Moirai

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In Greek mythology, the Moirai or Moerae /ˈmɪrˌiː/ or /ˈmiːˌriː/ (Ancient Greek: Μοῖραι, "apportioners"), often known in English as the Fates (Latin: Fatae), were the white-robed incarnations of destiny; their Roman equivalent was the Parcae (euphemistically the "sparing ones"). Their number became fixed at three: Clotho (spinner), Lachesis (allotter) and Atropos (unturnable).

They controlled the mother thread of lifestyle of every mortal from birth to death. They were independent, at the helm of necessity, directed fate, and watched that the fate assigned to every being by eternal laws might take its course without obstruction. The gods and men had to submit to them, although Zeus's relationship with them is a matter of debate: some sources say he is the only one who can command them (the Zeus Moiragetes), yet others suggest he was also bound to the Moirai's dictates.^[1] In the Homeric poems Moira or Aisa, is related with the limit and end of life, and Zeus appears as the guider of destiny. In the Theogony of Hesiod, the three Moirai are personified, and are acting over the gods.^[2] Later they are daughters of Zeus and Themis, who was the embodiment of divine order and law. In Plato's Republic the Three Fates are daughters of Ananke (necessity).^[3]

It seems that Moira is related with Tekmor (proof, ordinance) and with Ananke (destiny, necessity), who were primeval goddesses in mythical cosmogonies. The ancient Greek writers might call this power Moira or Ananke, and even the gods could not alter what was ordained.^[4] The concept of a universal principle of natural order has been compared to similar concepts in other cultures like the Vedic Rta, the Avestan Asha (Arta) and the Egyptian Maat.

In earliest Greek philosophy, the cosmogony of Anaximander is based on these mythical beliefs. The goddess Dike (justice, divine retribution), keeps the order and sets a limit to any actions.^[5]

Etymology

The Ancient Greek word moira (μοῖρα) means a portion or lot of the whole, and is related to meros, "part, lot" and moros, "fate, doom",^[6] Latin meritum, "desert, reward", English merit, derived from the PIE root *(s)mer, "to allot, assign".^[7]

Moira may mean portion or share in the distribution of booty (ίση μοῖρα ísē moîra "equal booty"),^[8] portion in life, lot, destiny, (μοῖραv ἔθηκαν ἀθάνατοι moîran éthēken athánatoi "the immortals fixed the destiny")^[9] death (μοῖρα θανάτοιο moîra thanátoio "destiny of death"), portion of the distributed land.,^[10] The word is also used for something which is meet and right (κατὰ μοῖραν, katà moîran, "according to fate, in order, rightly")^[11]

It seems that originally the word moira did not indicate destiny but included ascertainment or proof. The word daemon, which was an agent related to unexpected events, came to be similar to the word moira.^[12] This agent or cause against human control might be also called tyche (chance, fate): "You mistress moira, and tyche, and my daemon "^[13]

The word nomos, "law", may have meant originally a portion or lot, as in the verb nemein, "to distribute", and thus "natural lot" came to mean "natural law".^[14] The word dike, "justice", conveyed the notion that someone should stay within his own specified boundaries, respecting the ones of his neighbour. If someone broke his boundaries, thus getting more than his ordained part, then he would be punished by law. By extension, moira was one's portion or part in destiny which consisted of good and bad moments as was predetermined by the Moirai (Fates), and it was impossible for anyone to get more than his ordained part. In modern Greek the word came to mean "destiny" (μοίρα or ειμαρμένη).

Kismet, the predetermined course of events in the Muslim traditions, seems to have a similar etymology and function: Arabic qismat "lot" qasama, "to divide, allot" developed to mean Fate or destiny. As a loanword, qesmat 'fate' appears in Persian, whence in Urdu language, and eventually in English Kismet.

