List of artworks by Louise Bourgeois
This is a list of individual works of visual art (sculpture, drawings, and paintings) by Louise Bourgeois, sorted by year.
Sculpture
- Quarantania (1941). Seven wooden pine elements on a wooden base. 84 3/4 × 31 1/4 × 29 1/4 inches[1]
- Paddle Woman (1947). Bronze. 57.75 × 16.25 × 12 inches.[2]
- The Three Graces (1947). Bronze, painted white. 81 × 25 × 12 inches.[2]
- Persistent Antagonism (1947–1949). Painted wood with metal ring. 68 × 12 × 12 inches. San Francisco Museum of Modern Art.[3]
- The Blind Leading the Blind (1947–1949). Bronze, dark patina. 69.25 × 69 × 23 inches.[2]
- Untitled (1947–1949). Bronze, painted white and black. 64 × 12 × 12 inches.[2]
- Observer (ca. 1947–1949). Painted Wood. 76.5 inches high
- Quarantania (1947–1953). Bronze, painted white and blue. 80.5 × 27 × 27 inches.[2]
- Sleeping Figure (ca. 1950). Balsa Wood 72.5 × 11.625 × 11.75
- Friendly Evidence (ca. 1950). painted wood. 75 inches high
- One and Others (1955). Painted and stained wood. 18 5/8 x 20 x 16 7/8 inches[4]
- Clutching (1962). Bronze, silver nitrate patina. 12 × 13 × 12 inches.[2]
- End of Softness (1967). Bronze, gold patina. 7 × 20.3.75 × 15.25 inches.[2]
- Germinal (1967). Bronze, gold patina. 5.625 × 7.375 × 6.25 inches.[2]
- Unconscious Landscape (1967–1968). Bronze. 12 × 22 × 24 inches.[2]
- Fillette (1968). Latex. Approximately 24 inches long.[5]
- Janus in Leather Jacket (1968). Bronze. 12 × 22 × 6.5 inches.[2]
- Avenza Revisited II (1968–1969). Bronze, black polished patina. 51.5 × 41 × 75.5 inches.[2]
- Le Trani Episode (1971). Bronze, dark patina. 16.5 × 23.125 × 23.25 inches.[2]
- Number Seventy-two (The No March) (1972). Marble. 120 × 120 × 84 inches. Storm King Art Center Collection.[3]
- Maisons Fragiles (1978). Steel, two units. 84 × 27 × 14 inches & 72 × 27 × 14 inches. Cheim & Read, New York.[3]
- Nature Study (1984). Bronze. 47 × 12 × 12 inches.[2]
- "Nature Study, Eyes" (1984). marble, steel and wood. 20 × 45½ × 31½" (50.8 × 115.57 × 80.01 cm). Albright-Knox Art Gallery Collection [6]
- She-Fox (1985). Marble. Approximately 6 feet high.[5]
- Untitled (Fingers) (1986). Bronze. 4 × 8.5 × 18.5 inches.[2]
- Untitled (With Hand) (1989). Pink marble. 31 × 30.5 × 21 inches. Private collection, Jerry Gorovy; New York.[3]
- Curved House (1990). Marble. 14 × 37 × 13 inches. (BOUR-2228) CR# BO.2246.[2]
- J'y suis, j'y reste (1990). Pink marble, glass, and metal. 35 × 40.5 × 31 inches. (BOUR-1790) CR# BO.574.[2]
- Cell (Arch of Hysteria) (1992–1993). Steel, bronze, cast iron, and fabric. 119 × 145 × 120 inches. Centro Andaluz de Arte Collection.[3]
- Spider (1994). Steel, glass, water, and ink. 44.76 × 77.95 × 64.76 inches. Private collection.[3]
- The Nest (1994). Steel. 101 × 189 × 158 inches. San Francisco Museum of Modern Art[lower-alpha 1]
- In and Out (1995). Metal, glass, plaster, fabric, plastic. 83 × 65 × 113 inches. (BOUR-2335) CR# BO.2794.[2]
- Spider (1996) Bronze cast with silver nitrate patina. 9 ft. 3 in. x 27 ft. 4 in. x 26 ft. National Gallery of Art Sculpture Garden[7]
- Untitled (No. 2) (1996). Pink marble on steel base. 26 × 31 × 25 inches. (BOUR-3105) CR# BO.1049. .[2]
- "Couple II" (1996), fabric and knee brace. 27 × 60 × 32 inches. Albright-Knox Art Gallery Collection[lower-alpha 2]
