List of music students by teacher: A to B

This is a list of students of music, organized by teacher. "Henry Adams, the historian, journalist, and novelist said that a teacher affects eternity. With music one can see a pedagogical genealogy, great teachers who taught great musicians who became great teachers who taught great musicians."[1]

A


Arkady Abaza

Christian Ferdinand Abel

Hermann Abendroth

Dieter Acker


Adolphe Adam

Louis Adam

John Luther Adams

Oskar Adler

Samuel Adler

Jakob Adlung


Albrecht Agthe


Webster Aitken


Jean-Delphin Alard

Jules Alary

Johann Friedrich Alberti

Johann Georg Albrechtsberger

Vincenzo Albrici

Putnam Aldrich

Amanda Christina Elizabeth Aldridge

Charles-Valentin Alkan

Pedro Humberto Allende

  • Juan Allende-Blin[77]

Julius Alsleben

Johann Christoph Altnickol


Jorge Anckermann

Johann Anton André

Volkmar Andreae

Mihail Andricu

Hendrik Andriessen

Louis Andriessen

Pasquale Anfossi

Domenico Annibali

Conrad Ansorge

George Antheil

Giuseppe Aprile

Violet Archer

Bülent Arel

Anton Arensky

Dominick Argento

Carl Armbrust

Michael Arne

Simha Arom

Claudio Arrau

Rosalina Sackstein

Désirée Artôt

  • Therésè Leschetizkaya-Dolinina[106]


Robert Ashley

Thomas Attwood


Daniel Auber

Louis Aubert

Tony Aubin

Leopold Auer

Larry Austin

Charles Avison

B

Kees van Baaren

Milton Babbitt

August Wilhelm Bach

Carl Philipp Emanuel Bach

Johann Christian Bach

Johann Sebastian Bach

Wilhelm Friedemann Bach

Oskar Back

Agathe Backer-Grøndahl

Ernst Bacon

Carl Baermann

Pierre Baillot

Giuseppe Baini

Edward Bairstow

Claude Baker

Claude Balbastre

Artur Balsam

Nikhil Banerjee

Samuel Barber

Woldemar Bargiel

Clarence Barlow

Joseph Barnby

Georges Barrère

Béla Bartók

Leslie Bassett

Marion Bauer

Julián Bautista

François Bazin

Antonio Bazzini

Robert Beadell

Franz Ignaz Beck

Jack Beeson

Ludwig van Beethoven

David Behrman

Felix Benda

Franz Benda

Agostino Bendinelli

Julius Benedict

Orazio Benevoli

Paul Ben-Haim

Arthur Benjamin

Frank Bennett

William Sterndale Bennett

Antonín Bennewitz

François Benoist

Peter Benoit

Warren Benson

Emerik Beran

Alban Berg

Arthur Berger

Ludwig Berger

Erik Bergman

William Bergsma

Lennox Berkeley

Luciano Berio

Hector Berlioz

Ercole Bernabei

Antonio Bernacchi

Nicolas Bernier

Leonard Bernstein

Martin Berteau

Henri-Montan Berton

Ferdinando Bertoni

Franz Berwald

William Thomas Best

Philip Bezanson

Franz Bieling

  • Joseph Ignaz Bieling[255]

E. Power Biggs

William Billings

Harrison Birtwistle

Henry Bishop

Giancarlo Bizzi

Boris Blacher

Easley Blackwood

Michel Blavet

Ernest Bloch

Karl-Birger Blomdahl

John Blow

Nicolas-Charles Bochsa

Carl Maria von Bocklet

Peer Bode

Theobald Boehm

Semyon Bogatyrev

Georg Böhm

Joseph Böhm

François-Adrien Boieldieu

Giuseppe Bonno

Giovanni Maria Bononcini

Josiah Booth

Tomás Borba

Marco Bordogni

Benjamin Boretz

Giovanni Borghi

Felix Borowski

Marco Enrico Bossi

Nadia Boulanger

This is a list of some of the notable people who studied with French music teacher Nadia Boulanger (1887–1979).

Neither Boulanger nor Annette Dieudonné, her lifelong friend and assistant, kept a record of every student who studied with Boulanger. In addition, it is virtually impossible to determine the exact nature of an individual's private study with Boulanger. All in all, Boulanger is believed to have taught a very large number of students from Europe, Australia, Mexico, Argentina and Canada, as well as over 600 American musicians.

