Oliver Nelson
Oliver Nelson | |
---|---|
Born |
St. Louis, Missouri | June 4, 1932
Died |
October 28, 1975 43) Los Angeles | (aged
Genres | Bebop, hard bop, post-bop, jazz fusion |
Occupation(s) | Musician, composer, arranger |
Instruments | Soprano saxophone, alto saxophone, tenor saxophone, and clarinet |
Labels |
Verve Impulse! Prestige Argo Flying Dutchman |
Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader.[1]
He is perhaps best remembered for his groundbreaking 1961 Impulse! album The Blues and the Abstract Truth, widely regarded as one of the most significant American jazz recordings of the modern jazz era. The centerpiece of the album is the definitive version of Nelson's composition, "Stolen Moments". Other important recordings from the early 1960s are More Blues and the Abstract Truth and Sound Pieces, both also on Impulse!.[2]
Biography
Early life and career
Oliver Nelson was born into a musical family. His brother was a saxophonist who played with Cootie Williams in the 1940s, and his sister sang and played piano. Nelson began learning to play the piano when he was six and started on the saxophone at eleven. Beginning in 1947 he played in "territory" bands in and around Saint Louis before joining the Louis Jordan band where he stayed from 1950 to 1951, playing alto saxophone and arranging.[3][4]
In 1952 Nelson underwent military service in the Marines playing woodwinds in the 3rd Division band in Japan and Korea. It was in Japan that Nelson attended a concert by the Tokyo Philharmonic Orchestra and heard Maurice Ravel's Mother Goose Suite and Paul Hindemith's Symphony in E Flat. Nelson later recalled that this "'was the first time that I had heard really modern music for back in St. Louis I hadn't even known that Negroes were allowed to go to concerts. I realized everything didn't have to sound like Beethoven or Brahms ... . It was then that I decided to become a composer'".[5]
Nelson returned to Missouri to study music composition and theory at Washington and Lincoln Universities, graduating with a master's degree in 1958. Nelson also studied with composers Elliott Carter, Robert Wykes and George Tremblay.[6][3]
While back in his hometown of St. Louis, he met and married Eileen Mitchell; the couple had a son, Oliver Nelson Jr., but soon divorced. After graduation, Nelson married St. Louis native Audrey McEwen, a union which lasted until his death and produced a son, Nyles.
After completing his degree Nelson moved to New York City, playing with Erskine Hawkins and Wild Bill Davis, and working as the house arranger for the Apollo Theater in Harlem. He also played on the West Coast briefly with the Louie Bellson big band in 1959, and in the same year began recording for Prestige Records as the leader of various small groups. From 1960 to 1961 he briefly played with Count Basie and Duke Ellington and then joined the Quincy Jones big band playing tenor saxophone, both in the U.S. and on tour in Europe.[3]
Breakthrough and afterwards
After six albums as leader between 1959 and 1961 for the Prestige label (with such musicians as Kenny Dorham, Johnny Hammond Smith, Eric Dolphy, Roy Haynes, King Curtis and Jimmy Forrest), Nelson's big breakthrough came with The Blues and the Abstract Truth, which made his name as a composer and arranger, and he went on to record a number notable of big-band albums including Afro-American Sketches and Full Nelson.[3]
He worked as an arranger on large ensemble albums for Cannonball Adderley, Sonny Rollins, Eddie "Lockjaw" Davis, Johnny Hodges, Wes Montgomery, Buddy Rich, Jimmy Smith, Billy Taylor, Stanley Turrentine, Irene Reid, Gene Ammons and many others. He also led all-star big bands in various live performances between 1966 and 1975. Nelson continued to perform as a soloist during this period, focusing primarily on soprano saxophone.
In 1967 Nelson moved to Los Angeles to be near the television and movie industry and began composing background music for television and films. Television projects included Ironside, Night Gallery, Columbo, The Six Million Dollar Man and Longstreet. Films scored by Nelson include Death of a Gunfighter (1969), Skullduggery (1970) and Zig Zag (1970).[4] He also arranged Sonny Rollins' music for Alfie (1966) and Gato Barbieri's music for Last Tango in Paris (1972). During this time he also arranged and produced albums for pop stars such as Nancy Wilson, James Brown, the Temptations, and Diana Ross.