The three Moirai

When they were three,^[15] the three Moirai were:

• Clotho (/ˈkloʊθoʊ/, Greek Κλωθώ [klɔːˈtʰɔː] – "spinner") spun the thread of life from her Distaff onto her Spindle. Her Roman equivalent was Nona, (the 'Ninth'), who was originally a goddess called upon in the ninth month of pregnancy.
• Lachesis (/ˈlækᵻsɪs/, Greek Λάχεσις [ˈlakʰesis] – "allotter" or drawer of lots) measured the thread of life allotted to each person with her measuring rod. Her Roman equivalent was Decima (the 'Tenth').
• Atropos (/ˈætrəpɒs/, Greek Ἄτροπος [ˈatropos] – "inexorable" or "inevitable", literally "unturning",^[16] sometimes called Aisa) was the cutter of the thread of life. She chose the manner of each person's death; and when their time was come, she cut their life-thread with "her abhorred shears".^[17] Her Roman equivalent was Morta ('Dead One').

In the Republic of Plato, the three Moirai sing in unison with the music of the Seirenes. Lachesis sings the things that were, Clotho the things that are, and Atropos the things that are to be.^[18] Pindar in his Hymn to the Fates, holds them in high honour. He calls them to send their sisters Hours, Eunomia (Lawfulness), Dike (Right), and Eirene (Peace), to stop the internal civil strife:

Listen Fates, who sit nearest of gods to the throne of Zeus, and weave with shuttles of adamant, inescapable devices for councels of every kind beyond counting, Aisa, Clotho and Lachesis, fine-armed daughters of Night, hearken to our prayers, all-terrible goddesses, of sky and earth. Send us rose-bossomed Lawfulness, and her sisters on glittering thrones,

Right and crowned Peace, and make this city forget the misfortunes which lie heavily on her heart.^[19]

Origins

In ancient times caves were used for burial purposes in eastern Mediterranean, in conjunction with underground shrines or temples. The priests and the priestesses exerted considerable influence upon the world of the living. Births are also recorded in such shrines, and the Greek legend of conception and birth in the tomb – as in the story of Danae- is based on the ancient belief that the dead know the future. Such caves were the caves of Ida and Dikte mountains in Crete, where myth situates the birth of Zeus and other gods, and the cave of Eileithyia near Knossos.^[20] The relative Minoan goddesses were named Diktynna (later identified with Artemis), who was a mountain nymph of hunting, and Eileithyia who was the goddess of childbirth.^[21]

It seems that in Pre-Greek religion Aisa was a daemon. In Mycenean religion Aisa or Moira was originally an abstract power related with the limit and end of life. At the moment of birth she spins the destiny, because birth ordains death.^[22] Later Aisa is not alone, but she is accompanied by the "Spinners", who are the personifications of Fate.^[23] The act of spinning is also associated with the gods, who at birth and at marriage do not spin the thread of life, but single facts like destruction, return or good fortune. Everything which has been spun must be winded on the spindle, and this was considered a cloth, like a net or loop which captured man.^[24]

Invisible bonds and knots could be controlled from a loom, and twining was a magic art used by the magicians to harm a person, and control his individual fate.^[25] Similar ideas appear in Norse mythology,^[26] and in Greek folklore. The appearance of the gods and the Moirai may be related to the fairy tale motif, which is common in many Indo-European sagas and also in Greek folklore. The fairies appear beside the cradle of the newborn child and bring gifts to him.^[27]

The services of the temples were performed by old women who were physically misshapen, though intellectually superior persons, giving rise to the fear of witches and of the misshapen. They might be considered representations of the Moirai, who belonged to the underworld, but secretly guided the lives of those in the upperworld. Their power could be sustained by witchcraft and oracles.^[20] In Greek mythology the Moirai at birth are accompanied by Eileithyia. At the birth of Hercules they use together a magic art, to free the newborn from any "bonds" and "knots".^[25]

The Homeric Moira

Much of the Mycenean religion survived into classical Greece, but it is not known to what extent Greek religious belief is Mycenean, nor how much is a product of the Greek Dark Ages or later. M.Finley detected only few authentic Mycenean beliefs in the eighth-century Homeric world.^[28] The religion which later the Greeks considered Hellenic embodies a paradox. Though the world is dominated by a divine power bestowed in different ways on men, nothing but "darkness" lay ahead. Life was frail and unsubstantial, and man was like "a shadow in a dream".^[29]

