Manimekalai (1959 film)

Manimekalai (Tamil: மணிமேகலை) is a Tamil film starring T. R. Mahalingam and P. Bhanumathi.^[1] The film was released in the year 1959.

Production

The film is based on the epic Manimekalai from one of The Five Great Epics of Tamil Literature. It narrates the moving chronicle of chastity, charity and compassion that marked the life of Manimekalai, the daughter of Kovalan and Madhavi. Written around the 2nd century A.D. and set against a Buddhist backdrop, the story is an enlightening mirror of the society and culture of the time in Southern India and Sri Lanka.^[2] The story is set in both the harbour town of Kaveripoompattinam, the modern town of Poompuhar in Tamil Nadu and in Manipallavam the mordern day Nainatheevu of Nāga Nadu, a small sandy island of the Jaffna Peninsula in modern Sri Lanka.

Plot

Manimekalai (P. Bhanumathi) is the daughter of Madhavi (Sandhya) and Kovalan, grows up to a beautiful woman. Since, her grandmother Chitrapathi (T. V. Kumudhini) and mother Madhavi being renowned courtesans, Manimekalai too learns from them and is accomplished in music and dance. While Madhavi is deeply disturbed by Kovalan’s cruel death and glowing reports of Kannagi’s chastity bring about changes in her moral outlook, withdrawing from the life of a courtesan, she brings up her daughter in an atmosphere of renunciation and spirituality. Prince Udhaya Kumaran (T. R. Mahalingam) is smitten by Manimekalai’s bewitching beauty and professes his love for her. However, destiny had other plans for Manimekalai. The sea Goddess Manimekalai, carries her away from Kaveripoompattinam to the southern island of Manipallavam in Naga Nadu. Manimekalai wakes up from her trance and is mystified at the alien surroundings. While wandering about the island Maṇimekalai comes across the Dharma-seat, the seat on which Buddha had taught and appeased two warring Naga princes, and placed there by the God Indra. Those who worship it miraculously know their previous life. Manimekalai automatically worshiped it and recollects what has happened in her previous life.She comes to a place sanctified by Buddha, and in flash, revelations of her earlier birth dawn on her. She learns that Udaya Kumaran was her husband in her previous birth. Goddess Manimekalai teaches her the art of astral travel and the secret of metamorphosing herself into another being. Goddess Tivatilakai (Deeva-Teelakai or Dvīpa Tilakā) appears now before Manimekalai and inculcates in her the doctrines of Buddhism. Following the instructions of the Goddess, Manimekalai goes around a pond from the middle of which a bowl emerges and places itself on Manaimekalai’s outstretched hands. This is the Amudhasurabhi (cow of abundance), the cornucopia that would never deplete which will always provide food to alleviate hunger.

The goddess Tivatilakai also predicts that Bhikshu Aravaṇa Aḍigal in her native town will teach her more. Manimekalai then used the mantra which the sea goddess had given her and flies back to Kaveripoompattinam, Manimekalai reunites with Madhavi and narrates to her all that had transpired. They meet Sage Aravana Adigal (Serukalathur Sama) who informs them the history of the mystic Amudhasurabhi and expounds her the Buddha's Teaching and advices her about the nature of life. Manimekalai now takes to feeding the poor and needy with her magic bowl. The king who had earlier viewed her with suspicion now perceives her innate divinity and agrees to her proposal to turn the prison to a hall of charity where Buddhist monks could meditate and establish a hospice for the poor. Prince Udhaya Kumaran continues to pursue Manimekalai, despite her avowed spiritual inclinations to dedicate herself to a religious celibate life.. In an effort to ward of his unwelcome advances, Manimekalai takes up the form of Kayachandika, an accursed Yaksha. Kayachanika’s husband Kanjanan believes that Manimekalai is his wife who has been cured of her illness, and when he finds Udhaya Kumaran stalking her, kills him in fury. Surmounting several hurdles that come in her way, Manimekalai learns the sacred tenets of various religions and finally takes up the sacred orders of Buddhist nun or Bhikshuni, spending the rest of her life in Kanchipuram and practices to rid herself from the bondage of birth and death and attain Nirvana.^[3]

Cast

Crew

• Producer: V. S. Narayanan
• Production Company: Sekhar Art Film Enterprises
• Director: V. S. Raghavan
• Music: G. Ramanathan
• Lyrics: Thanjai N. Ramaiah Dass, A. Maruthakasi, Kambadasan & Kannadasan
• Story: Epic
• Screenplay: Elangovan
• Dialogues: Elangovan
• Art Direction: K. P. Sangkaran Kutty
• Editing: V. S. Rajan
• Choreography: Madhavan
• Cinematography: Pachu
• Stunt: None
• Dance: Bangalore T. C. Sundaramoorthy (Folk dances), Padma & Nirmala

Soundtrack

The music was composed by G. Ramanathan. Lyrics were by Thanjai N. Ramaiah Dass, A. Maruthakasi, Kambadasan & Kannadasan. Singers are T. R. Mahalingam & P. Bhanumathi . Playback singers Seerkazhi Govindarajan, Thiruchi Loganathan, V. T. Rajagopalan, M. L. Vasanthakumari, P. Leela, Radha Jayalakshmi, N. L. Ganasaraswathi, T. V. Rathinam, A. P. Komala & K. Abhayam.

The song Kanngalin Vennilave by starring T. R. Mahalingam and P. Bhanumathi are the only duet song by the duo still very popular.

References

External links

• Manimekalai at the Internet Movie Database
• Manimekalai Titles on YouTube