Nightclub

For other uses, see Night Club.
"Discotek", "Discothèque" and "Discotech" redirect here. For the company, see Discotek Media. For the song by U2, see Discothèque (song). For the album by Herbie Mann, see Discothèque (album).
Laser lights illuminate the dance floor at a trance music event in a nightclub
People dance at an industrial music event in a nightclub, some of them drinking refreshments, alcoholic beverages or soft drinks

A nightclub (also known as a discothèque, disco, dance club or club) is an entertainment venue which usually operates late into the night. A nightclub is generally distinguished from bars, pubs or taverns by the inclusion of a dance floor and a DJ booth, where a DJ plays recorded music. The busiest nights for a nightclub are Friday and Saturday night.

The music in nightclubs is either live bands or, more commonly, a mix of songs played by a DJ through a powerful PA system. Most clubs or club nights cater to certain music genres.

History

Early history

"The Cave" in the basement of the Gruenwald (later Roosevelt) Hotel, New Orleans opened in 1912; said by some to be one of the first "nightclubs" in the United States

From about 1900 to 1920, working class Americans would gather at honky tonks or juke joints to dance to music played on a piano or a jukebox. Webster Hall is credited as the first modern nightclub,[1] being built in 1886 and starting off as a "social hall", originally functioning as a home for dance and political activism events. During US Prohibition, nightclubs went underground as illegal speakeasy bars, with Webster Hall staying open, with rumors circulating of Al Capone's involvement and police bribery. With the repeal of Prohibition in February 1933, nightclubs were revived, such as New York's 21 Club, Copacabana, El Morocco, and the Stork Club. These nightclubs featured big bands (there were no DJs).

In Germany, possibly the first discothèque was Scotch-Club. In Occupied France, jazz and bebop music, and the jitterbug dance were banned by the Nazis as decadent American influences, so as an act of French resistance, people met at hidden basements called discothèques[2] where they danced to jazz and swing music, which was played on a single turntable when a jukebox was not available. These discothèques were also patronized by anti-Vichy youth called zazous. There were also underground discothèques in Nazi Germany patronized by anti-Nazi youth called the swing kids.

In Harlem, Connie's Inn and the Cotton Club were popular venues for white audiences. Before 1953 and even some years thereafter, most bars and nightclubs used a jukebox or mostly live bands. In Paris, at a club named Whisky à Gogo, founded in 1947,[3] Régine in 1953 laid down a dance-floor, suspended coloured lights and replaced the jukebox with two turntables which she operated herself so there would be no breaks between the music. The Whisky à Gogo set into place the standard elements of the modern post World War II discothèque-style nightclub. At the end of the 1950s, several of the coffee bars in Soho introduced afternoon dancing and the most famous, at least on the continent, was Les Enfants Terribles at 93 Dean St. These original discothèques were nothing like the night clubs, as they were unlicensed and catered to a very young public—mostly made up of French and Italians working illegally, mostly in catering, to learn English as well as au pair girls from most of western Europe. In the early 1960s, Mark Birley opened a members-only discothèque nightclub, Annabel's, in Berkeley Square, London. In 1962, the Peppermint Lounge in New York City became popular and is the place where go-go dancing originated. However, the first rock and roll generation preferred rough and tumble bars and taverns to nightclubs, and the nightclub did not attain mainstream popularity until the 1970s disco era. Sybil Burton, former wife of actor Richard Burton, opened the "Arthur" discothèque in 1965 on East 54th Street in Manhattan on the site of the old El Morocco nightclub and it became the first, foremost and hottest disco in New York City through 1969.[4]

1970s: Disco

Disco has its roots in the underground club scene. During the early 1970s in New York City, disco clubs were places where oppressed or marginalized groups such as homosexuals, Blacks, Latinos, Italian-Americans, and Jews could party without following male to female dance protocol or exclusive club policies. It brought together people from all walks of life and backgrounds.[5] These clubs acted as safe havens for homosexual partygoers to dance in peace and away from public scrutiny. Disco was a genre for people to explore sexuality and push the envelope on the dancefloor. Disco clubs acted as an escape from such depressing environments and acted as the fantasy marginalized peoples could escape to forget oppression and racism. Disco clubs originally functioned as liberated party spaces and were seen as places of political statement.

By the late 1970s many major US cities had thriving disco club scenes which were centered around discothèques, nightclubs, and private loft parties where DJs would play disco hits through powerful PA systems for the dancers. The DJs played "... a smooth mix of long single records to keep people 'dancing all night long'"[6] Some of the most prestigious clubs had elaborate lighting systems that throbbed to the beat of the music.

