National Film Award for Best Arts/Cultural Film
| National Film Award for Best Arts/Cultural Film | |
|---|---|
| Awarded by Directorate of Film Festivals | |
| Type | National |
| Category | Short films |
| Description | |
| Medal | Rajat Kamal (Silver Lotus) |
| Statistics | |
| Instituted | 1985 |
| First awarded | 1985 |
| Last awarded | 2013 |
| Total awarded | 30 |
| Cash award | ₹50,000 (US$740) |
| First awardee(s) | Warli Painting |
| Recent awardee(s) |
• The Lost Behrupiya • O Friend, This Waiting! |
The National Film Award for Best Arts/Cultural Film is one of the National Film Awards presented annually by the Directorate of Film Festivals, the organisation set up by Ministry of Information and Broadcasting, India. It is one of several awards presented for Non feature films and awarded with Rajat Kamal (Silver Lotus).
The award was instituted in 1985, at 33rd National Film Awards and awarded annually for films produced in the year across the country, in all Indian languages.
Winners
Award includes 'Rajat Kamal' (Silver Lotus) and cash prize. Following are the award winners over the years:
| List of films, showing the year, language(s), producer(s), director(s) and citation | |||||
|---|---|---|---|---|---|
| Year | Film(s) | Language(s) | Producer(s) | Director(s) | Citation |
| 1985 (33rd) |
Warli Painting[1] | English | B. R. Shendge | V. K. Wankhede |
For a perceptive exploration of the relationship between the life and art of the warli tribals. |
| 1986 (34th) |
Our Islamic Heritage: Part II [2] | English | K. K. Garg for Films Division | K. K. Garg |
For its well researched treatment and the artistry and imagination employed in bringing an aspect of our great heritage into focus. |
| 1986 (34th) |
Classical Dance Forms of India – Koodiattam[2] | English | Doordarshan | Prakash Jha |
For its excellent visual treatment of a great traditional theatre form. |
| 1987 (35th) |
The Kingdom of God[3] | English | Shilpabharati Publicity | Ranabir Ray |
For treating its subject with careful cinematic detail and with a deep sincerity towards the very rich folk painting scene in rural India. |
| 1988 (36th) |
Scroll Painters of Birbhum (Patua)[4] | English | • Dilip Ghosh • Biswanath Bose |
Raja Mitra |
For portraying with sensitivity and insight the vanishing tribe of the Muslim scroll painters whose essentially secular art harmonises painting and singing. |
| 1989 (37th) |
Siddheshwari[5] | Hindi | Mani Kaul | Mani Kaul |
For its innovative and stylised interpretation of a singer's work and her milieu. |
| 1990 (38th) |
Figures of Thought[6] | English | Arun Khopkar | Arun Khopkar |
For exceptionally beautiful portrayal of the work of three painters, with verve, and unpretentious, but excellent visuals. |
| 1990 (38th) |
Vaastu Marabu[6] | English | Min Bimbangal | Bala Kailasam |
For portraying the philosophy of traditional "Shilpi", transcending the physical form of the sculpture, exploring the collective unconscious of Indian sculptors. |
| 1991 (39th) |
Sanchari[7] | English | Arun Khopkar | Arun Khopkar |
For memorable presentation of form and content of the Bharatnatyam dance through the exposition of Leela Samson's art, brilliantly synthesising dance and cinematographic language. |
| 1992 (40th) |
The Recluse[8] | Hindi | Arvind Sinha | Arvind Sinha |
For a fine and moving tribute to one of the great living master of Dhrupad, Ustad Amiruddin Dagar. |
| 1992 (40th) |
Suchitra Mitra[8] | Bengali | Sailen Seth | Raja Sen |
For a cinematic tribute to the greatest living exponent of Rabindra Sangeet. |
| 1993 (41st) |
Anukampan[9] | Hindi | Balaka Ghosh | Balaka Ghosh |
For focussing attention on a unique intermingling of classical and folk dance traditions which is in danger of extinction through an appealing film form. |
| 1994 (42nd) |
Painting in Time[10] | English | Topshots | Sarbajit Sen |
For using play of light to enter the surface of a culture, unobtrusively, allowing it to reveal its magical metaphysics. |
| 1995 (43rd) |
Pakarnnattam Ammannur The Actor[11] | Malayalam | P. G. Mohan | • M. R. Rajan • C. S. Venkiteswaran |
For recording sensitively the ancient theatre form of Koodiyattam as interpreted by the legendary Koodiyattam actor Ammannur Madhava Chakyar. |
| 1996 (44th) |
Nauka Charitramu[12] | English | Saroj Satyanarayan | Saroj Satyanarayan |
For its innovative cinematic portrayal of three women musicians of Carnatic tradition. |
| 1997 (45th) |
The Official Art Form[13] | English | National Gallery of Modern Art | • Suhasini Mulay • R. M. Gharekhan |
For an important documentation of a vital transitional period of our cultural heritage. |
| 1998 (46th) |
A Painter of Eloquent Silence: Ganesh Pyne [14] | English | Buddhadeb Dasgupta | Buddhadeb Dasgupta |
For a moving tribute from one artist to another and an appreciation of a painter's hidden expression. |
| 1999 (47th) |
"Thang Ta"- The Martial Art of Manipur[15] | English | Indira Gandhi National Centre for the Arts | Aribam Syam Sharma |
For its passionate cinematic expression of a traditional martial art of Manipur. |
| 2000 (48th) |
Tribal Women Artists[16] | Hindi | Kuldeep Sinha for Films Division | Brij Bhushan for Films Division |
For highlighting the creative abilities of the tribal women of Hazaribagh (Jharkhand) in an effective manner. |
| 2001 (49th) |
No Award[17] | ||||
| 2002 (50th) |
The Eye of the Fish: The Kalaries Of Kerala [18] | English | Films Division | Priya Krishna Swamy |
For the rich visual texture of the film on Kalarippayuttu with its simple and effective story telling powerfully counterpoints its message of the need to reject violence and war and develop a focused mind as a potent tool of self realisation. |