In the Homeric poems the words moira, aisa, moros mean "portion, part". Originally they did not indicate a power which leaded destiny, and must be considered to include the "ascertainment" or "proof". By extension Moira is the portion in glory, happiness, mishappenings, death (μοίρα θανάτοιο: destiny of death) which are unexpected events. The unexpected events were usually attributed to daemons, who appeared in special occurrences. In that regard Moira was later considered an agent, like the daemon of Pre-Greek religion.^[30]

People believed that their portion in destiny was something similar with their portion in booty, which was distributed according to their descent, and traditional rules. It was possible to get more than their ordained portion (moira), but they had to face severe consequences because their action was "over moira" (υπέρ μοίραν:over the portion). It may be considered that they "broke the order". The most certain order in human lives is that every human should die, and this was determined by Aisa or Moira at the moment of birth.^[22] The Myceneans believed that what comes should come (fatalism), and this was considered rightly offered (according to fate: in order). If someone died in battle, he would exist like a shadow in the gloomy space of the underworld.^[30]

The kingdom of Moira is the kingdom of the limit and the end. In a passage in Iliad, Apollo tries three times to stop Patroclus in front of the walls of Troy, warning him that it is "over his portion" to sack the city. Aisa (moira) seems to set a limit on the most vigorous men's actions.^[31]

Moira is a power acting in parallel with the gods, and even they could not change the destiny which was predetermined. In the Iliad, Zeus knows that his dearest Sarpedon will be killed by Patroclus, but he cannot save him.^[32] In the famous scene of Kerostasia, Zeus the chief-deity of the Myceneans appears as the guider of destiny. Using a pair of scales he decides that Hector must die, according to his aisa (destiny).^[33] His decision seems to be independent from his will, and is not related with any "moral purpose". His attitude is explained by Achilleus to Priam, in a parable of two jars at the door of Zeus, one of which contains good things, and the other evil. Zeus gives a mixture to some men, to others only evil and such are driven by hunger over the earth. This was the old "heroic outlook".^[34]

The personification of Moira appears in the newer parts of the epos. In Odyssey, she is accompanied by the "Spinners", the personifications of Fate, who do not have separate names.^[23] Moira seems to spin the predetermined course of events. Agamemnon claims that he is not responsible for his arrogance. He took the prize of Achilleus, because Zeus and Moira predetermined his decision.^[35] In the last section of Iliad, Moira is the "mighty fate" (μοίρα κραταιά:moira krataia) who leads destiny and the course of events. Thetis the mother of Achilleus warns him that he will not live long because mighty fate stands hard by him, therefore he must give to Priam the corpse of Hector.^[36] At Hector’s birth mighty fate predetermined that his corpse would be devoured by dogs after his death, and Hecabe is crying desperately asking for revenge.^[37]

Mythical cosmogonies

The three Moirai are daughters of the primeval goddess Nyx (Night), and sisters of Keres (black Fates), Thanatos (Death) and Nemesis.^[2] Later they are daughters of Zeus and the Titaness Themis (the "Institutor"),^[38] who was the embodiment of divine order and law.^[39][40] and sisters of Eunomia (lawfulness, order), Dike (Justice), and Eirene (Peace)^[38]

Hesiod introduces a moral purpose which is absent in the Homeric poems. The Moirai represent a power to which even the gods have to conform. They give men at birth both evil and good moments, and they punish not only men but also gods for their sins.^[2]

In the cosmogony of Alcman (7th century BC), first came Thetis (Disposer, Creation), and then simultaneously Poros (path) and Tekmor (end post, ordinance).^[41][42] Poros is related with the beginning of all things, and Tekmor is related with the end of all things.^[43]

Later in the Orphic cosmogony, first came Thesis (Disposer), whose ineffable nature is unexpressed. Ananke (necessity) is the primeval goddess of inevitability who is entwined with the time-god Chronos, at the very beginning of time. They represented the cosmic forces of Fate and Time, and they were called sometimes to control the fates of the gods. The three Moirai are daughters of Ananke.^[44]