Along with his big-band appearances (in Berlin, Montreux, New York, and Los Angeles), he toured West Africa with a small group. Less well-known is the fact that Nelson composed several symphonic works, and was also deeply involved in jazz education, returning to his alma mater, Washington University, in the summer of 1969 to lead a five-week-long clinic that also featured such guest performers as Phil Woods, Mel Lewis, Thad Jones, Sir Roland Hanna, and Ron Carter. His book of jazz practice exercises, Patterns for Improvisation, was published in 1966 and remains highly regarded to this day.
Nelson died of a heart attack on October 28, 1975 at the age of 43.[4]
Discography
As leader/co-leader
Year of recording | Album | Notes | Label |
---|---|---|---|
1959 | Meet Oliver Nelson | Quintet with Kenny Dorham and Ray Bryant | Prestige |
1960 | Taking Care of Business | Quintet with Johnny "Hammond" Smith andd Lem Winchester | Prestige |
1960 | Screamin' the Blues | Sextet with Eric Dolphy and Richard Williams | Prestige |
1960 | Nocturne | Quintet with Lem Winchester | Moodsville |
1960 | Soul Battle | Sextet with King Curtis and Jimmy Forrest | Prestige |
1961 | The Blues and the Abstract Truth | Septet with Bill Evans, Roy Haynes, Eric Dolphy, Paul Chambers and Freddie Hubbard | Impulse! |
1961 | Straight Ahead | Quintet with Eric Dolphy | Prestige |
1961 | Main Stem | Sextet with Joe Newman | Prestige |
1961 | Afro/American Sketches | Oliver Nelson Orchestra | Prestige |
1962 | Impressions of Phaedra | Oliver Nelson Orchestra | United Artists |
1962-3 | Full Nelson | Oliver Nelson Orchestra | Verve |
1964 | Fantabulous | Oliver Nelson Orchestra | Argo |
1964 | More Blues and the Abstract Truth | Sextet/Septet/Octet arranged and conducted by Oliver Nelson | Impulse! |
1965 | Rita Reys Meets Oliver Nelson | Rita Reys with Orchestra arranged and conducted by Oliver Nelson | Philips |
1966 | Oliver Nelson Plays Michelle | Oliver Nelson Orchestra | Impulse! |
1966 | Sound Pieces | Oliver Nelson Orchestra/Quartet | Impulse! |
1966 | Happenings | Hank Jones and the Oliver Nelson Orchestra featuring Clark Terry | Impulse! |
1966 | Encyclopedia of Jazz | Encyclopedia of Jazz All Stars [split album] | Verve |
1966 | The Sound of Feeling | Encyclopedia of Jazz All Stars [split album] | Verve |
1967 | The Spirit of '67 | Pee Wee Russell and the Oliver Nelson Orchestra | Impulse! |
1967 | The Kennedy Dream | Oliver Nelson Orchestra | Impulse! |
1967 | Live from Los Angeles | Oliver Nelson's Big Band | Impulse! |
1967 | Jazzhattan Suite | Jazz Interactions Orchestra | Verve |
1968 | Soulful Brass | Oliver Nelson with Steve Allen | Impulse! |
1969 | 3-2-1-0 | Nobuo Hara and His Sharps & Flats composed and arranged by Oliver Nelson | Columbia (Japan) |
1969 | Black, Brown and Beautiful | Oliver Nelson Orchestra | Flying Dutchman |
1970 | Zig Zag | Original Motion Picture Score | MGM |
1970 | In Tokyo | Nobuo Hara and His Sharps & Flats and Oliver Nelson | Columbia (Japan) |
1970 | Berlin Dialogue for Orchestra | Oliver Nelson and the "Berlin Dreamband" | Flying Dutchman |
1971 | Swiss Suite | Oliver Nelson Orchestra featuring Gato Barbieri and Eddie "Cleanhead" Vinson | Flying Dutchman |
1974 | Oliver Edward Nelson in London with Oily Rags | Oliver Nelson with Oily Rags | Flying Dutchman |
1975 | Skull Session | Oliver Nelson | Flying Dutchman |
1975 | Stolen Moments | Oliver Nelson | East Wind |
Compilations
