Matilda Hays

Matilda Mary Hays

Matilda Hays (standing) with Charlotte Cushman, 1858
Born (1820-09-08)8 September 1820
London
Died 3 July 1897(1897-07-03) (aged 76)
Liverpool
Nationality British
Occupation Author, journalist, actor, translator
Parent(s)
  • John Hays
  • Elizabeth Mary Hays

Matilda Mary Hays (8 September 1820 – 3 July 1897) was a 19th-century English writer, journalist and part-time actress. With Elizabeth Ashurt, Hays translated several of George Sand's works into English. She co-founded the English Woman's Journal. Her love interests included the actress Charlotte Cushman, with whom she had a 10-year relationship, and the poet Adelaide Anne Procter.

Early life

Matilda Hays was born in London on 8 September 1820,[1] the daughter of a corn merchant named John Hays.[nb 1] Elizabeth Mary Hays was Matilda Hay's mother.[4] She was first married to Jacob Breese who died in February 1807, and she later married John Hays. Matilda's siblings were Elizabeth, Susanna and Albert. She had two half-sisters, Emma Marianne Breese and Clara Salmon,[4] who married Frederick Salmon in 1830.[5]

Hays was identified as a Creole[6] or, according to Joseph Parkes, half Creole; if this is so, at most she can only have been half Creole through her mother; her father's origins are Londoners going back at least three generations.[7][8] She wrote articles for periodicals, often regarding women's issues, starting about 1838.[1][9] The periodicals included The Mirror and Ainsworth's Magazine.[7]

Career

Hays, influenced by George Sand, was a journalist and novelist who was "determined to use her writing to improve the condition of women." In her novel Helen Stanley, Hays wrote that until "Women teach their daughters to respect themselves,... to work for their daily bread, rather than prostitute their persons and hearts" in marriages, women would not have secure financial and social futures.[7][9]

George Sand translations

At a period in time when George Sand's free-love and independent lifestyle was quite unusual for a 19th-century woman, Hays and her friend, Elizabeth Ashurst were "broad-minded" and intrigued by the political and social messages addressed in Sand's books. Hays had received support and encouragement from William Charles Macready and George Henry Lewes to translate Sand's novels into English. Both wrote to Sands encouraging the arrangement and a friend of Hays, chaplain Edmund Larken provided funding for the enterprise.[7][10]

The initial translations of Sand's works were undertaken by Hays, Ashurst and, Larken. La Derniere Aldini, the first volume, was translated by Hays. Ashurst translated Les Maitres mosaistes and it was published in 1844. Mazzini wrote a preface for Ashurt's translation of Lettres d'un voyageur. Sand, at Mazzini's urging, invited Ashurt to her home in Nohant. Olive Class reported that "Sand was unsettled by the superficial display of feminist rebellion exhibited by her as yet still unmarried disciple and characterized her as 'a prude without modesty.'"[9][11]

George Henry Lewes suggested to Hays that the translation to the English language also toned down some of the rhetoric with an English cultural sensibility.[10][11] Mazzini, aware of Lewes suggestion to Hays, wrote to Sands, referring to Hays: "My friends and I consider it unthinkable that you would be willing to give such license to someone whose ideas are unknown to you."[11]

Four volumes of Sand's work were translated by Hays and Amhert and published, but they floundered. In attempting to tone down Sand's ideas, the translated books were "stripped it of its power," according to Giuseppe Mazzini, an Italian revolutionary and friend of George Sand. The translations were "a smuggler's attempt to conceal the real nature of his infamous cargo," reported the Quarterly Review.[10]

Both Hays and Amherst also had poor financial rewards, due to the arrangement that they had made with a "bad business publisher."[10] Amherst and Hays worked to find publishers for their translated and edited versions of Sands' work.[12]

Larken's work with Hays and Amhurst came to an end in 1847.[13][14]

Hays translation of Fadette was published in 1851, separate from Ashurst.[7]

Woman's journal

Early attempt

In 1847 Hays pursued creation of a Woman's journal, patterned after the American Godey's Lady's Book, to offer a vehicle for women writers and to provide a platform for discourse about women's rights, including better educational and occupational opportunities. Her goal was to afford "free discussion of a subject for which at that time it was impossible to obtain a hearing through ordinary channels of the Press." Charlotte Cushman and her friend, Mary Howitt, helped her explore opportunities to have the journal founded, but realized it was not quite the time to launch the journal and decided to focus her energy on advocacy for the present.[7][15]