Mythology

The Moirai were described as ugly old women, sometimes lame. They were severe, inflexible and stern. Clotho carries a spindle or a roll (the book of fate), Lachesis a staff with which she points to the horoscope on a globe, and Atropos (Aisa) a scroll, a wax tablet, a sundial, a pair of scales, or a cutting instrument. At other times the three were shown with staffs or sceptres, the symbols of dominion, and sometimes even with crowns. At the birth of each man they appeared spinning, measuring, and cutting the thread of life.^[45]

The Moirai were supposed to appear three nights after a child's birth to determine the course of its life, as in the story of Meleager and the firebrand taken from the hearth and preserved by his mother to extend his life.^[46] Bruce Karl Braswell from readings in the lexicon of Hesychius, associates the appearance of the Moirai at the family hearth on the seventh day with the ancient Greek custom of waiting seven days after birth to decide whether to accept the infant into the Gens and to give it a name, cemented with a ritual at the hearth.^[47] At Sparta the temple to the Moirai stood near the communal hearth of the polis, as Pausanias observed.^[48]

As goddesses of birth who even prophesied the fate of the newly born, Eileithyia, the ancient Minoan goddess of childbirth and divine midwifery, was their companion. Pausanias mentions an ancient role of Eileythia as "the clever spinner", relating her with destiny too.^[49] Their appearance indicate the Greek desire for health which was connected with the Greek cult of the body that was essentially a religious activity.^[50]

The Moirai assigned to the terrible chthonic goddesses Erinyes who inflicted the punishment for evil deeds their proper functions, and with them directed fate according to necessity. As goddesses of death they appeared together with the daemons of death Keres and the infernal Erinyes.^[45]

In earlier times they were represented as only a few—perhaps only one—individual goddess. Homer's Iliad (xxiv.209) speaks generally of the Moira, who spins the thread of life for men at their birth; she is Moira Krataia "powerful Moira" (xvi.334) or there are several Moirai (xxiv.49). In the Odyssey (vii.197) there is a reference to the Klôthes, or Spinners. At Delphi, only the Fates of Birth and Death were revered.^[51] In Athens, Aphrodite, who had an earlier, pre-Olympic existence, was called Aphrodite Urania the "eldest of the Fates" according to Pausanias (x.24.4).

Some Greek mythographers went so far as to claim that the Moirai were the daughters of Zeus—paired with Themis ("Fundament"), as Hesiod had it in one passage.^[52] In the older myths they are daughters of primeval beings like Nyx ("Night") in Theogony, or Ananke ("Necessity") in Orphic cosmogony. Whether or not providing a father even for the Moirai was a symptom of how far Greek mythographers were willing to go, in order to modify the old myths to suit the patrilineal Olympic order,^[53] the claim of a paternity was certainly not acceptable to Aeschylus, Herodotus, or Plato.

Despite their forbidding reputation, the Moirai could be placated as goddesses. Brides in Athens offered them locks of hair, and women swore by them. They may have originated as birth goddesses and only later acquired their reputation as the agents of destiny.

According to the mythographer Apollodorus, in the Gigantomachy, the war between the Giants and Olympians, the Moirai killed the Giants Agrios and Thoon with their bronze clubs.^[54]

Zeus and the Moirai

In the Homeric poems Moira, who is almost always one, is acting independently from the gods. Only Zeus, the chief sky-deity of the Myceneans is close to Moira, and in a passage he is the personification of this abstract power.^[30] Using a weighing scale (balance) Zeus weighs Hector's "lot of death" (Ker) against the one of Achilleus. Hector's lot weighs down, and he dies according to Fate. Zeus appears as the guider of destiny, who gives everyone the right portion.^[55][56]

In a Mycenean vase, Zeus holds a weighing scale (balance) in front of two warriors, indicating that he is measuring their destiny before the battle. The belief (fatalism) was that if they die in battle, they must die, and this was rightly offered (according to fate).^[57]

In Theogony, the three Moirai are daughters of the primeval goddess, Nyx ("Night"),^[58] representing a power acting over the gods.^[2] Later they are daughters of Zeus who gives them the greatest honour, and Themis, the ancient goddess of law and divine order.^[39][40]

