Michael Hatt

Michael Hatt was appointed professor of art history at the University of Warwick in 2007. He was previously head of research at the Yale Center for British Art.^[1]

Hatt completed his BA and PhD in art history at Birkbeck College, University of London, before taking a teaching position at the University of Nottingham.^[2]

Selected publications

Books

• Art History: A Critical Introduction to Its Methods. Manchester: Manchester University Press, 2006. (With Charlotte Klonk)
• The Edwardian Sense: Art, Design, and Performance in Britain, 1901-1910. Yale Center for British Art, 2010. (Editor)

Articles

• "Uranians and Imperialists", in eds. Timothy Barringer, Douglas Fordham, and Geoffrey Quilley, Art and the British Empire, Manchester University Press, 2007.
• "Space, Surface, Self: Homosexuality and the Aesthetic Interior", Visual Culture in Britain, Vol. 8, No. 1, Summer 2007, pp. 105-128.
• "A Great Sight: Henry Scott Tuke and His Models", in eds. Jane Desmarais, Martin Postle, and William Vaughan, Models and Supermodels: The Artist's Model in Britain, Manchester University Press, 2006, pp. 89-104.
• "Near and Far: Hamo Thornycroft's Mower and the Homoerotics of Labour", Art History, Vol. 26, No. 1, 2003, pp. 26-55.

References

External links