Binder (material)

A binder is any material or substance that holds or draws other materials together to form a cohesive whole mechanically, chemically, or as an adhesive. Often materials labeled as binders in different proportions or uses can have their roles reversed with what they are binding. An example is straw helping to mechanically bind clay together as in the building material cob, and clay as an adhesive helping to bind straw together as in a natural insulation.

Examples of mechanical binders are bond stones in masonry and tie beams in timber framing.

Cement is the binder in concrete.

Liquid binders are added to a dry substance in order to draw it together in such a way that it maintains a uniform consistency.[1] For example, in the Classical World painters used materials like egg, wax, honey, or bitumen as binders to mix with pigment in order to hold the pigment particles together in the formation of paint.[2] Egg-based tempera was especially popular in Europe from the Middle Ages until the early 16th century.[3] However, since that time, the binder of choice for paint has been oil.[4] Today in the artform of sculpture, organic binders are what is traditionally used. An organic binder is a glue made from an animal source or a gum made from a vegetative source. Glue is often made by the boiling of hoofs, bones, or skin of animals and then mixing the hard gelatinous residue with water. Gum-based binders are made from, alternatively, the boiling of plants.[5]

References

  1. ↑ Arthur Williams (2005). The sculpture reference illustrated: contemporary techniques, terms, tools, materials, and sculpture. Sculpture Books. p. 40.
  2. ↑ Janet Burnett Grossman (2003). Looking at Greek and Roman sculpture in stone: a guide to terms, styles, and techniques. Getty Publications. p. 18. Retrieved 17 January 2012.
  3. ↑ Collector's Guide. WingSpread. 1995. p. 109. Retrieved 17 January 2012.
  4. ↑ Tim Bruckner, Zach Oat, and Ruben Procopio (2010). Pop Sculpture: How to Create Action Figures and Collectible Statues. Random House Digital. p. 37. Retrieved 17 January 2012.
  5. ↑ Oppi Untracht (1982). Jewelry concepts and technology. Random House Digital. p. 351. Retrieved 17 January 2012.
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