Even the gods feared the Moirai or Fates, which according to Herodotus a god could not escape.^[59] The Pythian priestess at Delphi once admitted, that Zeus was also subject to their power, though no classic writing clarifies as to what exact extent the lives of immortals were affected by the whims of the Fates. It is to be expected that the relationship of Zeus and the Moirai was not immutable over the centuries. In either case in antiquity we can see a feeling towards a notion of an order to which even the gods have to conform. Simonides names this power Ananke (necessity) (the mother of the Moirai in Orphic cosmogony) and says that even the gods don't fight against it.^[60] Aeschylus combines Fate and necessity in a scheme, and claims that even Zeus cannot alter which is ordained.^[4]

A supposed epithet Zeus Moiragetes, meaning "Zeus Leader of the Moirai" was inferred by Pausanias from an inscription he saw in the 2nd century AD at Olympia: "As you go to the starting-point for the chariot-race there is an altar with an inscription to the Bringer of Fate.^[61] This is plainly a surname of Zeus, who knows the affairs of men, all that the Fates give them, and all that is not destined for them."^[62] At the Temple of Zeus at Megara, Pausanias inferred from the relief sculptures he saw "Above the head of Zeus are the Horai and Moirai, and all may see that he is the only god obeyed by Moira." Pausanias' inferred assertion is unsupported in cult practice, though he noted a sanctuary of the Moirai there at Olympia (v.15.4), and also at Corinth (ii.4.7) and Sparta (iii.11.8), and adjoining the sanctuary of Themis outside a city gate of Thebes.^[63]

Cross-cultural parallels

Europe

In Roman mythology the three Moirai are the Parcae or Fata, plural of "fatum" meaning prophetic declaration, oracle, or destiny. The English words fate (native wyrd) and fairy (magic, enchantment), are both derived from "fata", "fatum" .^[64]

In Norse mythology the Norns are female beings who rule the destiny of gods and men, twining the thread of life. They set up the laws and decided on the lives of the children of men.^[65] Their names were Urðr (that which became or happened) related with Wyrd, weird (fate), Verðandi (that which is happening)^[66] and Skuld (that which should become, debt, guilt).^[67]

In younger legendary sagas, the Norns appear to have been synonymous with witches (Völvas), and they arrive at the birth of the hero to shape his destiny. It seems that originally all of them were Disir, ghosts or deities associated with destruction and destiny. The notion that they were three, their distinction and association with the past, present and future may be due to a late influence from Greek and Roman mythology.^[68]

The Valkyries (choosers of the slain), were originally daemons of death. They were female figures who decided who will die in battle, and brought their chosen to the afterlife hall of the slain. They were also related with spinning, and one of them was named Skuld (debt, guilt).^[69] They may be related to Keres, the daemons of death in Greek mythology, who accompanied the dead to the entrance of Hades. In the scene of Kerostasie Keres are the "lots of death", and in some cases Ker (destruction) has the same meaning, with Moira interpreted as "destiny of death" (moira thanatoio :μοίρα θανάτοιο) .^[2][70]

The Germanic Matres and Matrones, female deities almost entirely in a group of three, have been proposed as connected to the Norns and the Valkyries.^[71]

In Anglo-Saxon culture Wyrd (Weird) is a concept corresponding to fate or personal destiny (literally: what befalls one). Its Norse cognate is Urðr, and both names are deriven from the PIE root wert, "to turn, wind",^[72] related with "spindle, distaff".^[73] In Old English literature Wyrd goes ever as she shall, and remains wholly inevitable.^[74][75]

In Macbeth the Weird sisters (or Three Witches), are prophetesses, who are deeply entrenched in both worlds of reality and supernatural. Their creation was influenced by British folklore, witchcraft, and the legends of the Norns and the Moirai.^[76] Hecate, the chthonic Greek goddess associated with magic, witchcraft, necromancy, and three-way crossroads,^[77] appears as the master of the "Three witches". In Ancient Greek religion, Hecate as goddess of childbirth is identified with Artemis,^[78] who was the leader (ηγεμόνη: hegemone ) of the nymphs.^[79]

In Lithuanian mythology Laima is the personification of destiny, and her most important duty was to prophecy how the life of a newborn will take place. She may be related to the Hindu goddess Laksmi, who was the personification of wealth and prosperity, and associated with good fortune.^[80][81] In Latvian mythology, Laima and her sisters were a trinity of fate deities.^[82]

The Moirai were usually described as cold, remorseless and unfeeling, and depicted as old crones or hags. The independent spinster has always inspired fear rather than matrimony: "this sinister connotation we inherit from the spinning goddess," write Ruck and Staples (Ruck and Staples 1994:). See weaving (mythology).

