Michael Fernandes (artist)
| Michael Fernandes | |
|---|---|
| Born | Trinidad |
| Nationality | Canadian |
| Known for | installation, performance, audio, bookworks |
Michael Fernandes (born in Trinidad)[1] is a Canadian experimental artist and art educator based in Halifax, Nova Scotia. His work uses familiar, even banal materials to ask the viewer to confront the boundary between daily life and art.[2]
Life and work
I want these works to continue to form after they are seen...Paintings seem to stay on the wall; my installation works are talking about a change that is active. You can go away and still work on it.
Initially a painter, Fernandes turned to installation and multimedia to create situations that actively solicit participation from the viewer.[3] Fernandes' texts and interventions explore this intersection of private life with public space.[4]
Fluxus suggested that everyday life should not be excluded from art. It encouraged a direct approach to creating work using the minimum amount of means required. Fernandes extends this approach to use everyday objects and experiences to provoke the viewer to make connections between the installation/performance and the spaces of the viewer's own life.[2] It deliberately leaves room for the viewer to find their own approach to understanding the work, which can be uncomfortable for some.[3]
In Growing Up Strong (1984) a large bamboo trunk leans against the gallery wall—a kitchen towel stuffed in its upper end. A title is painted low on the wall near the trunk. A transparent green rectangle covers a photograph of a young child standing in a backyard. A running tape deck is placed on a shelf nearby. The audio on the tape can only be heard if one's head is close to the bamboo. A deep male voice with a calypso accent chants :
a big car like Mum, tall like Mum, run fast like Mum, a big job like Mum, strong like Mum, feet like Mum, engineer like Mum, stubborn like Mum, careful like Mum, honest like Mum, independent like Mum, muscles like Mum, tough like Mum, healthy like Mum, cook like Mum, happy like Mum, just like Mum, etc.
It is tempting to imagine how Fernandes' personal experience as a Trinidadian transplanted to Canada informs this piece but the resulting thoughts have more to say about the viewer's experience than that of Fernandes himself. His approach has been compared to that of Jimmie Durham, David Medalla and David Hammons—all use wit and humour to illuminate attitudes and pre-conceptions based on ethnicity or race.[2]
Fernandes has little interest in preserving objects for posterity or in meeting the viewer's expectations. He is more concerned with an 'ephemeral expressive situation'.[5] The challenge to the viewer is to return from Fernandes' work to experience the artistic moment in the viewer's own life.[3]
Michael Fernandes is an instructor in intermedia at NSCAD University.[4] He has exhibited extensively nationally, notably at the Blackwood Gallery, Mercer Union, The Power Plant, and YYZ (Toronto,ON); C.I.A.C. (Montreal Biennale); Articule, and Mai, (Montreal, QB), Dunlop Art Gallery (Regina, SK); The National Gallery of Canada, and Saw Gallery (Ottawa, ON); Art Gallery of Nova Scotia, Eye Level Gallery, and Mount Saint Vincent Art Gallery (Halifax, NS); and internationally at P.S.1 (New York, NY); Art Public Calaf (Barcelona, Spain); In The Context of Art Biennale (Warsaw, Poland).[6] His work was included in Traffic: Conceptual Art in Canada 1965-1980, the nationally touring exhibition.[7]
Notes
- ↑ http://visualeyez2009.latitude53.org/artists/MichaelFernandes
- 1 2 3 Horne, Stephen. "The Artistic Momentary: (Michael Fernandes at the Art Gallery of Nova Scotia) 2004". Stephen Horne: writing on art. Stephen Horne. Retrieved 6 October 2013.
- 1 2 3 4 Eyland, Cliff (1991). "Michael Fernandes". Arts Atlantic 40 (Spring/Summer): 42–43. Retrieved 5 October 2013.
- 1 2 "Michael Fernandes". MSVU Art Gallery. Retrieved 5 October 2013.
- ↑ Shuebrook, Ron (March 1980). "Michael Fernandes at Eye Level Gallery, Halifax, October 24 - November 14". Vanguard 9 (2). Retrieved 6 October 2013.
- ↑ "Michael Fernandes". Truck Gallery. Retrieved 6 October 2013.
- ↑ "Traffic: Conceptual Art in Canada c. 1965 to 1980". University of Toronto Art Centre. Retrieved 6 October 2013.
References
- Régimbal, Christopher, "Whose life are we talking about anyway? Michael Fernandes' One potato, two potato...it's your life...", Fuse Magazine, 2008, 31, 44-46.
- Cronin, Ray, "Who, who, who is Michael Fernandes?" C International Contemporary Art (28 July 2005)
- Horne, Stephen, "The Everyday Escapes," Third Text, winter 1997-98
- Horne, Stephen, "The Everyday Escapes," Abandon Building, 11 Press, Montreal 2007
- Wark, Jayne and Peter Dykhuis, Michael Fernandes: Room of Fears, Art Gallery Mount Saint Vincent University (09/2006) 72 pp 23 ill. 5 x .5 in 1-894518-34-9
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