Some cities had disco dance instructors or dance schools which taught people how to do popular disco dances such as "touch dancing", the "hustle" and the "cha-cha-cha". There were also disco fashions that discothèque-goers wore for nights out at their local disco, such as sheer, flowing Halston dresses for women and shiny polyester Qiana shirts for men. Disco clubs and "...hedonistic loft parties" had a club culture which had many Italian-American, African American, gay[7] and Hispanic people.

In addition to the dance and fashion aspects of the disco club scene, there was also a thriving drug subculture, particularly for recreational drugs that would enhance the experience of dancing to the loud music and the flashing lights, such as cocaine[8] (nicknamed "blow"), amyl nitrite "poppers",[9] and the "...other quintessential 1970s club drug Quaalude, which suspended motor coordination and turned one's arms and legs to Jell-O".[10] The "massive quantities of drugs ingested in discothèques by newly liberated gay men produced the next cultural phenomenon of the disco era: rampant promiscuity and public sex. While the dance floor was the central arena of seduction, actual sex usually took place in the nether regions of the disco: bathroom stalls, exit stairwells, and so on. In other cases the disco became a kind of "main course" in a hedonist's menu for a night out."[10]

Famous 1970s discothèques included celebrity hangouts such as Manhattan's Studio 54, which was operated by Steve Rubell and Ian Schrager. Studio 54 was notorious for the hedonism that went on within; the balconies were known for sexual encounters, and drug use was rampant. Its dance floor was decorated with an image of the "Man in the Moon" that included an animated cocaine spoon. Other famous 1970s discothèques in New York City included " Manhattan's Starship Discovery One, 350 West 42nd Street New York New York, DJ's Frankie Carvajal, Joe Palminteri. Album Cover of Saturday Night Band's Come on and Dance, Dance features 2 Dancers in the Starship Discovery One" "Roseland's Ballroom West 52nd Street NYC", "Xenon", "The Loft", the "Paradise Garage", a recently renovated "Copacabana," and "Aux Puces", one of the first gay disco bars. In San Francisco, there was the Trocadero Transfer, the I-Beam, and the End Up.

By the early 1980s, the term "disco" had largely fallen out of favour in most of the English-speaking world.

1980s New York and London

A Disc Jockey playing music in a club

During the 1980s, during the New Romantic movement, London had a vibrant nightclub scene, which included clubs like The Blitz, the Batcave, the Camden Palace and Club for Heroes. Both music and fashion embraced the aesthetics of the movement. Bands included Depeche Mode, Yazoo, The Human League, Duran Duran, Blondie, Eurythmics and Ultravox. Reggae-influenced bands included Boy George and Culture Club, and electronic vibe bands included Visage. At London nightclubs, young men would often wear make-up and young women would wear men's suits.

The largest UK cities like Leeds (The Orbit), Newcastle, Liverpool (Quadrant Park and 051), Swansea, Manchester (The Haçienda) and several key European places like Paris (Les Bains Douches), Ibiza (Pacha), Rimini etc. also played a significant role in the evolution of clubbing, DJ culture and nightlife.

Significant New York nightclubs of the period were Area, Danceteria, and The Limelight.[11]

1990s, 2000s, and 2010s

A dance club in Okinawa, Japan.

In Europe and North America, nightclubs play disco-influenced dance music such as house music, techno, and other dance music styles such as electronica, breakbeat and trance. Most nightclubs in the U.S. major cities that have an early adulthood clientele, play hip hop, dance-pop, house and/or trance music. These clubs are generally the largest and most frequented of all of the different types of clubs. The emergence of the "superclub" created a global phenomenon, with Ministry of Sound (London), Cream (Liverpool) and Pacha (Ibiza).

Techno clubs are especially popular around the world since the early 1990s. Famous examples are Berghain, Bunker and Tresor in Berlin, Omen and Cocoon in Frankfurt, Distillery in Leipzig, Tunnel Club in Hamburg, Warehouse in Chicago and The Haçienda in Manchester.

In most other languages, nightclubs are referred to as "discos" or "discothèques" (German: Disko or Diskothek; French: discothèque; Italian, Portuguese and Spanish: discoteca, antro (common in Mexico only), and boliche (common in Argentina only), discos is commonly used in all others in Latinamerica). In Japanese ディスコ, disuko refers to an older, smaller, less fashionable venue; while クラブ, kurabu refers to a more recent, larger, more popular venue. The term night is used to refer to an evening focusing on a specific genre, such as "retro music night" or a "singles night." In Hong Kong and China, night club is used as a euphemism for a hostess club, and the association of the term with the sex trade has driven out the regular usage of the term.

A recent trend in the North American, Australian and European nightclub industry is the usage of video. VJs ("video jockeys") mix video content in a similar manner that DJs mix audio content, creating a visual experience that is intended to complement the music.