- A Dream Deferred (Flying Dutchman 1969-75 [1976]) - Selections from Flying Dutchman albums + 2 previously unreleased tracks
- Back Talk (Chess, 1964 [1976]) with Lou Donaldson - Compilation of Argo & Cadet LPs Fantabulous and Rough House Blues
- Images (Prestige 1961 [1976]) with Eric Dolphy - Compilation of Prestige LPs Screamin' the Blues and Straight Ahead
- Three Dimensions (Impulse! 1961-66, [1978]) - Compilation of Impulse! LPs The Blues and the Abstract Truth and Sound Pieces + 2 previously unreleased tracks
- Black, Brown and Beautiful (Bluebird, 1970-75 [1989]) - reissue of Johnny Hodges Flying Dutchman LP 3 Shades of Blue + tracks from Oliver Edward Nelson in London with Oily Rags and Skull Session
- Verve Jazz Masters 48 (Verve, 1962-67 [1995]) - Selections from Verve albums
- The Argo, Verve and Impulse Big Band Studio Sessions (Mosaic, 1961-67 [2006])
Film and Television Scores
- Dzjes Zien (1965) - Dutch Television Movie
- Ironside (1967-1972) - US TV Series
- Run for Your Life (1967) - US TV Series
- The Name of the Game (1968-1970) - US TV Series
- It Takes a Thief (1969-1970) - US TV Series
- Zig Zag (1970) - US Movie
- Dial Hot Line (1970) - US TV Movie
- Skullduggery (1970) - US Movie
- Matt Lincoln (1970) - US TV Series
- Lady Sings the Blues (1971) - US Movie - arranger only
- Longstreet (1971) - US TV Series
- Night Gallery (1971-1972) - US TV Series
- Cutter (1972) - US TV Series
- Columbo (1972) - US TV Series
- Last Tango in Paris (1972) - French/Italian Movie
- Banacek (1973) - US TV Series
- I Love a Mystery (1973) - US TV Movie
- The Six Million Dollar Man (1973-1975) - US TV Series
- Chase (1973) - US TV series
- Casino on Wheels (1973) - US TV Movie
- The Alpha Caper (1973) - US TV Movie
- Money to Burn (1973) - US TV Movie
- Matt Helm (1975) - US TV Series
- The Bionic Woman (1976) - US TV Series
As arranger/conductor
With Faye Adams
- "You Can Trust In Me"/"Goodnight My Love" (Prestige, 1962)
With Cannonball Adderley
- Domination (Capitol, 1965)
With Steve Allen
- Soulful Brass #2 (Flying Dutchman, 1969)
With Gene Ammons
- Soul Summit Vol. 2 (Prestige, 1961 [1962])
- Late Hour Special (Prestige, 1961 [1964])
- Velvet Soul (Prestige, 1961 [1964])
With Air Pocket
- Fly On (East Wind, 1975) - producer
With Louis Armstrong
- Louis Armstrong and His Friends (Flying Dutchman, 1970)
With Gato Barbieri
- El Gato (Flying Dutchman, 1972 [1975])
- Last Tango in Paris (United Artists, 1972)
With Count Basie
- Afrique (Flying Dutchman, 1970)
With Elek Bacsik
- Bird and Dizzy: A Musical Tribute (Flying Dutchman, 1975)
With James Brown
- Soul on Top (King, 1969)
With Mel Brown
- Chicken Fat (Impulse!, 1967) - arranger only
With Ray Brown and Milt Jackson
- Ray Brown / Milt Jackson (Verve, 1965)
With Ruth Brown
- "Secret Love"/"Time After Time" (Noslen, 1963)
With Henry Cain
- The Funky Organ-ization Of Henry Cain (Capitol, 1967)
With Betty Carter
- 'Round Midnight (Atco, 1963)
With Ray Charles
- A Portrait of Ray (ABC/Tangerine, 1968) - arranger only
- Trane Whistle (Prestige, 1960)
With Lou Donaldson
- Rough House Blues (Cadet, 1964)
With Jean DuShon
- Feeling Good (Cadet, 1966) - arranger only
With Lorraine Ellison
- Heart & Soul (Warner Bros., 1966)
With Art Farmer
- Listen to Art Farmer and the Orchestra (Mercury, 1962)
With Maynard Ferguson
- Come Blow Your Horn (Cameo, 1964) - arranger only
With Jimmy Forrest
- Soul Street (New Jazz, 1962)
With Don Goldie
- Trumpet Exodus (Verve, 1962)