Eliza Cook's Journal

Shortly after Hay's unsuccessful attempt, poetess Eliza Cook started a self-named journal and Hays was a journalistic contributor to the magazine. The journal was "a compendium of essays, poetry, reviews, and fiction that particularly addressed issues such as women's education, dress reform, temperance, and the plight of the working class and domestic servants.[15]

English Woman's Journal

Hays was one of the co-founders and editor of the English Woman's Journal[16][17] in 1858. It was in 1858 founded by Barbara Bodichon and Bessie Rayner Parkes, with others, Bodichon being the major shareholder.[7][18]

The Society for Promoting the Employment of Women and the Victoria Press, which Hays helped found, met at the Langham Place offices of the journal. She left the journal by 1864, reputedly because of her "difficult temperament." She had often disagreed with Parkes, her co-editor, about the journal's direction.[7]

Acting

In 1848 there was a convergence of financial need, the "small fortune" she received was lost due to her father's depleted financial situation,[nb 2] and Charlotte's sister was leaving the stage, which created an acting opportunities. Charlotte's sister Susan Webb Cushman who played Juliet to Charlotte's Romeo left the stage to marry a successful Liverpool scientist, James Sheridan Muspratt.[7][15]

The women practiced together at the Yorkshire estate of the Duke of Devonshire for the 6 October 1848 opening in Bath. Hays acted with Cushman for just a few months, as Cushman increasingly became a star.[20]

Published works

George Sand translations

Ashurst translated the following books:

Novels

Personal life

She had close personal relationships with Charlotte Cushman, Adelaide Anne Procter and Harriet Hosmer.[1]

Charlotte Cushman

Hays and Charlotte Cushman met between 1846[9][nb 3] and 1848. Soon after, they began a lesbian affair, a relationship they maintained for nearly 10 years, and in Europe were publicly known as a couple.[21] Elizabeth Barret Browning commented, "I understand that she (Cushman) and Miss Hays have made vows of celibacy and of eternal attachment to each other -- they live together, dress alike,... it is a female marriage." They wore tailored shirts and jackets. Matilda was often referred to by their friends as Mathew or Max.[7][20]

In 1852 Cushman retired from the stage and joined Hays in Rome, Italy, where the lived in an American expatriate community, made up mostly of lesbian artists and sculptors. In 1854, Hays left Cushman for Harriet Hosmer, which launched a series of jealous interactions among the three women. Hays eventually returned to live with Cushman, but the tensions between her and Cushman would never be repaired. By late 1857, Cushman was secretly involved with Emma Stebbins. One night while Cushman was writing a note, Hays walked in, suspected that the note was to Stebbins, and demanded to see it. Cushman refused and Hays became mad and chased her round the house, hitting her with her fists. The relationship ended and Hays sued Cushman, claiming that she sacrificed her career to support Cushman's career. Cushman made a payment to Hays and their relationship ended.[7][21]

Adelaide Anne Procter

Hays was believed to have had a love interest in Adelaide Anne Proctor, who dedicated Legends and Lyrics to her with:

Our tokens of love are for the most part barbarous, Cold and lifeless, because they do not represent our life. The only gift is a portion of thyself. Therefore let the farmer give his corn; the miner, a gem; a sailor, coral and shells; the painter, his picture; and the poet, his poem.[6]
— Emerson

She also wrote a love poem for Hays entitled, A Retrospect.[6][22] Hays oversaw the tending of Procter's grave after her death and mourned her passing throughout her later years.[7]

Later years and death

Hays was a companion to Lady Monson in her later years[7] and died in Liverpool at 15 Sefton Drive in Toxteth Park, on 3 July 1897.[1][7] Although Adelaide Procter had died 30 years before Hays, the Liverpool Echo obituary stated that she had been "the dear friend of Adelaide Procter, gone before." It did not mention her literary accomplishments.[7]