The beginning of the 21st century saw financial growth of the nightclub industry in the United States. However, the number of nightclubs and employees has been decreasing. In 2010, there were nearly 45,000 bars and nightclubs across the country.[12]

Recurring features

Club nights

Many clubs have recurring club nights on different days of the week. The music festival Bangface, for example, started out as a club night. Most club nights focus on a particular genre or sound for branding effects.[13]

Nightclub entry criteria

Many nightclubs choose who can enter on bases other than just age: dress code and guest list. That is used to make their status as a nightclub more "exclusive". Quite often, there are no clear policies governing entry to a nightclub, thereby allowing the doormen to deny entry to anybody at discretion.

Association

Some nightclubs have been Playboy Club. A number of gay nightclubs that prefer to cater to an exclusively male clientele will deny entry to a group of lesbians but will welcome a lesbian with a number of male gay friends.

Cover charge

In most cases, entering a nightclub requires a flat fee, called a cover charge. Some clubs waive or reduce the cover charge for early arrivers, special guests or women (in the United Kingdom this latter option is illegal under the Equality Act 2010[14] but the law is rarely enforced, and open violations are frequent). Friends of the doorman or the club owner may gain free entrance. Sometimes, especially at larger clubs in Continental European countries, one gets only a pay card at the entrance, on which all money spent in the discothèque (often including the entrance fee) is marked. Sometimes, entrance fee and cloakroom costs are paid by cash, and only the drinks in the club are paid using a pay card.

Clubgoers dancing at an upmarket nightclub

Dress code

Light-up club wear for performances, glowing under black lights.

Many nightclubs enforce a dress code in order to ensure a certain type of clientele is in attendance at the venue. Some upscale nightclubs ban attendees from wearing trainers (sneakers) or jeans while other nightclubs will advertise a vague "dress to impress" dress code that allows the bouncers to discriminate at will against those vying for entry to the club.

Many exceptions are made to nightclub dress codes, with denied entry usually reserved for the most glaring rule breakers or those thought to be unsuitable for the party. Certain nightclubs like fetish nightclubs may apply a dress code (BDSM) to a leather-only, rubber-only or fantasy dress code. The dress code criterion is often an excuse for discriminatory practices, such as in the case of Carpenter v. Limelight Entertainment Ltd.[15]

Exclusive boutique nightclubs

Large cosmopolitan cities that are home to large affluent populations (such as Atlanta, Chicago, Los Angeles, Miami, New York City, and London) often have what are known as exclusive boutique nightclubs. This type of club typically has a capacity of less than 200 occupants and a very strict entrance policy, which usually requires an entrant to be on the club's guest list. While not explicitly members+only clubs, such as Soho House, exclusive nightclubs operate with a similar level of exclusivity. As they are off limits to most of the public and ensure the privacy of guests, many celebrities favor these types of clubs to other, less exclusive, clubs which do not cater as well to their needs.

Another differentiating feature of exclusive nightclubs is, in addition to being known for a certain type of music, they are known for having a certain type of crowd, for instance, a fashion-forward, affluent crowd or a crowd with a high concentration of fashion models. Many exclusive boutique clubs market themselves as being a place to socialize with models and celebrities. Affluent patrons who find that marketing message appealing are often willing to purchase bottle service at a markup of several times the retail cost of the liquor.[16] London's most exclusive boutique nightclubs include Amika, Cirque Du Soir, Project, The Box, and The Rose Club. They are frequently visited by an array of A-List celebrities from the fashion, film, and music industries. All are located in London's prestigious Mayfair, except Cirque Du Soir and The Box, which are both located in London's sex capital, Soho, and the both have a more risque theme.

Guest list

Many nightclubs operate a "guest list" that allows certain attendees to enter the club for free or at a reduced rate. Some nightclubs have a range of unpublished guest list options ranging from free, to reduced, to full price with line by-pass privileges only. Nightclub goers on the guest list often have a separate queue and sometimes a separate entrance from those used by full price-paying attendees. It is common for the guestlist line-up to be no shorter or even longer than the full-paying or ticketed queues. Some nightclubs allow clubbers to register for the guest list through their websites.

Security

Most nightclubs employ teams of bouncers, who have the power to restrict entry to the club and remove people. Some bouncers use handheld metal detectors to prevent weapons being brought into clubs.[17][18] Bouncers often eject patrons who bring party drugs into the venue.[19][20] Bouncers count the number of people admitted to a club in order to prevent stampedes and fire code violations, and also enforce a club's dress code, frequently accepting bribes to let people jump the queue.[21][22] Many clubs have balcony areas specifically for the security team to watch over the clubbers.

Serious incidents

List of nightclubs

The following is an incomplete list of nightclub lists or nightclubs with their own Wikipedia pages, of all genres.