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
R
S
T
W
X
Y
Z

Pierre Boulez

Adrian Boult

Armen Boyajian

William Boyce

Martin Boykan

Johannes Brahms

Hans Brandts-Buys

Henry Brant

Marianne Brandt

  • Therésè Leschetizkaya-Dolinina[106]

Louis Brassin

Martin Bresnick

Frank Bridge

Frederick Bridge

Richard Brind

Charles Broche

Moritz Brosig

Harriet Brower

Earle Brown

Max Bruch

Anton Bruckner

Fritz Brun

Herbert Brün

Hans Buchner

Dudley Buck

Harold Budd

Hans von Bülow

Ferruccio Busoni

Henri Büsser

Ludwig Bussler

Dieterich Buxtehude

William Byrd


C to Z

See also

References

  1. 1 2 Griliches, Diane Asséo (2008). Teaching Musicians: A Photographer's View. Bunker Hill. p. 20. ISBN 978-1-59373-060-4.
  2. ↑ Lewis, Uncle Dave. Nikolai Roslavets at AllMusic. Retrieved 29 September 2014.
  3. ↑ Randel (1996), p.1.
  4. ↑ Stoddard, Hope (1957). Symphony Conductors of the U.S.A., p.320. Crowell. [ISBN unspecified].
  5. ↑ "Review: Brahms Symphony No 1 etc", Gramophone.co.uk.
  6. ↑ Eder, Bruce. "Wilhelm Schuchter biography", AllMusic.com.
  7. ↑ Summers, Jonathan (2008). "About this Recording: 8.111296", Naxos.com.
  8. ↑ Sadie & Samuel (1994), p.160.
  9. ↑ Randel (1996), p.206.
  10. ↑ Jones (2014), p.164.
  11. ↑ Charlton, David. "Poise, Ferdinand (born 1828), composer". OxfordIndex.OUP.com. Retrieved 12 September 2014.
  12. ↑ Carew, Derek (2008). The Companion to the Mechanical Muse: The Piano Pianism and Piano Music, c.1760–1850. Ashgate Publishing. p. 224. ISBN 978-0-7546-8671-2.
  13. ↑ Mason (1917), p.100.
  14. ↑ Denis Havard de la Montagne. "Joseph Daussoigne-Méhul". www.musimem.com.
  15. 1 2 3 Brubaker, Bruce and Gottlieb, Jane; eds. (2000). Pianist, Scholar, Connoisseur: Essays in Honor of Jacob Lateiner, p.39. Pendragon. ISBN 9781576470015.
  16. ↑ "Corey Dragel". FracturedAtlas.org. . . .
  17. ↑ "Liner notes: 118". Innova.mu. , .
  18. ↑ "About". RyanMacguireMusic.com.
  19. ↑ "Todd Tarantino". matafestival.org.
  20. ↑ MacDonald, Malcolm (2008). Schoenberg. Oxford. p. 32n4. ISBN 978-0-19-803840-5.
  21. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 Griffiths, Paul (2004). The Penguin Companion to Classical Music, [unpaginated]. Penguin UK. ISBN 978-0-14-190976-9.
  22. ↑ Jones (2014), p.501.
  23. ↑ Shawn, Allen (2003). Arnold Schoenberg's Journey. Harvard University. p. 4. ISBN 978-0-674-01101-4.
  24. ↑ "Martin Amlin", RequiemSurvey.org.
  25. ↑ "IU Jacobs School, Indianapolis Symphony Orchestra to present free concert in Bloomington", NewsInfo.IU.edu.
  26. ↑ "Biography", RogerBriggs.com.
  27. ↑ Bryer, Jackson R.; Davison, Richard Allan (2005). The Art of the American Musical: Conversations with the Creators. Rutgers. p. 26. ISBN 978-0-8135-3613-2.
  28. ↑ "Faculty: Crumb", UOregon.edu.
  29. ↑ "Biography", GregDanner.com.
  30. ↑ Anspach, Barret (April 2008). "Students Throw Adler a Musical Birthday Party", Juilliard.edu.
  31. ↑ "Conductor Jeffrey Milarsky Leads the Juilliard Orchestra in Annual Evening of World Premieres by Juilliard Student Composers on Monday, February 25 at 8 PM in Juilliard's Peter Jay Sharp Theater", Juilliard.edu.