With Leo Gooden
- Leo Sings with Strings (L.G., 1963)
With Jackie & Roy
- Changes (Verve, 1966)
With Jimmy Grissom
- "I've Got You On My Mind"/"Lover's Reverie" (Prestige, 1962)
With Johnny Hartman
- I Love Everybody (ABC-Paramount, 1967)
With Johnny Hodges
- The Eleventh Hour (Verve, 1962)
- 3 Shades of Blue (Flying Dutchman, 1970)
- Six Million Dollar Man (Flying Dutchman, 1975)
With Paul Horn
- Monday, Monday (RCA Victor, 1966)
- Paul Horn & The Concert Ensemble (Ovation, 1969) - arranger only
With Paul Humphrey, Shelly Manne, Willie Bobo & Louis Bellson
- The Drum Session (Philips (Japan), 1974) - producer
With Yujiro Ishihara
- Nostalia (Teichiku Entertainment (Japan), 1974)
With Etta Jones
- So Warm (Prestige, 1961)
- From the Heart (Prestige, 1962)
With Kimiko Kasai
- Kimiko Kasai in Person (CBS/Sony (Japan), 1973)
- Thanks, Dear (CBS/Sony (Japan), 1974) - musical superviser
With Ramsey Lewis
- Country Meets the Blues (Argo, 1962)
With Herbie Mann
- My Kinda Groove (Atlantic, 1964)
- Monday Night at the Village Gate (Atlantic, 1965) - arranger only
- Latin Mann (Columbia, 1965)
- Standing Ovation at Newport (Atlantic, 1965) - arranger only
- Today! (Atlantic, 1965)
- Our Mann Flute (Atlantic, 1966)
With Lloyd G. Mayers
- A Taste of Honey (United Artists Jazz, 1962)
With Carmen McRae
- Portrait of Carmen (Atlantic, 1967)
With Thelonious Monk
- Monk's Blues (Columbia, 1968)
With Wes Montgomery
- Goin' Out of My Head (Verve, 1965)
With Lee Morgan
- Delightfulee (Blue Note, 1966) - arranger only
With Esther Phillips
- Esther Phillips Sings (Atlantic, 1955)
With Della Reese
- "Every Other Day"/"Soon" (ABC, 1967)
- I Gotta Be Me...This Trip Out (ABC, 1968)
With Irene Reid
- Room for One More (Verve, 1965)
With Buddy Rich
- Swingin' New Big Band (Pacific Jazz, 1966) - arranger only
- Big Swing Face (Pacific Jazz, 1967) - arranger only
- The New One! (Pacific Jazz, 1967) - arranger only
- Very Alive at Ronnie Scotts (RCA, 1971) - arranger only
With Sonny Rollins
- Alfie (Impulse!, 1966)
With Diana Ross
- Lady Sings the Blues (Motown, 1972) - arranger only
- Blue (Motown, 1972) - arranger only
With Jimmy Rushing
- Every Day I Have the Blues (Bluesway, 1967)
With Shirley Scott
- For Members Only (Impulse!, 1963)
- Great Scott!! (Impulse!, 1964)
- Roll 'Em: Shirley Scott Plays the Big Bands (Impulse!, 1966)
With Doc Severinsen
- Rhapsody for Now! (RCA, 1973)
With Bud Shank
- Girl in Love (World Pacific, 1966)
With Jimmy Smith
- Bashin': The Unpredictable Jimmy Smith (Verve, 1962)
- Hobo Flats (Verve, 1963)
- Who's Afraid of Virginia Woolf? (Verve, 1964)
- Monster (Verve, 1965)
- Got My Mojo Workin' (Verve, 1965)
- Peter & the Wolf (Verve, 1966)
- Hoochie Coochie Man (Verve, 1966)
- Jimmy & Wes: The Dynamic Duo (Verve, 1966) with Wes Montgomery
- Further Adventures of Jimmy and Wes (Verve, 1966) with Wes Montgomery
- Livin' It Up! (Verve, 1968)
With Ringo Starr
- Sentimental Journey (Apple, 1969) - arranger only
With Carl Stokes
- The Mayor and the People (Flying Dutchman, 1970)
With Billy Taylor
- Right Here, Right Now! (Capitol Records, 1963)
- Midnight Piano (Capitol, 1964)
With Jack Teagarden
- Jack Teagarden (Verve, 1962)
With The Temptations
- The Temptations in a Mellow Mood (Gordy, 1967) - arranger only
With Clark Terry
- Clark Terry Plays the Jazz Version of All American (Moodsville, 1962)
With Bob Thiele
- I Saw Pinetop Spit Blood (Flying Dutchman, 1975)
With Leon Thomas