Notes

  1. ↑ A John Hays, an "eminent corn-dealer", wrote Observations of Existing Corn Laws in 1824 (published by Richardson in London).[2] John Hays was a partner of William C. Hall. They did business as Hays and Hall, Corn and Flour Factor, Merchant and Mealman and had locations in Brixton, Mark-lane in London and Bermondsey in Surrey.[3]
  2. ↑ John Hays was in his 80s by this time and increasingly relied upon his daughter's financial assistance. He was 97 when he died in 1862.[19]
  3. ↑ They had mutual friends William Charles Macready, Mary Howitt, Geraldine Jewsbury, and Eliza Meteyard.[9]

References

  1. 1 2 3 4 "Matilda Hays". The Orlando Project. Cambridge, Oxford University. Retrieved 11 December 2013.
  2. ↑ "The Corn Laws 1825". Online Library of Liberty. Retrieved 11 December 2013.
  3. ↑ "Chief Commissioner: Hay and Hall" (PDF). London Gazette. 22 January 1850. p. 208. Retrieved 11 December 2013.
  4. 1 2 John Haggard (1829). Reports of Cases Argued and Determined in the Ecclesiastical Courts at Doctors' Commons, and in the High Court of Delegates: 1831-1833. W. Benning. pp. 382–383.
  5. ↑ The Publications of the Harleian Society: Registers. The Society. 1904. p. 243.
  6. 1 2 3 David McKie (13 August 2013). Bright Particular Stars: A Gallery of Glorious British Eccentrics. Atlantic Books, Limited. p. 168. ISBN 978-0-85789-310-9.
  7. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Lisa Merrill (October 2005). "Hays, Matilda Mary (1820?–1897)". Oxford Dictionary of National Biography. Oxford University Press. Retrieved 11 December 2013.
  8. ↑ "Personal Papers of Bessie Rayner Parkes". University of Cambridge. JANUS. Retrieved 12 September 2014.
  9. 1 2 3 4 5 Lisa Merrill (1 November 2000). When Romeo Was a Woman: Charlotte Cushman and Her Circle of Female Spectators. University of Michigan Press. pp. 156–157. ISBN 978-0-472-08749-5.
  10. 1 2 3 4 Lisa Merrill (1 November 2000). When Romeo Was a Woman: Charlotte Cushman and Her Circle of Female Spectators. University of Michigan Press. pp. 157–158. ISBN 978-0-472-08749-5.
  11. 1 2 3 Olive Classe (2000). "George Sand". Encyclopedia of Literary Translation Into English. Fitzroy Dearborn. p. 1226. ISBN 978-1-884964-36-7.
  12. ↑ "Matilda Hays letters from 1841 to Elizabeth Neall Gay", James Gay Manuscript Collection (Columbia University, New York)
  13. ↑ "Bibliography of Works in Translation". George Sand Association. Retrieved 10 December 2013.
  14. ↑ Rosemary Ashton (2000). G. H. Lewes: An unconventional Victorian. Pimlico. pp. 88–9. ISBN 0712666893.
  15. 1 2 3 Lisa Merrill (1 November 2000). When Romeo Was a Woman: Charlotte Cushman and Her Circle of Female Spectators. University of Michigan Press. pp. 158–159. ISBN 978-0-472-08749-5.
  16. ↑ Merrill, Lisa. "Hays, Matilda Mary". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/57829. (Subscription or UK public library membership required.)
  17. ↑ Elizabeth Crawford (13 May 2013). Women's Suffrage Movement. Routledge. p. 527. ISBN 978-1-135-43402-1.
  18. ↑ Hirsch, Pam. "Bodichon, Barbara Leigh Smith". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/2755. (Subscription or UK public library membership required.)
  19. ↑ Lisa Merrill (1 November 2000). When Romeo Was a Woman: Charlotte Cushman and Her Circle of Female Spectators. University of Michigan Press. p. 294. ISBN 978-0-472-08749-5.
  20. 1 2 Lisa Merrill (1 November 2000). When Romeo Was a Woman: Charlotte Cushman and Her Circle of Female Spectators. University of Michigan Press. p. 160. ISBN 978-0-472-08749-5.
  21. 1 2 Charlotte Cushman biography on glbtq.com. Accessed online 9 November 2006
  22. ↑ Adelaide Anne Procter (1905). "A Retrospect". The complete works of Adelaide A. Procter. G. Bell. pp. 197–198.
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