Pitch interval

Augmented second on C.  Play 

In musical set theory, a pitch interval (PI or ip) is the number of semitones that separates one pitch from another, upward or downward.^[1]

They are notated as follows:^[1]

PI(a,b) = b - a

For example C4 to D♯4  Play  is 3 semitones:

PI(0,3) = 3 - 0

While C4 to D♯5  Play  is 15 semitones:

PI(0,15) = 15 - 0

However, under octave equivalence these are the same pitches (D♯4 & D♯5,  Play ), thus the #Pitch-interval class may be used.

Pitch-interval class

Octave and augmented second on C  Play .

In musical set theory, a pitch-interval class (PIC, also ordered pitch class interval and directed pitch class interval) is a pitch interval modulo twelve.^[2]

The PIC is notated and related to the PI thus:

PIC(0,15) = PI(0,15) mod 12 = (15 - 0) mod 12 = 15 mod 12 = 3

Equations

Using integer notation and modulo 12, ordered pitch interval, ip, may be defined, for any two pitches x and y, as:

and:

the other way.^[3]

One can also measure the distance between two pitches without taking into account direction with the unordered pitch interval, similar to the interval of tonal theory. This may be defined as:

• ^[4]

The interval between pitch classes may be measured with ordered and unordered pitch class intervals. The ordered one, also called directed interval, may be considered the measure upwards, which, since we are dealing with pitch classes, depends on whichever pitch is chosen as 0. Thus the ordered pitch class interval, i<x, y>, may be defined as:

• (in modular 12 arithmetic)

Ascending intervals are indicated by a positive value, and descending intervals by a negative one.^[3]

See also

• Interval class

Sources

1. 1 2 Schuijer, Michiel (2008). Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts, Eastman Studies in Music 60 (Rochester, NY: University of Rochester Press, 2008), p. 35. ISBN 978-1-58046-270-9.
2. ↑ Schuijer (2008), p.36.
3. 1 2 John Rahn, Basic Atonal Theory (New York: Longman, 1980), 21. ISBN 9780028731605.
4. ↑ John Rahn, Basic Atonal Theory (New York: Longman, 1980), 22.

Musical set theory All-interval tetrachord Complement Forte number Identity Interval class Interval vector Multiplication Permutation Pitch class Pitch interval Pitch-interval class Set List Similarity relation Transformation Z-relation Diatonic set theory Bisector Cardinality equals variety Common tone Diatonic scale Deep scale property Generated collection Generic interval Maximal evenness Myhill's property Rothenberg propriety Specific interval Structure implies multiplicity