See also

References

  1. ↑ "Webster Hall Landmark Status Certification" (PDF). Greenwich Village Society for History Preservation. The intact, elegantly detailed façade of Webster Hall has sheltered some of the Village’s most infamous moments, and this first modern night club deserves to be an individual landmark
  2. ↑ "The birth of disco". OXford Dictionaries. Retrieved 2014-01-08.
  3. ↑
  4. ↑ TIME magazine. (May 14, 1965). Brewster, B., Broughton, F..Last Night a Disc Jockey Saved My Life, Grove Press, 2000, pp. 62–64. ISBN 0802136885
  5. ↑ Lawrence, Tim. "Disco and the Queering of the Dance Floor." Cultural Studies 25.2 (2011): 230–43.
  6. ↑ Rietveld, Hillegonda C. (July–August 2000). "The body and soul of club culture". UNESCO Courier 53. Archived from the original on 2007-06-26. Retrieved 2014-01-08.
  7. ↑ Lawrence, Tim (2005-06-14). "Reviews of Love Saves the Day". Blog. Archived from the original on 2007-07-12. Retrieved 2014-01-08.
  8. ↑ Gootenberg, Paul 1954- Between Coca and Cocaine: A Century or More of U.S.-Peruvian Drug Paradoxes, 1860–1980. Hispanic American Historical Review, 83:1, February 2003, pp. 119–150. He says that "The relationship of cocaine to 1970s disco culture cannot be stressed enough; ..."
  9. ↑ "Nitrites". DrugScope. Retrieved 2014-01-08. Amyl, butyl and isobutyl nitrite (collectively known as alkyl nitrites) are clear, yellow liquids which are inhaled for their intoxicating effects. Nitrites originally came as small glass capsules that were popped open. This led to nitrites being given the name 'poppers' but this form of the drug is rarely found in the UK. The drug became popular in the UK first on the disco/club scene of the 1970s and then at dance and rave venues in the 1980s and 1990s.
  10. 1 2 Braunstein, Peter (November 1999). "Disco". American Heritage Magazine 50 (7). Retrieved 2007-07-24.
  11. ↑ Miller, Daniel (2001). Consumption: critical concepts in the social sciences. Taylor & Francis. p. 447. ISBN 978-0-415-24269-1. Retrieved 2014-01-08.
  12. ↑ "Pell Research Report on Bars and Night Clubs - cited with permission". Pellresearch.com. Retrieved 2014-01-08.
  13. ↑ "How to... run a clubnight - FACT Magazine: Music News, New Music". Factmag.com. Retrieved 2016-02-15.
  14. ↑ "Is Ladies' Night illegal? Nightclub entry policy and the Equality Act". Law Think. 2011-04-06. Retrieved 2014-01-08.
  15. ↑ "Carpenter v. Limelight Entertainment Ltd. (1999), C.H.R.R. Doc. 99-197 B.C. Human Rights Tribunal" (PDF). Bchrt.bc.ca. Retrieved 2016-02-15.
  16. ↑ "NYC Clubs and lounges - Your Guide to Exclusive New York Nightlife". Socialyeti.com. Retrieved 2013-03-09.
  17. ↑ Dick Hobbs (2003). Bouncers: Violence and Governance in the Night-time Economy. Oxford University Press. ISBN 978-0-19-925224-4.
  18. ↑ Lee Vineyard. Bouncer Training Manual. Lulu.com. p. 59. ISBN 978-1-304-08611-2.
  19. ↑ Bill Sanders (2005-04-01). "In the Club: Ecstasy Use and Supply in a London Nightclub". Soc.sagepub.com. Retrieved 2016-02-15.
  20. ↑ "Jenni Ward: Researching Drug Sellers". Socresonline.org.uk. Retrieved 2016-02-15.
  21. ↑ "Bouncers: Promoters’ nightmare". The Chronicle. 2015-09-12. Retrieved 2016-02-15.
  22. ↑ "What's the most effective way to bribe bouncers at night clubs?". Quora.com. Retrieved 2016-02-15.
  23. ↑ "IOL: Throb trial to start on Monday". Iol.co.za. Retrieved 2014-01-08.
  24. ↑ "Schnittverletzungen: Mann nach Kopfsprung in Disco-Pool verblutet - SPIEGEL ONLINE". Spiegel.de. 2009-07-23. Retrieved 2013-03-09.
  25. ↑ Количество жертв пожара в пермском клубе возросло до 155 человек (in Russian). Interfax.ru. 2010-01-05. Retrieved 2010-01-17.
  26. ↑ СКП: В результате пожара в Перми пострадали 234 человека (in Russian). «Взгляд» — деловая газета. 2009-12-09. Retrieved 2014-01-08.
  27. ↑ "Pulsepoint". Allvoices.com. Retrieved 2016-02-15.

External links

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