- Pink Days and Blue Days (1997) Steel, fabric, wood, bone, rubber, glass, and mixed media. 117 × 87 × 87 inches[1]
- Ears (1998). Pink marble. 39.5 × 28.5 × 72 inches. (BOUR-3424) CR# BO.5179.[2]
- Maman (1999). Steel, marble (one unit); bronze, marble (six units).[8] 365 × 351 × 403 inches.[2]
- Cell × (Portrait) (2000). Steel, glass, wood, red fabric. 76.75 × 48.25 × 48.25 inches. (BOUR-4278) CR# BO.4201.[2]
- Cell XIV (Portrait) (2000). Steel, glass, wood, metal, red fabric. 74 × 48 × 48 inches. (BOUR-4309) CR# BO.4398.[2]
- Cell XV (For Turner) (2000). Steel, painted aluminum, mirrors, glass, water, electrical light. 108 × 120 × 68 inches. (BOUR-3259) CR# BO.4399.[2]
- Mamelles (2000). Pink marble. 27 × 114 × 29.5 inches. (BOUR-4043) CR# BO.6723.[2]
- Temper Tantrum (2000). Pink fabric. 9 × 13 × 20 inches. (BOUR-4284) CR# BO.4216.[2]
- Cell XXIV (Portrait) (2001). Steel, stainless steel, glass, wood, fabric. 70 × 42 × 42 inches. (BOUR-4480) CR# BO.5493.[2]
- Cell XXV(The View of the World of the Jealous Wife) (2001). Steel, wood, marble, glass, fabric. 100 × 120 × 120 inches. (BOUR-4728) CR# BO.5680.[2]
- Rejection (2001). Fabric, lead, steel. 25 × 13 × 12 inches. (BOUR-4588) CR# BO.5497.[2]
- Eyes (nine elements) (2001). Williams College Museum of Art.[9]
- Seven in a Bed (2001). Fabric, stainless steel, glass, wood. 68 × 33.5 × 34.5 inches. (BOUR-5005) CR# BO.6002.[2]
- Untitled (2001). Fabric, steel. 11 × 27 × 21 inches. (BOUR-4746) CR# BO.5686.[2]
- Untitled (2001). Blue and purple fabric, steel. 85 × 12 × 12 inches. (BOUR-4731) CR# BO.5687.[2]
- Untitled (2001). Rust and tan fabric, steel. 106 × 23 × 16 inches. BOUR-4732) CR# BO.5688.[2]
- Untitled (2002). Fabric, steel, wood. 14 × 15 × 6 inches. (BOUR-5386) CR# BO.6766.[2]
- Untitled (2002). Tapestry fabric, stainless steel. 74.5 × 15 × 12 inches. (BOUR-5637) CR# BO.7400.[2]
- Untitled (2002). Fabric, aluminum. 12 × 12 × 12 inches. (BOUR-5812) CR# BO.7996.[2]
- Untitled (2002). Pink marble. 10 × 36.25 × 16.5 inches. (BOUR-5347) CR# BO.8272.[2]
- Crouching Spider (2003). Bronze and stainless steel. 106½ × 329 × 247 inches (270.5 × 835.6 × 627.3 cm).[10]
- Father and Son (2005). Water, steel, aluminum, bronze. 6 feet tall and 5 feet tall figures in a fountain. Installed in Olympic Sculpture Park, Seattle, Washington
Drawings
- Femme Maison (1947). Ink on paper. 9.92 × 7.09 inches. Solomon R. Guggenheim Museum 92.4008 .[3]
- Spider (1947). Ink, charcoal on tan paper. 11.25 × 7.5 inches. Private collection.[3]
- Untitled (1947). Pencil and red ink on tan paper. 11.5 × 9 inches. (BOUR-0839) CR# BO.4721.[2]
- Untitled (1947). Ink on tan paper. 11.25 × 8.25 inches. (BOUR-0841) CR# BO.4723.[2]
- Untitled (1950). Ink on tan paper. 20.25 × 13 inches. University of California, Berkeley Art Museum[lower-alpha 3] [3]
- Untitled (1970). Ink and collage on paper. 8.5 × 11 inches. (BOUR-0590) CR# BO.2868.[2]
- Naked Jogging (1996). Red ink on paper. 11.625 × 9 inches. (BOUR-5597) CR# BO.8151.[2]
- Father and Son (1997). Ink and pencil on paper. 9 × 11.875. (BOUR-5434) CR# BO.6862.[2]
- Swing over the Metronome (1997). Ink and crayon on paper. 13 × 10 inches. (BOUR-5873) CR# BO.8163.[2]
