Lo sposo deluso

Lo sposo deluso, ossia La rivalità di tre donne per un solo amante (The Deluded Bridegroom, or The Rivalry of Three Women for One Lover) is a two-act opera buffa, K. 430, composed by Wolfgang Amadeus Mozart between 1783 and 1784.[1] However, the opera was never completed and only a 20-minute fragment from act 1 exists.

Performance history

Mozart had originally planned to have the opera performed by a seven-member Italian troupe in Vienna. Although it was once thought that Lorenzo Da Ponte might have been the author of the libretto, scholarship by Alessandra Campana has established that the libretto was written by an unknown Italian poet for Domenico Cimarosa's opera Le donne rivali, which he composed for the Rome carnival season of 1780.[2] According to Neal Zaslaw, Cimarosa's librettist may have been Giuseppe Petrosellini, the house poet of the Teatro Valle where Le donne rivali premiered. (Petrosellini was also the probable librettist of Mozart's earlier opera La finta giardiniera).[3] For Lo sposo deluso, Mozart had the characters in Le donne rivali expanded from five to seven, renamed the original five, and established the cast of singers for whom he would be writing.[4] It is unclear why he abandoned the work, although Zaslaw has proposed that it was a combination of the difficulties presented by re-writing and adapting the libretto for the Viennese audience and the fact that in 1785, Da Ponte had finally come through with the libretto for Le nozze di Figaro.[5]

In 1991, the 200th anniversary of Mozart's death, Opera North premièred The Jewel Box, a pasticcio opera devised by Paul Griffiths. This used the existing pieces from Lo sposo deluso and L'oca del Cairo as well as arias written by Mozart for insertion into operas by Anfossi, Piccini and Cimarosa, among others. (The programme was an imagined reconstruction of a 1783 pantomime in which Mozart and Aloysia Weber are said to have taken part.)

In 2006, the 250th anniversary of Mozart's birth, the fragment of Lo sposo deluso received several performances, including:

Roles

Note that the opera was unfinished and never premiered as such. The singers' names given in the table below are those for whom Mozart wrote the roles and who were to have sung in its premiere.

Role Voice type Premiere cast
(Conductor: – )
Bocconio Papparelli, a rich but stupid man, betrothed to Eugenia bass Francesco Benucci
Eugenia, a young Roman noblewoman, betrothed to Papparelli but in love with Don Asdrubale soprano Nancy Storace
Don Asdrubale, a Tuscan army officer tenor Stefano Mandini
Bettina, Papparelli's vain young niece, also in love with Don Asdrubale soprano Katherina Cavalieri
Pulcherio, the misogynist friend of Papparelli tenor Francesco Bussani
Gervasio, Eugenia's tutor, in love with Metilde bass Signore Pugnetti
Metilde, a virtuoso singer and dancer and friend of Bettina, also in love with Don Asdrubale soprano Theresia Teyber

The setting is a seaside villa near Livorno.

The cast is nearly identical to that of the first Le nozze di Figaro. Benucci was the first Figaro. Storace the first Susanna. Mandini the first Count Almaviva, and Bussani the first Bartolo. Both Mandini and Bussani started as tenors but by this time they were a baritone and a bass respectively.

Existing pieces from the opera

A *completion (complete reconstruction) of the whole opera had been ultimated by Italian musicologist Mario G. Genesi: never officially edited, it was intended as a "private" manuscript version for didactic purpose and in fact used by the pupils of an Italian local musical institute. This version consists in 62 numbers, 2 acts, 23 instrumental orchestral single parts (violin I, violin II, viola, cello, double bass; bassoon I, bassoon II, horn I, horn II, horn III, horn IV; flute I, flute II, clarinet I, clarinet II, hautbois I, hautbois II; cello with cembalo; percussions; trumpet I, trumpet II, trumpet III,"Alla Spagnola" guitar), 7 vocal solo parts (Pulcherio-T; Gervasio-T; Don Asdrubale-T; Don Bocconio- Bass-baritone; Donna Eugenia-S; Metilde-S;Bettina-S) and a single 4-voice male choir in act 2 which can be omitted.

Recordings

References

Notes
  1. ↑ Anderson (1937)
  2. ↑ Campana (1988–89) cited in Dell Antonio (1996) pp. 404–405
  3. ↑ Zaslaw (1996) p. 415
  4. ↑ Zaslaw (1996) 415–416
  5. ↑ Zaslaw (1996)
  6. ↑ ''L'oca del Cairo / Lo sposo deluso, cd Universe
Sources

Further reading

External links

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