- Leon Thomas in Berlin (Flying Dutchman, 1971)
With The Three Sounds
- Coldwater Flat (Blue Note, 1968)
With Cal Tjader
- Soul Burst (Verve, 1966)
With Stanley Turrentine
- Joyride (Blue Note, 1965)
With Frank Wess
- Southern Comfort (Prestige, 1962)
With Joe Williams
- Jump for Joy (RCA Victor, 1963)
- Me and the Blues (RCA Victor, 1964)
With Nancy Wilson
- How Glad I Am (Capitol, 1964)
- Today, My Way (Capitol, 1964)
- A Touch of Today (Capitol, 1966)
- Just for Now (Capitol, 1966)
- Lush Life (Capitol, 1967)
- Welcome to My Love (Capitol, 1967)
With Lem Winchester
- Lem's Beat (Prestige, 1960)
With Kai Winding
- Suspense Themes in Jazz (Verve, 1962)
- More Brass (Verve, 1966) - arranger only
As sideman
With Cannonball Adderley
- African Waltz (Riverside, 1961)
With Manny Albam
- Jazz Goes to the Movies (Impulse!, 1962)
With Elek Bacsik
- I Love You (Bob Thie, 1973)
With Louis Bellson
- The Brilliant Bellson Sound (Verve, 1959)
With Clea Bradford
- These Dues (Tru-Sound, 1961)
With Chris Connor
- Free Spirits (Atlantic, 1962)
- Richard Rodgers' No Strings: An After-Theatre Version (Atlantic, 1962) with Bobby Short
With Duke Ellington
- Paris Blues (United Artists, 1962)
With Red Garland
- Soul Burnin' (Prestige, 1961)
- Rediscovered Masters (Prestige 1961 [1977])
With J.J. Johnson
- J.J.! (RCA Victor, 1965)
With Etta Jones
- Something Nice (Prestige, 1960 [1961])
- Hollar! (Prestige, 1960 [1963])
With Quincy Jones
- I Dig Dancers (Mercury, 1960)
- The Quintessence (Impulse!, 1961)
- The Pawnbroker (Mercury, 1965)
With Louis Jordan
- "If You're So Smart How Come You Ain't Rich"/"How Blue Can You Get" (Decca, 1951)
- "Please Don't Leave Me"/"Three-Handed Woman" (Decca, 1951)
- "Trust in Me"/"Cock-a-Doodle Doo"/"Work Baby Work" (Decca, 1951)
- "May Every Day Be Christmas"/"Bone Dry" (Decca, 1951)
- "Louisville Lodge Meeting"/"Work Baby Work" (Decca, 1951)
- "Slow Down" (Decca, 1951 [1952])
- "Fat Sam from Birmingham" (Decca, 1951 [1953])
- "There Must Be a Way" (Decca, 1951 [1953])
- "Come And Get It" (Decca, 1951 [1954])
With Eddie Kirkland
- It's the Blues Man! (Tru-Sound, 1962)
With Mundell Lowe
- Satan in High Heels (soundtrack) (Charlie Parker, 1961)
With Gary McFarland
With Joe Newman
- Joe Newman Quintet at Count Basie's (Mercury, 1961)
With Shirley Scott
- Blue Seven (Prestige, 1961)
- Talk That Talk (New Jazz, 1960)
With Leon Thomas
- Leon Thomas in Berlin (Flying Dutchman, 1970)
- Gold Sunrise on Magic Mountain (Flying Dutchman, 1970)
References
- ↑ Allmusic
- ↑ Impulse! Records catalog at http://www.jazzdisco.org/impulse-records/
- 1 2 3 4 Joe Goldberg, "Focus on Oliver Nelson" – Down Beat magazine, February 15, 1962 Vol. 29, No. 4. page 17.
- 1 2 3 Phil Woods, Reflections in E-flat – Saxophone Journal, September/October 1995 page 62.
- ↑ Garland, Phyl (November 1968). "The Many 'Bags' of Oliver Nelson". Ebony (Johnson Publishing Company): 118. ISSN 0012-9011. Retrieved October 13, 2015.
- ↑ Garland, Phyl (November 1968). "The Many 'Bags' of Oliver Nelson". Ebony (Johnson Publishing Company): 110. ISSN 0012-9011. Retrieved October 13, 2015.
External links
- Oliver Nelson – AllMusic biography by Scott Yanow
- Oliver Nelson – brief introduction from the Jazz Files
- Oliver Nelson – introduction from Impulse! Records
- Oliver Nelson: A Discography – Douglas Payne's site, including discographies of Nelson's work in different genres, reviews, etc.
- Oliver Nelson Published Big Band Arrangements and Compositions
|