Lancaster University's distance learning scheme "Crossing Borders".^[7][15] She wrote a two-hander play called Where the Children Live, which was runner-up for the best writer award and won the audience appreciation award at the national Pansa Festival of Contemporary Theatre Readings in 2005.^[16]

Publication

In 2006, the Centre for the Book published her first volume of poetry, Taller than Buildings,^[17] which was described as "an extraordinary debut collection of poetry, that is provocative and original, mirroring the transitions of self and country."^[18] Her second collection, The Everyday Wife, was launched at the Harare International Festival of the Arts in April 2010.^[19] According to Tolu Ogunlesi's review for Wasafiri magazine, "Yaa de Villiers' silence-smashing poems (in this manner reminiscent of Carol Ann Duffy's The World's Wife) are sensitive, unafraid to be erotic, sometimes tragic, and always irreverent".^[20]

Her poetry and prose are widely published in local and international journals and anthologies, including The Edinburgh Review, Poui, A Hudson View, Crossing Borders 3,^[8] We Are... (ed. Natalia Molebatsi; Penguin, 2008), Just Keep Breathing (eds Rosamund Haden and Sandra Dodson; Jacana, 2008), New Writing from Africa (ed. J. M. Coetzee; Johnson & King James, 2009), Home Away (ed. Louis Paul Greenberg; Zebra Press, 2010), Poems for Haiti (ed. Amitabh Mitra; Poets Printery 2010), Letter to South Africa (Umuzi, 2011).^[19][21]

Performance

She has toured her autobiographical one-woman show, Original Skin,^[22] in South Africa – including at the Market Theatre (Johannesburg) and the Grahamstown Festival^[16]) – and abroad, and has performed her work from Cuba to Cape Town, Berlin to Harare, as well as in her home town, Johannesburg.^[13][17]

She appeared at the Jozi Spoken Word Festival in 2006, and was invited by National Poet Laureate of South Africa Keorapetse Kgositsile to join James Matthews, Lebo Mashile and Khanyi Magubane representing South Africa at the 12th International Poetry Festival in Havana, Cuba.^[12]

In 2007, De Villiers appeared at the Word Power International Festival of Black Literature in London, England, and Poetry Africa,^[14] and in April 2008 at the "Together for Solidarit" conference in Sweden.^[23]

In 2009 she was writer-in-residence at Passa Porta's Villa Vollezele in Belgium.^[24] Also in 2009 she was part of the Beyond Words UK tour^[25] that also featured South African poets Keorapetse Kgositsile, Don Mattera, Lesego Rampolokeng and Lebo Mashile (presented by Apples and Snakes in association with Sustained Theatre, funded by the British Council South Africa, Arts Council England and the South African government).^{[26][27][28][29]}

In her capacity as 2014 Commonwealth Poet, she performed at Homerton College, Cambridge University, on 8 March 2014, together with fellow South African poet Isobel Dixon, as part of the Pedagogy, Language, Arts & Culture in Education (PLACE) Group Seminars series, co-hosted with the Centre for Commonwealth Education and funded by the Commonwealth Education Trust.^[30]

On 8 December 2014, she gave a performance in Leiden, Netherlands, at the ASC (African Studies Centre) Annual Public Event.^[31][32]

In April 2015, she read her work in Accra, Ghana, as a guest of the Writers Project of Ghana and the local Goethe Institute.^[33][34]

Awards and honours

Among her many awards are the National Arts Festival/de Buren Writing Beyond the Fringe Prize 2009,^[9][35] and in 2011 a South African Literary Award.^[36] She is the recipient of the 2012 Overseas Scholarship for studies in Creative Writing at Lancaster University.^[37]

In 2014 she was commissioned by the Commonwealth Education Trust to write a poem in celebration of Commonwealth Day, which was performed in the presence of Queen Elizabeth II at Westminster Abbey on 10 March as part of the Commonwealth Celebrations.^[38][39][40]

Bibliography

• Taller Than Buildings (Centre for the Book, 2006)
• with Keorapetse Kgositsile, Don Mattera and Lebo Mashile, Beyond Words: South African Poetics (an Apples & Snakes project; Flipped Eye Publishing, 2009, ISBN 978-1905233304)^[41]
• The Everyday Wife; foreword by Margaret Busby (Modjaji Books, 2010, 978-1-920397-05-0)^[42]
• Editor (with Kaiyu Xiao and Isabelle Ferrin-Aguirre), No Serenity Here – an anthology of African Poetry (Beijing: New World Publishers, 2010).

References

External links

• Official website.
• Matthew Mokoena, "The Shedding Of Society’s Original Skin" (interview with Phillippa Yaa de Villiers), Consciousness Magazine, 19 May 2010.
• "Beyond Words – Interviews 2 Phillippa Yaa De Villiers". Vimeo
• Phillippa Yaa de Villiers performing at The Drum, Birmingham, 31 October 2009. Sustained Theatre.
• "Phillippa Yaa De Villiers at Word 'n Sound, Johannesburg", 2011. YouTube.
• Margaret Busby's Foreword to The Everyday Wife. Books Live.
• "The Quiet Conversation – Phillippa Yaa De Villiers (Poet). Fred Wisdom (Jazz guitar)", 2008.
• Phillippa Yaa de Villiers page at Passa Porta, International House of Literature in Brussels, 2009.
• Phillippa Yaa de Villiers (including podcast) at Badilisha Poetry X-change.
• "The poet Phillippa Yaa de Villiers talks about her new collection, The Everyday Wife, with Janet van Eeden", Litnet, 3 June 2010.
• Phillippa Yaa De Villiers performs her Commonwealth Day poem at Westminster Abbey, 10 March 2014. The Royal Commonwealth Society, YouTube.
• Phillippa Yaa de Villiers reading at The Poetry Archive.
• Phillippa Yaa de Villiers at Lyrikline.
• MarLa Sink Druzgal, "Around the World with the Poetry of Phillippa Yaa de Villiers", Traveling Marla.