Mary Corse
Mary Corse | |
---|---|
Born |
1945 Berkeley, California |
Nationality | American |
Education | University of California, B.F.A, the Chouinard Art Institute M.F.A [1] |
Known for | painting |
Notable work | White Light Painting [2] |
Movement | Light and Space |
Mary Corse (born 1945) is an American artist who lives and works in Los Angeles, California. She is a member of the male-dominated Light and Space art movement of the 1960s, although her role has only been fully recognized in recent years.[2] She is best known for her experimentation with radiant surfaces in minimalist painting, incorporating materials that reflect light such as glass microspheres.[3] Corse received her B.F.A. from the University of California, Santa Barbara in 1963 and her M.F.A. from the Chouinard Art Institute (now CalArts) in 1968.
Work
In the mid-1960s, Mary Corse developed an interest in white monochrome paintings. These paintings use the controlled, geometric style of minimalism.[3] She soon began to use shaped canvases. Corse became interested in three-dimensional works. She assembled columns out of plywood and joint compound, which she painted with white acrylic paint. During the same period, Corse started a series of works that encased fluorescent bulbs in Plexiglas boxes.[4] In 1968, she began to embed glass microspheres, tiny reflective beads commonly used to brighten highway signs, in her paintings by mixing them with white acrylic paint. These "White Light Paintings" are "highly responsive to their environments and reveal internal complexities when lighting conditions fluctuate or viewers change their positions." [5] Because of their capacity for transformation, The White Light paintings reflect Corse's interest in the personal and subjective nature of perception.[2]
Exhibitions
Corse's work has been featured in several historically significant exhibitions including Venice in Venice, a collateral exhibition created by Nyehaus in association with the J. Paul Getty Museum at the 54th Venice Biennale (2011); Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970 (J. Paul Getty Museum, Los Angeles and Martin-Gropius-Bau, Berlin, Germany, 2011); Phenomenal: California Light and Space (Museum of Contemporary Art San Diego, 2011).[1] Corse is represented by ACE Gallery in Los Angeles and Lehmann Maupin in New York City.
Collections
Art works by Corse are held in the permanent collections of institutions such as the Los Angeles County Museum of Art; Museum of Contemporary Art Los Angeles; The Seattle Art Museum; Foundation Beyeler, Basel; Frederick R. Weisman Art Foundation, Los Angeles; Museum of Contemporary Art San Diego; Orange County Museum of Art, Newport Beach, California; Solomon R. Guggenheim Museum, New York; among others.[1]
Recognition
Corse was awarded the Cartier Foundation award (1993), the Theodoran Award by the Solomon R. Guggenheim Museum (1971), and the New Talent Award by the Los Angeles County Museum of Art (1967). In 1975, she received a National Endowment for the Arts Fellowship.[6]
Bibliography
- Fidel, Danieli. "Mary Corse." Artforum (Summer 1968).
- Kramer, Hilton. "Los Angeles, Now the 'In' Art Scene." New York Times. June 1, 1972.
- Baker, E.C. "Los Angeles 1971." ARTnews (September 1971).
- Plagens, Peter. "Decline and Rise of Younger LA Artists." Artforum (May 1972).
References
- 1 2 3 "Mary Corse - Artists". Lehmann Maupin. Retrieved 2014-02-18.
- 1 2 3 Yablonsky, Linda (24 February 2012). "Artifacts". New York Times (New York Times). T Magazine. Retrieved 21 December 2015.
- 1 2 "Mary Corse, Overview". Artsy. Retrieved 21 December 2015.
- ↑ Nichols, Matthew. "Mary Corse is More Than a California Artist". Art in America. Retrieved 7 March 2015.
- ↑ Nichols, Matthew. "Mary Corse". Art in America. Retrieved 7 March 2015.
- ↑ "Mary Corse bio" (PDF). Ace Gallery. Retrieved 2014-02-18.
External links
- Mary Corse at Lehmann Maupin
- Mary Corse at Ace Gallery
- Mary Corse-Pacific Standard Time at the Getty Center
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