| 2003 (51st) |
Picasso Metamorphoses[19] | English | Y. N. Engineer for Films Division | Nandkumar Sadamate |
For its rare attempt at interpreting the works of the legendary painter making him accessible even to those uninitiated to his art. The film examines the troubled times that Picasso lived in, his ideals, his relationships and the inevitable symbiosis of his life and work. |
| 2004 (52nd) |
No Award[20] | ||||
| 2005 (53rd) |
Naina Jogin[21] | • Hindi • Maithili |
Praveen Kumar | Praveen Kumar |
For a seamless film aesthetically blending fact, fiction and reconstruction with perceptive interviews bringing out the life of the Madhubani painters of Bihar. |
| 2006 (54th) |
Jatra Jeevan Jeevan Jatra[22] | English | Kailash Bhuyan | Kapilas Bhuyan |
For creatively presenting the transformation of Oriya Jatra from a folk form to a highly commercialised and mainstream form. |
| 2007 (55th) |
No Award[23] | ||||
| 2008 (56th) |
Karna Motcham[24] | Tamil | MGR Film and TV Institute | S. Murali Manohar |
For using powerful imagery and ironical juxtaposition, the film depicts the life of a Koothu artist. With subtlety, it captures the frustration and the hopelessness of a performer whose art is a misfit in a changing cultural world. |
| 2009 (57th) |
No Award[25] | ||||
| 2010 (58th) |
Leaving Home[26] | Hindi | Jaideep Varma | Jaideep Varma |
For an emotive and enthralling exposition of the passion and dedication of a group, bound by the spirit of music, who transcend the commercial boundary to embrace their original creative flair. Without compromising, the group led to the adventure with courage and guts. The film maker has journeyed through this adventure with dramatic sensibility and compassion. |
| 2011 (59th) |
Fried Fish, Chicken Soup and a Premiere Show[27] | • Manipuri • English |
Madhusree Dutta | Mamta Murthy |
For taking us on a journey that chronicles the struggle to produce films in strife torn Manipur and in the process painting a vivid canvas, which captures cinema in the state as a medium of popular culture. |
| 2011 (59th) |
Lasya Kavvya: The World of Alarmel Valli [27] | English | Sankalp Meshram | Sankalp Meshram |
For aesthetic delineation of Bharatnatyam through the dance, performances and personal interpretation by one of the greatest living exponents of this classical art form. |
| 2012 (60th) |
Modikhanyachya Don Goshti[28] | Marathi | Gouri Patwardhan | Gouri Patwardhan |
For a nuanced depiction of the art, life and socio-historical context of two artists - father and daughter who negotiate their Dalit identity in very different ways through their work. |
| 2013 (61st) |
The Lost Behrupiya[29] | English | Holybull Entertainment LLP | Sriram Dalton |
For a near surreal depiction of a dying art form in a globalised society. The film combines elements of drama and visual art with a lament for a rich cultural tradition |
| 2013 (61st) |
O Friend, This Waiting ![29] | • Telugu • English |
Justin Mccarthy | Sandhya Kumar |
For its wholly unconventional investigation of the Devadasi tradition in South India, combining an appreciation of this delicate and sensuous art form with a genuine sociological exploration. |
References
- ↑ "33rd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 7 January 2012.
- 1 2 "34th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 7 January 2012.
- ↑ "35th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 9 January 2012.
- ↑ "36th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 9 January 2012.
- ↑ "37th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 29 January 2012.
- 1 2 "38th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 9 January 2012.
- ↑ "39th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 February 2012.
- 1 2 "40th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 2 March 2012.
- ↑ "41st National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 3 March 2012.
- ↑ "42nd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 5 March 2012.
- ↑ "43rd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 6 March 2012.
- ↑ "44th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 9 January 2012.
- ↑ "45th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 11 March 2012.
- ↑ "46th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 12 March 2012.
- ↑ "47th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 13 March 2012.
- ↑ "48th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 13 March 2012.
- ↑ "49th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 14 March 2012.
- ↑ "50th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 14 March 2012.
- ↑ "51st National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 15 March 2012.
- ↑ "52nd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 28 January 2012.
- ↑ "53rd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 19 March 2012.
- ↑ "54th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 24 March 2012.
- ↑ "55th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 26 March 2012.
- ↑ "56th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2012.
- ↑ "57th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 28 March 2012.
- ↑ "58th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 29 March 2012.
- 1 2 "59th National Film Awards for the Year 2011 Announced". Press Information Bureau (PIB), India. Retrieved 7 March 2012.
- ↑ "60th National Film Awards Announced" (PDF) (Press release). Press Information Bureau (PIB), India. Retrieved 17 April 2014.
- 1 2 "61st National Film Awards" (PDF). Directorate of Film Festivals. 16 April 2014. Retrieved 16 April 2014.
External links
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