  32. ↑ "Jay Greenberg", IMGArtists.com.
  33. ↑ Randel (1996), p.355.
  34. ↑ Randel (1996), p.403.
  35. ↑ Chute, James (2001). "Ince, Kamran". In Sadie, Stanley; Tyrrell, John. The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan Publishers.
  36. ↑ "Biography", MichaelIsaacson.com.
  37. ↑ "Scott Lindroth", BMOP.org.
  38. ↑ "Marc Mellits Biography", AllMusic.com.
  39. ↑ "Carter Pann", p.1. Vivo.Colorado.edu. Accessed February 2016. Also .
  40. 1 2 "Famous Composers I (Almost) Studied With", RobertPaterson.com.
  41. ↑ "Paul Phillips", Vivo.Brown.edu @ .
  42. ↑ "Faculty: Reller", USF.edu.
  43. ↑ "Bio", MichaelAlecRose.com.
  44. 1 2 Sadie & Samuel (1994), p.418.
  45. ↑ "Faculty: Gordon Stout", Ithaca.edu. "Biography", GordonStout.net.
  46. ↑ "Biography", FisherTull.com.
  47. 1 2 "Xiaogang Ye", Schott-Music.com.
  48. 1 2 Randel (1996), p.450.
  49. ↑ Herbert, Victor (1908). The World's Best Music: Famous compositions for the piano, p. 1368. University Society. [ISBN unspecified].
  50. ↑ "Dreyschock & Kullak: Piano Concertos", Hyperion-Records.co.uk.
  51. ↑ Bomberger, E. Douglas (1999). Brainard's Biographies of American Musicians, p.67. Greenwood. ISBN 9780313307829.
  52. ↑ Randel (1996), p.79.
  53. ↑ Randel (1996), p.310.
  54. 1 2 Greene (1985), p.739.
  55. 1 2 "Georg Friedrich Kauffmann" and "Johann Friedrich Alberti", Bach-Cantatas.com.
  56. ↑ Randel (1996), p.58.
  57. ↑ van Boer (2012), p.66.
  58. ↑ Greene (1985), p.356.
  59. ↑ van Boer (2012), p.120.
  60. ↑ Randel (1996), p.255.
  61. ↑ Jones (2014), p.203.
  62. ↑ Randel (1996), p.399.
  63. ↑ Randel (1996), p.435.
  64. ↑ Wier (1938), p.924.
  65. ↑ "Composers: Ignaz Moscheles", Musicalics.com.
  66. ↑ Randel (1996), p.614.
  67. ↑ Randel (1996), p.696.
  68. ↑ Lehrer, Charles-David (2002). "Antoine Reicha's 24 Wind Quintets: Introductory Commentary", IDRS.org.
  69. ↑ Randel (1996), p.746.
  70. 1 2 3 4 5 6 Thomas Christensen, ed. (2002). The Cambridge History of Western Music Theory, unpaginated. Cambridge. ISBN 978-1-316-02548-2.
  71. ↑ van Boer (2012), p.532.
  72. ↑ Randel (1996), p.973.
  73. 1 2 3 4 Randel (1996), p.694.
  74. 1 2 3 4 Greene (1985), p.1486.
  75. 1 2 Sadie & Samuel (1994), p.7.
  76. ↑ Obituary
  77. 1 2 Greene (1985), p.1512.
  78. ↑ Mason (1917), p.27.
  79. ↑ van Boer (2012), p.32.
  80. ↑ Randel (1996), p.782.
  81. ↑ Mason (1917), p.162.
  82. ↑ Stevenson, Joseph. Ingolf Dahl at AllMusic. Retrieved February 2016.
  83. 1 2 3 Steenhuisen, Paul (2009). Sonic Mosaics: Conversations with Composers. University of Alberta Press. ISBN 978-0-88864-474-9.
  84. 1 2 3 "Dutch Composer Louis Andriessen Highlighted In Carnegie Hall Residency", BroadwayWorld.com.
  85. ↑ John David White & Jean Christensen, eds. (2002). New Music of the Nordic Countries, p.370. Pendragon Press. ISBN 978-1-57647-019-0.
  86. ↑ "Hard Rubber Orchestra: Andriessen Project", HardRubber.com.
  87. ↑ Jones (2014), p.401.
  88. ↑ Edwin Michael Richards, Kazuko Tanosaki; eds. (2008). Music of Japan Today, p.112. Cambridge Scholars. ISBN 978-1-84718-562-4.
  89. ↑ George Henry Hubert Lascelles Earl of Harewood. Opera, Volume 52, Issues 7–12, p.1502.
