Nyêmo Chekar monastery

Nyêmo Chekar

Chokyi Dronma. Mural painting at Neymo Chekar monastery.
Monastery information
Order Bodongpa tradition of Buddhism
Site
Location Nyêmo County, Lhasa, Tibet

Nyêmo Chekar monastery (Standard Tibetan: snye mo bye dkar) is a small Buddhist monastery of the Bodongpa tradition in Nyêmo County, Lhasa, Tibet. It is known for its mural paintings of reincarnations of the Samding Dorje Phagmo.

Location

Nyemo Chekar lies near Uyuk in Nyêmo County. It is the birthplace of 8th century "translator" Vairotsana.[1] The name comes from an area of chekar (bye dkar), or white sand, that surrounds the monastery.[2] The monastery was established in the 16th century by Tashi Ombar, protector of the Bodongpa tradition, and Chime Palsang, spiritual master of the tradition.[3] An visitor to the monastery in July 1996 described it as small and somewhat decrepit. It stood on a mound above a grove of willows and a small stream.[2]

Paintings

The old wall paintings in the porch of the temple had been repainted by 1996.[4] In a dark altar room on the ground floor the walls are completely decorated with much older portraits that included Bodong Chogle Namgyal (1376–1451), the deity Dorje Phagmo and Tashi Ombar, the blue horseman who protects the Bodongpa tradition. One of the better-preserved upper rooms also has fully decorated walls, including formal portraits of Bodong Chogle Namgyal, Chokyi Dronma (the first incarnation of Dorje Phagmo) and Chime Palsang. It has various other pictures of women, some remarkably realistic. One depicts the princess Chokyi Dronma in a nun's garb, with a yogini's long hair hanging loose, wearing gold and turquoise earrings. Although unnamed, most of the female portraits appear to represent different reincarnations of the Dorje Phagmo. They probably date from the late 16th or early 17th century.[5]

References

    Wikimedia Commons has media related to Nyêmo Chekar monastery.

    Sources

    This article is issued from Wikipedia - version of the Thursday, March 12, 2015. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.