Orient

The notion of a universal principle of natural order has been compared to similar ideas in other cultures, such as aša, (Asha) in Avestan religion, Rta in Vedic religion, and Maat in Ancient Egyptian religion.^[83]

In the Avestan religion and Zoroastrianism, aša, is commonly summarized in accord with its contextual implications of "truth", "right(eousness)", "order". Aša and its Vedic equivalent, Rta, are both derived from a PIE root meaning "properly joined, right, true". The word is the proper name of the divinity Asha, the personification of "Truth" and "Righteousness". Aša corresponds to an objective, material reality which embraces all of existence.^[84] This cosmic force is imbued also with morality, as verbal Truth, and Righteousness, action conforming with the moral order.^[85] In the literature of the Mandeans, an angelic being has the responsibility of weighing the souls of the deceased to determine their worthiness, using a set of scales.^[86]

In the Vedic religion, Rta is an abstract principle of natural order which regulates and coordinates the operation of the universe. The term may be interpreted abstractly as "cosmic order", or simply as "truth".^[87] It seems that this concept originally arose in the Indo-Aryan period, from a consideration of the features of nature which either remain constant or which occur on a regular basis.^[88]

The individuals fulfill their true natures when they follow the path set for them by the ordinances of Rta, acting according to the Dharma, which is related to social and moral spheres.^[89] The god of the waters Varuna was probably originally conceived as the personalized aspect of the otherwise impersonal Ṛta.^[90] The gods are never portrayed as having command over Ṛta, but instead they remain subject to it like all created beings.^[89]

In Egyptian religion, maat was the ancient Egyptian concept of truth, balance, order, law, morality, and justice. The word is the proper name of the divinity Maat, who was the goddess of harmony, justice, and truth represented as a young woman. It was considered that she set the order of the universe from chaos at the moment of creation.^[91] Maat was the norm and basic values that formed the backdrop for the application of justice that had to be carried out in the spirit of truth and fairness.^[92]

In Egyptian mythology, Maat dealt with the weighing of souls that took place in the underworld. Her feather was the measure that determined whether the souls (considered to reside in the heart) of the departed would reach the paradise of afterlife successfully. In the famous scene of the Egyptian Book of the Dead, Anubis, using a scale, weighs the sins of a man's heart against the feather of truth, which represents maat. If man's heart weighs down, then he is devoured by a monster^[93]

References in literature

In the novel Captain Blood by Raphael Sabatini, Captain Peter Blood names his three buccaneering pirate ships after the three fates: Clothos, Atropos, and Lachesis.

In the novel Cold Days by Jim Butcher, Mother Winter, Matriarch of the Winter Court of Fae and "Queen that Was," is revealed to also be the historic Atropos, as well as Skuld.

In the novel Insomnia by Stephen King, the three little bald doctors Ralph Roberts and Lois Chasse constantly see were named after Atropos, Clotho and Lachesis. These little bald doctors were the ones who control everybody's lives cutting a "balloon string" off their auras.

In the short story: The Loom of Thessaly by David Brin the three Fates are encountered by a latter day Greek hero. Collected in the anthology The River of Time.

See also

• Ananke
• Asha
• Istustaya and Papaya
• Kallone
• Enchanted Moura
• Laima
• Matrones
• Norns
• Parcae
• Rta
• Tekmor
• Three Witches