  90. ↑ "Michael Smetanin : Represented Artist". Australian Music Centre. Retrieved 3 November 2015.
  91. ↑ "Biography", JasnaVelickovic.com.
  92. 1 2 3 4 Randel (1996), p.569.
  93. ↑ Biography of Timofiy Bilohradsky at print.biografija.ru
  94. ↑ Lewis, Uncle Dave. Eduard Erdmann Biography at AllMusic. Retrieved February 2016.
  95. 1 2 Mason (1917), p.65.
  96. 1 2 3 Mason (1917), p.159.
  97. ↑ McGraw (2001), p.40.
  98. ↑ O'Loughlin, New Grove (2001), 14:467.
  99. ↑ Hinkle-Turner, Elizabeth (2006). Women Composers and Music Technology in the United States: Crossing the Line, p.146. Ashgate Publishing. ISBN 978-0-7546-0461-7.
  100. 1 2 "Composers", NeapolitanMusicSociety.org.
  101. 1 2 Jones (2014), p.334.
  102. ↑ Gagné (2012), p.22.
  103. ↑ Hinkle-Turner (2006), p.124.
  104. ↑ W&L'E (1915), p.4.
  105. ↑ McGraw, Cameron (2001). Piano Duet Repertoire: Music Originally Written for One Piano, Four Hands, p.55. Indian University. ISBN 978-0-253-21461-4.
  106. 1 2 3 4 5 6 7 8 9 10 "The Julius Block Cylinders", MarstonRecords.com.
  107. ↑ "Russian CD Notes", ArizonaChamberMusic.org.
  108. ↑ "Paul Juon The Russian Brahms", WRTI.org.
  109. ↑ Polisi, Joseph (2008). American Muse: The Life and Times of William Schuman. Amadeus. p. 23. ISBN 978-1-57467-173-5.
  110. ↑ Wyndham & L'Epine (1915), p.225.
  111. ↑ Bowers, Faubion (1996). Scriabin, a Biography, p.152. Courier Dover. ISBN 978-0-486-28897-0.
  112. ↑ "Bio: Richard Marriott", RichardMarriott.com.
  113. ↑ "Obituaries: Eric Stokes, 68, Minneapolis composer", StarTribune.com.
  114. 1 2 Mason (1917), p.189.
  115. 1 2 3 "Bio". MichaelTenzer.com. Retrieved 13 September 2014.
  116. 1 2 Randles, Roma (2013). A Life in Music: Ruth Nye and the Arrau Heritage. Grosvenor House. p. unpaginated. ISBN 978-1-78148-200-1.
  117. ↑ Hinkle-Turner (2006), p.54.
  118. 1 2 Sadie & Samuel (1994), p.13.
  119. ↑ Hinkle-Turner (2006), p.92.
  120. ↑ Mason (1917), p.267.
  121. ↑ Randel (1996), p.172.
  122. 1 2 3 Randel (1996), p.31.
  123. ↑ Mason (1917), p.304.
  124. ↑ Jones (2014), p.21.
  125. 1 2 Randel (1996), p.242.
  126. 1 2 Gagné (2012), p.18.
  127. 1 2 3 Griffiths (2011), p.232.
  128. ↑ Randel (1996), p.45.
  129. ↑ Gagné (2012), p.37.
  130. ↑ Randel (1996), p.94.
  131. ↑ Hinson (1993), p.325.
  132. ↑ Randel (1996), p.199.
  133. ↑ Randel (1996), p.229.
  134. ↑ Randel (1996), p.237.
  135. ↑ Randel (1996), p.249.
  136. 1 2 Randel (1996), p.258.
  137. ↑ Randel (1996), p.362.
  138. 1 2 3 4 Gagné (2012), p.25.
  139. 1 2 Randel (1996), p.373.
  140. ↑ Randel (1996), p.382.
  141. ↑ Hinson (1993), p.130.
  142. ↑ Randel (1996), p.385.
  143. ↑ Hinkle-Turner (2006), p.218.
  144. 1 2 Randel (1996), p.484.
  145. ↑ Randel (1996), p.504.
  146. 1 2 Randel (1996), p.557.
  147. 1 2 Jones (2014), p.400.
  148. ↑ Randel (1996), p.568.
  149. ↑ Gagné (2012), p.233.
  150. 1 2 Randel (1996), p.781.
  151. ↑ Hinkle-Turner (2006), p.76.
  152. ↑ Randel (1996), p.852.
  153. ↑ Mason (1917), p.164.
  154. ↑ Mason (1917), p.172.
  155. 1 2 Mason (1917), p.224.
  156. 1 2 3 Mason (1917), p.278.
  157. ↑ Greene (1985), p.486.
