Marcus Gardley

Marcus Gardley is a multiple award-winning poet and playwright from West Oakland, California. He is the recent recipient of the 2014 Glickman Award for The House That Will Not Stand, which is a play commissioned and produced by Berkeley Rep. It had subsequent productions at Yale Rep and the Tricycle Theater in London and was a finalist for the 2015 Kennedy Prize. Gardley was the 2013 USA James Baldwin Fellow and the 2011 PEN Laura Pels award winner for Mid- Career Playwright. The New Yorker describes Gardley as "the heir to Garcia Lorca, Pirandello and Tennessee Williams." He is an ensemble member playwright at Victory Gardens Theater where his play The Gospel of Loving Kindness was produced in March and won the 2014 BTAA award for best play/playwright. His most recent play An Issue of Blood premiered at the same theater in 2015 to critical acclaim.

In 2010 his play Every Tongue Confess premiered at Arena Stage starring Phylicia Rashad and directed by Kenny Leon. It was nominated for the Steinberg New Play Award, the Charles MacArthur Award for Best Play and was the recipient of the Edgerton New Play Award. His musical, On The Levee premiered at Lincoln Center the same year and was nominated for 11 Audelco Awards including outstanding playwright. In 2009, his critically acclaimed epic And Jesus moonwalks the Mississippi was produced at the Cutting Ball Theater and received the SF Bay Area Theater Critics Circle Award and had two sold-out extensions.

He was the recipient of the Helen Merrill Award in 2008 and the Kesselring honor award.[1] His plays This World in a Woman's Hands (2009) and Love is a Dream House in Lorin (2007) have been named as the best plays in Bay Area theater, with Love is a Dream House in Lorin being nominated for the National Critics Steinberg New Play Award.[2][3] Gardley is the author of the box: play about the prison industrial complex which premiered in Brooklyn in 2014 by The Foundry, black odyssey, which premiered at The Denver Theater Center the same year, The Road Weeps, the Well Runs Dry, which had a national tour in 2013 and Dance of the Holy Ghosts, which premiered at the Yale Repertory Theatre in 2004. Gardley has won the San Francisco Bay Area's Gerbode Emerging Playwright Award, the National Alliance for Musical Theatre Award, the Eugene O'Neill Memorial Scholarship, and the ASCAP Cole Porter Prize. Gardley has an M.F.A. from the Yale Drama School. He is a member of New Dramatists, The Dramatists Guild and the Lark Play Development Center. Gardley was selected as one of 50 talented playwrights for audiences to follow by the Dramatists Magazine.[4]

Early life and education

Born and raised in Oakland, California, Marcus Gardley began writing plays during his undergraduate school years. Originally into writing poetry, his college poetry professors continued to tell him that his poems read like plays. Initially not wanting to admit this, Gardley eventually came around to acknowledging that his poems often did incorporate something similar to stage directions. "Oh, this is where I belong," recalled Gardley. "I don't like speaking my work, I like hearing my work. What I like about theater is it's like an orchestra. There are these different sounds from different people. I think of my plays as compositions in a way."[5] After realizing he had a great gift for writing plays, Gardley went on to earn his M.F.A. in play-writing from Yale Drama School. After finishing his graduate studies at Yale, Gardley went on to teach at Columbia, the University of Massachusetts Amherst and later on at Brown University.[6]

Career

Gardley is among a new group of young African-American playwrights who have come to prominence during the "Age of Obama". These emerging playwrights are considered to be postblack artists.[7] Gardley’s play ...And Jesus Moonwalks the Mississippi was produced at the Cutting Ball Theater and has earned both positive reviews and two sold-out extensions. ...And Jesus Moonwalks the Mississippi is a poetic voyage of forgiveness and redemption highly influenced by the myth of Demeter and Persephone. The play encompasses traditional storytelling, gospel music, and a humor to create a rich and vividly imaginative world. According to Gardley, "Jesus Moonwalks is in a lot of ways my signature play. It is based upon a story my great-grandmother used to tell about her father who fled the bonds of slavery and traveled the country in search of his family." In 2010, it was rated as one of the top ten plays in the Bay Area.[8]

His play The House That Will Not Stand had its world premiere with the Berkeley Repertory Theatre in January 2014.[9] It was subsequently staged in London at the Tricycle Theatre.[10] The playscript was published by Bloomsbury.

References

  1. ↑ "Marcus Gardley". UMass Amherst Theater. Retrieved June 9, 2014.
  2. ↑ Veale, Lisa (February 18, 2014). "Oakland Playwright Marcus Gardley Premieres New Play "The House That Will Not Stand"". Oakland Local.
  3. ↑ "Marcus Gardley". Playscripts Inc. Retrieved June 9, 2014.
  4. ↑ "Marcus Gardley". Brown University. Retrieved June 9, 2014.
  5. ↑ Kennedy, Lisa (January 14, 2014). "'Black Odyssey': Playwright Marcus Gardley's Big Ambitions Set Sail". The Denver Post. p. 29.
  6. ↑ Gardley, Marcus; Green, Fanni; Lassiter, Luke; Nathiri, N. Y. The Institute on Black Life.
  7. ↑ Elam Jr, Harry J (2014). "Post-World War II African American Theatre". The Oxford Handbook of American Drama. p. 389.
  8. ↑ "...and Jesus Walks the Mississippi". The Cutting Ball Theatre Company. Retrieved June 9, 2014.
  9. ↑ "The House That Will Not Stand", Berkeley Rep.
  10. ↑ "The House That Will Not Stand, Tricycle - theatre review", London Evening Standard, 20 October 2014.
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