Notes

References

• Armour, Robert A, 2001, Gods and Myths of Ancient Egypt, American Univ. in Cairo Press, ISBN 977-424-669-1.
• Homer. The Iliad with an English translation. A. T. Murray, Ph.D. (1924), in two volumes. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd.
• Homer. The Odyssey with an English translation. A. T. Murray, Ph.D. (1919), in two volumes. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd.
• Thomas Blisniewski, 1992. Kinder der dunkelen Nacht: Die Ikonographie der Parzen vom späten Mittelalter bis zum späten 18. Jahrhundert. (Cologne) Iconography of the Fates from the late Middle Ages to the end of the 18th century.
• Markos Giannoulis, 2010. Die Moiren. Tradition und Wandel des Motivs der Schicksalsgöttinnen in der antiken und byzantinischen Kunst, Ergänzungsband zu Jahrbuch für Antike und Christentum, Kleine Reihe 6 (F. J. Dölger Institut). Aschendorff Verlag, Münster, ISBN 978-3-402-10913-7.
• Robert Graves, Greek Myths.
• Jane Ellen Harrison, Prolegomena to the Study of Greek Religion 1903. Chapter VI, "The Maiden-Trinities".
• L. H. Jeffery, 1976. Archaic Greece. The City-States c. 700–500 BC . Ernest Benn Ltd. London & Tonbridge, ISBN 0-510-03271-0.
• Karl Kerenyi, 1951. The Gods of the Greeks (Thames and Hudson).
• Martin P. Nilsson,1967. Die Geschichte der Griechissche Religion. Vol I, C.F. Beck Verlag., Munchen.
• Bertrand Russell, 1946. A history of Western Philosophy, and its connections with Political and Social Circumstances from the earliest times to the Present Day. New York. Simon & Schuster p. 148
• Harry Thurston Peck, Harper's Dictionary of Classical Antiquities, 1898. perseus.tufts.edu
• Herbert Jennings Rose, Handbook of Greek Mythology, 1928.
• Carl Ruck and Danny Staples, The World of Classical Myth, 1994.
• William Smith, Dictionary of Greek and Roman Biography and Mythology, 1870, article on Moira, ancientlibrary.com
• R. G. Wunderlich (1994). The secret of Crete. Efstathiadis group, Athens pp. 290–291, 295–296. (British Edition, Souvenir Press Ltd. London 1975) ISBN 960-226-261-3

External links

Wikimedia Commons has media related to Moirai.

• Theoi Project: "Moirai"
• The Theogony of Hesiod.Transl.H.E.White (1914)
• Theoi Project – Ananke

Time in religion and mythology Time and fate deities Eternity Eschatology Golden Age Divination Prophecy Fate Calendar

Ancient Greek religion and mythology Classical religious forms Ancient Greek religion Hellenistic religion Magic Orphism Pythagoreanism Mystery religions Dionysian Mysteries Eleusinian Mysteries Main beliefs Paganism Monism Polytheism Mythology Theism Mythical beings Amazons Anemoi Centaurs Centaurides Chthonics Cyclopes Dragons Erinyes Gigantes Greek mythological figures Harpies Hekatonkheires Moirai Mycenaean deities Muses Nymphs Primordial deities Satyrs Sea gods Titans Charites Twelve Olympians Aphrodite Apollo Artemis Ares Athena Demeter Hestia Hephaestus Hera Hermes Poseidon Zeus Other major deities Asclepius Dionysus Helios Selene Eos Eros Uranus Gaia Hebe Hecate Persephone Pan Pandia Storage shapes Amphora Hydria Kalathos Kalpis Lebes Pelike Pithos Stamnos Primordial deities Aether Chaos Chronos Erebus Gaia Hemera Nyx Tartarus Uranus Titans First Generation Coeus Cronus Crius Hyperion Iapetus Mnemosyne Oceanus Phoebe Rhea Tethys Theia Themis Second Generation Asteria Astraeus Atlas Eos Epimetheus Helios Lelantos Leto Menoetius Metis Pallas Perses Prometheus Selene Heroes Achilles and the Trojan War Bellerophon and the Chimera Jason and the Argonauts Heracles and his Labours Odysseus and the Odyssey Oedipus and Thebes Perseus and Medusa Theseus and the Minotaur Triptolemus Rites and practices Amphidromia Animal sacrifice Funeral and burial practices Hymns Hieros gamos Iatromantis Libations Nekyia Necromancy Necromanteion Panegyris Pharmakos Prayers Sacrifices Temenos Temples Votive offerings Games Panhellenic Games Olympic Games Pythian Games Nemean Games Isthmian Games Panathenaic Games Rhieia Festivals/Feasts Actia Adonia Agrionia Amphidromia Anthesteria Apellai Apaturia Aphrodisia Arrhephoria Ascolia Bendidia Boedromia Brauronia Buphonia Chalceia Diasia Delphinia Dionysia Elaphebolia Gamelia Haloa Heracleia Hermaea Iolaia Kronia Lenaia Metageitnia Munichia Oschophoria Pamboeotia Pandia Plynteria Pyanopsia Skira Synoikia Soteria Tauropolia Thargelia Theseia Thesmophoria Sacred places Delphi Delos Dodona Eleusis Olympia Olympus Sacred Way Texts Argonautica Bibliotheca Iliad Odyssey Theogony Works and Days Epic Cycle Theban Cycle Modern offshoot religions Discordianism Gaianism Hellenismos Decline of Greco-Roman polytheism Oracles/Seers Asbolus Bakis Calchas Cassandra Pythia Tiresias Mythical Realms Atlantis Hyperborea Panchaea Underworld Entrances to the Underworld Rivers Acheron Cocytus Eridanos Lethe Phlegethon Styx Lakes/ Swamps Acherusia Avernus Lake Lerna Lake Caves Cave at Cape Matapan Cave Charonium Cave at Lake Avernus Cave at Heraclea Pontica Ploutonion Pluto's Gate Places Elysium Erebus Fields of Asphodel Fields of Punishment Isles of the Blessed Tartarus Vale of Mourning Judges of the Underworld Aeacus Minos Rhadamanthus Guards Cerberus Ferryman Charon Charon's obol Deities Hades / Pluto Hypnos Persephone Thanatos