  158. 1 2 3 Greene (1985), p.362.
  159. ↑ Sadie & Samuel (1994), p.63.
  160. 1 2 3 4 5 6 7 8 9 10 11 12 13 Karl Hermann Bitter (1865). Johann Sebastian Bach. Berlin: Schneider. Vol. 1 p. 308 ff.
  161. 1 2 Randel (1996), p.7.
  162. ↑ van Boer (2012), p.25.
  163. 1 2 Greene (1985), p.216.
  164. ↑ van Boer (2012), p.163.
  165. ↑ Randel (1996), p.301.
  166. ↑ Billeter, Bernhard (2004). Musiktheorie und musikalische Praxis: gesammelte Aufsätze edited by Dominik Sackmann. Zürich: Peter Lang. ISBN 9783039103751. p. 160
  167. ↑ van Boer (2012), p.309.
  168. ↑ Jones (2014), p.346.
  169. ↑ Randel (1996), p.466.
  170. ↑ "Friedrich Wilhelm Marpurg. Historisch-kritische Beyträge zur Aufnahme der Musik." (in German). christoph-nichelmann.de. 1754. Retrieved 5 December 2012.
  171. ↑ Michael Maul (2007). Weimarer Orgeltabulatur: Die Frühesten Notenhandschriften Johann Sebastian Bachs sowie Abschriften seines Schülers Johann Martin Schubart. Faksimile und Übertragung (Documenta Musicologica). Bärenreiter Verlag, Kassel, ISBN 978-3-7618-1957-9.
  172. ↑ Mason (1917), p.300.
  173. ↑ Sadie & Samuel (1994), p.130.
  174. 1 2 Randel (1996), p.274.
  175. ↑ Wyndham & L'Epine (1915), p.60.
  176. ↑ George Copeland Is Impressive In Stonington Theatre Piano Recital, The Day, 17 July 1954.
  177. 1 2 Greene (1985), p.893.
  178. ↑ Jones (2014), p.274.
  179. ↑ Mason (1917), p.18.
  180. ↑ Mason (1917), p.19.
  181. ↑ Mason (1917), p.152.
  182. ↑ Mason (1917), p.226.
  183. ↑ Mason (1917), p.149.
  184. 1 2 3 Jones (2014), p.218.
  185. ↑ "Mina Miller". The Complete Piano Music of Carl Nielsen (Media notes). Hyperion. 1987. p. 10. CSA66231/2.
  186. ↑ "Paul Dresher Bio", DresherEnsemble.org . "Paul Dresher Biography", AllMusic.com. "Dresher Bio", Lovely.com.
  187. ↑ "Bio", JasnaVeličković.com.
  188. ↑ Mason (1917), p.3.
  189. ↑ Randel (1996), p.24.
  190. ↑ McGraw (2001), p.8.
  191. ↑ Randel (1996), p.57.
  192. ↑ Jones (2014), p.58.
  193. ↑ McGraw (2001), p.23.
  194. ↑ "Bela Bartok", UUdb.org.
  195. ↑ Greene (1985), p.1091.
  196. ↑ "Gyorgy Sandor, Pianist Who Trained Under Bartok, Is Dead at 93 ", NYTimes.com.
  197. ↑ "Kevin Malone". University of Manchester. Archived from the original on 26 September 2012.
  198. 1 2 Randel (1996), p.53.
  199. 1 2 3 Gagné (2012), p.28.
  200. 1 2 Mason (1917), p.252.
  201. ↑ Mason (1917), p.294.
  202. ↑ Greene (1985), p.1267.
  203. 1 2 3 Greene (1985), p.496.
  204. ↑ DeNora, Tia (1995). Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792–1803. University of California. p. 120. ISBN 978-0-520-92015-6.
  205. ↑ Hinson (1993), p.74.
  206. ↑ Randel (1996), p.20.
  207. 1 2 3 Greene (1985), p.445.
  208. ↑ Albrecht, Theodore, ed. (1996). Letters to Beethoven and Other Correspondence: 1824–1828. p. 131. ISBN 978-0-8032-1033-2.
  209. ↑ George, Oscar; Sonneck, Theodore, eds. (1926). Beethoven: Impressions by His Contemporaries. p. 47. ISBN 978-0-486-21770-3.
  210. ↑ Jones (2014), p.546.
  211. ↑ Randel (1996), p.772.
  212. ↑ Mason (1917), p.179.
  213. ↑ (1889). The Monthly Musical Record, Volume 19, p.29. Augener & Co., London.
  214. ↑ Jones (2014), p.80.
  215. ↑ Mason (1917), p.158.
  216. 1 2 Greene (1985), p.172.
  217. ↑ van Boer (2012), p.118.
  218. ↑ Oxford Dictionary of National Biography
  219. 1 2 Jones (2014), p.63.
  220. ↑ Mason (1917), p.28.
  221. ↑ Mason (1917), p.203.
  222. ↑ Mason (1917), p.288.
  223. ↑ Randel (1996), p.279.
  224. ↑ Mason (1917), p.244.
  225. ↑ Randel (1996), p.656.
  226. ↑ Hinson (1993), p.7.
  227. ↑ Gillespie (2013), p.422.
  228. 1 2 Gagné (2012), p.100.
  229. 1 2 Randel (1996), p.156.
  230. ↑ Gagné (2012), p.80.
  231. ↑ Miller-Keller, Andrea; ed. (2012). Alvin Lucier: A Celebration, p.31. Wesleyan University. ISBN 9780819572806.
  232. ↑ Gagné (2012), p.161.
  233. ↑ McGraw (2001), p.248.
  234. ↑ "Peter Schickele Bio", Schickele.com.
  235. ↑ Randel (1996), p.889.
  236. ↑ Jones (2014), p.96.
  237. 1 2 Jones (2014), p.406.
  238. 1 2 Gagné (2012), p.169.
  239. ↑ Gagné (2012), p.271.
  240. ↑ McGraw (2001), p.6.
  241. ↑ Jones (2014), p.575.
  242. 1 2 Randel (1996), p.350.
  243. 1 2 Mason (1917), p.130.
  244. ↑ Mason (1917), p.105.
  245. ↑ G&T (1908), p.314.
  246. 1 2 Greene (1985), p.278.
  247. ↑ Randel (1996), p.196.
  248. ↑ van Boer (2012), p.170.
  249. ↑ Jones (2014), p.152.
  250. ↑ Mason (1917), p.94.
  251. ↑ van Boer (2012), p.242.
  252. ↑ van Boer (2012), p.565.
  253. ↑ Mason (1917), p.50.
  254. ↑ Mason (1917), p.281.
  255. ↑ van Boer (2012), p.82.
  256. ↑ van Boer (2012), p.597.
  257. ↑ Jones (2014), p.435.
  258. ↑ Jones (2014), p.50.
  259. ↑ McGraw (2001), p.19.
  260. ↑ Randel (1996), p.120.
  261. ↑ Jones (2014), p.235.
  262. ↑ van Boer (2012), p.460.
  263. ↑ Greene (1985), p.1297.
  264. ↑ Gagné (2012), p.19.
  265. 1 2 Randel (1996), p.97.
  266. ↑ McGraw (2001), p.57.
  267. ↑ McGraw (2001), p.123.
  268. ↑ Jones (2014), p.82.
  269. ↑ Greene (1985), p.164.
  270. ↑ Greene (1985), p.497.
  271. ↑ Mason (1917), p.67.
  272. ↑ Mason (1917), p.13.
  273. ↑ "Andrew Deutsch", Discogs.com.
  274. ↑ Mason (1917), p.31.
  275. 1 2 3 (1889), p.56.
  276. ↑ Mason (1917), p.108.
  277. ↑ Randel (1996), p.738.
  278. ↑ Greene (1985), p.478.
  279. ↑ Randel (1996), p.167.
  280. ↑ Randel (1996), p.189.
  281. ↑ Randel (1996), p.283.
  282. ↑ Randel (1996), p.517.
  283. ↑ Mason (1917), p.10.
  284. ↑ Mason (1917), p.112.
  285. ↑ Mason (1917), p.170.
  286. ↑ van Boer (2012), p.62.
  287. ↑ Greene (1985), p.1291.
  288. ↑ Jones (2014), p.56.
  289. ↑ Gagné (2012), p.33.
  290. 1 2 3 4 5 6 7 Jones (2014), p.83.
  291. ↑ "Easley Blackwood, composer". CedilleRecords.org.
  292. ↑ Gagné (2012), p.38.
  293. ↑ Gagné (2012), p.58.
  294. ↑ McGraw (2001), p.50.
  295. ↑ Hinson (1993), p.69.
  296. ↑ Randel (1996), p.190.
  297. ↑ Greene (1985), p.1433.
  298. ↑ Randel (1996), p.268.
  299. ↑ Gagné (2012), p.99.
  300. ↑ Jones (2014), p.252.
  301. ↑ Gagné (2012), p.125.
  302. ↑ Jones (2014), p.291.
  303. ↑ Jones (2014), p.366.
  304. ↑ Hinkle-Turner (2006), p.108.
  305. ↑ Gagné (2012), p.174.
  306. ↑ Randel (1996), p.623.
  307. ↑ Jones (2014), p.452.
  308. ↑ Gann (1997), p.106.
  309. ↑ Jones (2014), p.499.
  310. ↑ Greene (1985), p.1327.
  311. ↑ Gagné (2012), p.78.