Ancient Greek deities by affiliation Primordial deities Chaos Ananke Chronos Eros/Phanes Uranus Gaia Pontus/Thalassa Tartarus Aether Hemera Erebus Nyx Ophion Fates Clotho Lachesis Atropos Titan deities Titanes (male) Oceanus Hyperion Coeus Cronus Crius Iapetus Ophion Titanides (female) Tethys Theia Phoebe Rhea Mnemosyne Themis Dione Eurybia Hyperionides Helios Selene Eos Koionides Lelantos Leto Asteria Aura Krionides Astraeus Pallas Perses Iapetionides Atlas Prometheus Epimetheus Menoetius Okeanides Metis Clymene Eurynome Styx Olympian deities Dodekatheon Zeus Hera Hermes Ares Aphrodite Apollo Artemis Athena Demeter Dionysus Hephaestus Hestia Poseidon Theoi Olympioi Heracles Harmonia Ganymede Asclepius Eros Eris Iris Hebe Eileithyia Enyo Phobos Deimos Paean Pan Pandia Mousai (Muses) Calliope Clio Euterpe Erato Melpomene Polyhymnia Terpsichore Thalia Urania Charites (Graces) Aglaea Euphrosyne Thalia Horae (Hours) Dike Eunomia Eirene Styktides Nike Kratos Bia Zelos Oceanic deities Theoi Halioi Poseidon Amphitrite Triton Oceanus Tethys Thaumas Pontus/Thalassa Nereus Glaucus Proteus Phorcys Ceto Thetis Oceanids Clymene Dione Doris Eurynome Metis Nemesis Pleione Tyche Nereides Amphitrite Thetis Galatea Potamoi Achelous Asopus Enipeus Scamander Chthonic deities Theoi Khthonioi Hades Persephone Gaia Demeter Hecate Erinyes (Furies) Alecto Tisiphone Megaera Adikia Earthborn Hecatonchires Cyclopes Gigantes Kouretes Meliae Telkhines Typhon Apotheothenai Iacchus Trophonius Triptolemus Orpheus Minos Aeacus Rhadamanthus

Greek deities series Primordial deities Titan deities Aquatic deities Chthonic deities Mycenaean deities Twelve Olympians Zeus Hera Hermes Ares Aphrodite Apollo Artemis Athena Demeter Dionysus Hephaestus Hestia Poseidon

Authority control VIAF: 64806680 GND: 118932098