  312. ↑ Greene (1985), p.1368.
  313. ↑ Gagné (2012), p.275.
  314. ↑ Randel (1996), p.963.
  315. ↑ Slonimsky, Nicolas (1978). "Yashiro, Akio". Baker's Biographical dictionary of musicians (6th ed.). New York: Schirmer Books. p. 1926. ISBN 978-0-02-870240-7.
  316. ↑ Jones (2014), p.20.
  317. ↑ Timothy Salzman, ed. (2006). A Composer's Insight: Richard Rodney Bennett, p.3. Hal Leonard. ISBN 978-1-57463-048-0.
  318. ↑ Joseph Flummerfelt, Donald Nally (2010). Conversations with Joseph Flummerfelt: Thoughts on Conducting, Music, and Musicians, p.107n8. Rowman & Littlefield. ISBN 978-0-8108-6976-9.
  319. ↑ David M. Cummings, ed. (2000). International Who's Who in Music and Musician's Directory, p.127. Psychology Press. ISBN 978-0-948875-53-3.
  320. ↑ Benser, Caroline (2012). At the Piano: Interviews with 21st-Century Pianists, p.15n6. Scarecrow Press. ISBN 978-0-8108-8172-3.
  321. ↑ Laurie E. Jasinski, ed. (2012). Handbook of Texas Music, unpaginated. Texas A&M. ISBN 978-0-87611-297-7.
  322. ↑ Peyser, Joan (2007). To Boulez and Beyond, p.288. Scarecrow Press. ISBN 978-1-4616-9776-3.
  323. ↑ Randel, ed. (1996), p.246.
  324. ↑ Jones (2014), p.195.
  325. ↑ Don Michael Randel, ed. (1996). The Harvard Biographical Dictionary of Music, p.294. Harvard University Press. ISBN 978-0-674-37299-3.
  326. ↑ Hinson (1993), p.80.
  327. ↑ Griffiths (2011), p.214.
  328. ↑ Randel, ed. (1996), p.494.
  329. ↑ Weininger, David (29 August 2013). "From 'Tango' to 'Four Saints,' A rich season of contemporary music beckons", BostonGlobe.com.
  330. ↑ McHard, James L. (2006). The Future of Modern Music: A Vibrant New Modernism in Music for the Future, p.319. The Future of Modern Music. ISBN 978-0-9778195-0-8.
  331. ↑ Miller, Arthur I. (2014). Colliding Worlds: How Cutting-Edge Science Is Redefining Contemporary Art, unpaginated. W. W. Norton & Co. ISBN 978-0-393-24425-0.
  332. ↑ Randel (1996), p.306.
  333. ↑ Randel (1996), p.725.
  334. ↑ van Boer (2012), p.421.
  335. ↑ Greene (1985), p.1046.
  336. ↑ Jones (2014), p.222.
  337. ↑ "North American Works Directory: Noach by Sidney Corbett", OPERAAmerica.org.
  338. ↑ Gagné (2012), p.117.
  339. ↑ Randel (1996), p.482.
  340. ↑ Gagné (2012), p.156.
  341. ↑ Gagné (2012), p.294.
  342. ↑ Gagné (2012), p.47.
  343. ↑ Wyndham & L'Epine (1915), p.307.
  344. ↑ Greene (1985), p.459.
  345. 1 2 Mason (1917), p.165.
  346. 1 2 Randel (1996), p.452.
  347. ↑ Randel (1996), p.936.
  348. ↑ Sadie & Samuel (1994), p.175.
  349. ↑ Mason (1917), p.197.
  350. ↑ Mason (1917), p.256.
  351. ↑ Mason (1917), p.44.
  352. ↑ Mason (1917), p.184.
  353. ↑ Mason (1917), p.293.
  354. ↑ Gagné (2012), p.112.
  355. 1 2 Randel (1996), p.194.
  356. ↑ Mason (1917), p.23.
  357. ↑ Mason (1917), p.30.
  358. ↑ Mason (1917), p.35.
  359. ↑ Mason (1917), p.140.
  360. ↑ Mason (1917), p.176.
  361. ↑ McGraw (2001), p.110.
  362. ↑ Jones (2014), p.269.
  363. ↑ Jones (2014), p.322.
  364. ↑ Griffiths (2011), p.29.
  365. ↑ Jones (2014), p.609.
  366. ↑ Randel (1996), p.955.
  367. ↑ Greene (1985), p.1324.
  368. ↑ Mason (1917), p.299.
  369. ↑ Randel (1996), p.609.
  370. ↑ Mason (1917), p.34.

Citations

  • van Boer, Bertil H. (2012). Historical Dictionary of Music of the Classical Period. Scarecrow. ISBN 978-0-8108-7183-0. 
  • Gagné, Nicole V. (2012). Historical Dictionary of Modern and Contemporary Classical Music. Lanham, MD; Plymouth (UK): Scarecrow Press. ISBN 978-0-8108-6765-9. 
  • Gann, Kyle (1997). American Music in the Twentieth Century. Schirmer. ISBN 978-0-02-864655-8.
  • Green, Janet M. & Thrall, Josephine (1908). The American history and encyclopedia of music. I. Squire.
  • Greene, David Mason (1985). Greene's Biographical Encyclopedia of Composers. Reproducing Piano Roll Fnd.. ISBN 978-0-385-14278-6.
  • Griffiths, Paul (2011). Modern Music and After. Oxford University Press. ISBN 978-0-19-979228-3.
  • Highfill, Philip H. (1991). A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660 – 1800: S. Siddons to Thrnne. SIU Press. ISBN 978-0-8093-1526-0.
  • Hinkle-Turner, Elizabeth (2006). Women Composers and Music Technology in the United States: Crossing the Line. Ashgate Publishing. ISBN 978-0-7546-0461-7.
  • Hinson, Maurice (2001). Music for More than One Piano: An Annotated Guide. Indiana University Press. ISBN 978-0-253-11306-1.
  • Jones, Barrie; ed. (2014). The Hutchinson Concise Dictionary of Music. Routledge. ISBN 978-1-135-95018-7.
  • Mason, Daniel Gregory (1917). The Art of Music: A Comprehensive Library of Information for Music Lovers and Musicians. The National Society of Music. [ISBN unspecified]. (Related books via Google).
  • McGraw, Cameron (2001). Piano Duet Repertoire: Music Originally Written for One Piano, Four Hands. Indian University. ISBN 978-0-253-21461-4.
  • Randel, Don Michael (1999). The Harvard Concise Dictionary of Music and Musicians. ISBN 978-0-674-00084-1. 
  • Sadie, Julie Anne & Samuel, Rhian; eds. (1994). The Norton/Grove Dictionary of Women Composers. W. W. Norton & Company. ISBN 978-0-393-03487-5.
  • Saxe Wyndham, Henry & L'Epine, Geoffrey; eds. (1915). Who's who in Music: A Biographical Record of Contemporary Musicians. I. Pitman & Sons.
  • Wier, Albert Ernest (1938). The Macmillan encyclopedia of music and musicians. Macmillan.
This article is issued from Wikipedia - version of the Tuesday, February 09, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.