- Untitled (1997). Ink, watercolor, and pencil on paper. 12 × 9 inches. (BOUR-5883) CR# BO.8165.[2]
- Untitled (1997). Double-sided, recto: watercolor, oilstick, and pencil on paper; verso: ink and pencil on music paper. 8.5 × 11 inches. (BOUR-5427) CR# BO.6855.[2]
- Untitled (1997). Ink, crayon, pencil, and white out on paper. 11.75 × 9 inches. (BOUR-5614) CR# BO.8156.[2]
- Hold My Bones (1998). Pencil and gouache on red paper. 12.75 × 12.75 inches. (BOUR-5879) CR# BO.8164.[2]
- J'aime bien mes amis et mon mari (1998). Red ink and pencil on paper. 9 × 12 inches. (BOUR-5607) CR# BO.8154.[2]
- Untitled (2002). Red ink and pencil on paper. 12 × 9 inches. (BOUR-5760) CR# BO.7450.[2]
- Untitled (2002). Red ink on paper. 9 × 12 inches. (BOUR-5758) CR# BO.7448.[2]
- Untitled (2002). Crayon and colored pencil on paper. 12 × 18.75 inches. (BOUR-5786) CR# BO.8157.[2]
- Untitled (2002). Red ink and pencil on paper. 9 × 11.625 inches. (BOUR-5556) CR# BO.8138.[2]
- Untitled (2002). Red ink and colored pencil on paper. 13.25 × 9.5 inches. (BOUR-5926) CR# BO.8168.[2]
- Yes (2004). Soft-ground etching, reworked with watercolor, gouache, and colored pencil: sheet, 22 5/8 × 21 1/2 inches. Edition of 12[1]
- Spider Woman (2005). Drypoint: plate, 6 7/8 × 9 1/2 inches; sheet, 13 1/2 × 13 1/2 inches. Edition of 25[1]
- Spiral Woman (2006). Double-sided soft-ground etching with watercolor, gouache, crayon, and graphite: plate, 6 × 6 5/8 inches; sheet, 10 13/16 × 14 3/4 inches. Unique[1]
Paintings
- Untitled (1946). Oil, charcoal, and pastel on canvas. 36 × 24.125 inches. (BOUR-2703) CR# BO.1523.[2]
- Untitled (1946). Oil and chalk on canvas. 44 × 22 inches. (BOUR-0031) CR# BO.1515.[2]
- Regrettable Incident in the Louvre Palace (1947). Oil on canvas. 14.125 × 36 inches. (BOUR-0800) CR# BO.7908.[2]
- It Is Six Fifteen (1946–1948). Oil on canvas. 36 × 24 inches. (BOUR-0028) CR# BO.519.[2]
- Woman in Process of Placing a Beam in Her Bag (1948). Oil on canvas. 44 × 25.75 inches. (BOUR-0026) CR# BO.1514.[2]
- Spider (1994). Watercolor and gouache on paper. 11.5 × 11.75 inches. Galerie Karsten Greve, Cologne.[3]
Other
- The Destruction of the Father (1974). Assemblage.[5]
- I do, I undo, I redo (2000). Steel. Installation at Tate Modern Turbine Hall, London.[11]
- The Damned, The Possessed and The Beloved (2011).[12] Architectural installation for the Steilneset Memorial monument in Vardø, Norway.[13][lower-alpha 4]
Notes and references
- ↑ Purchased through the Agnes E. Meyer and Elise S. Haas Fund and the gifts of Doris and Donald Fisher, Helen and Charles Schwab, and Vicki and Kent Logan.[3] Licensed by VAGA, New York, NY (98.193.A-E)
- ↑ Albright-Knox Art Gallery, Sarah Norton Goodyear Fund, 1999
- ↑ Gift of The Peter Norton Family Foundation
- ↑ This collaboration with Swiss architect Peter Zumthorn was Bourgeois' last major work.[12]
- 1 2 3 4 5 "Louise Bourgeois". Collection. Whitney Museum of American Art. Retrieved 23 January 2014.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 "Artist Page : Louise Bourgeois". at Cheim & Read, (Representatives of Louise Bourgeois)
- 1 2 3 4 5 6 7 8 9 10 11 San Francisco Museum of Modern Art. .
- ↑ "Louis Bourgeois : Images". Artists. Art:21. Retrieved 23 January 2014.
- 1 2 3 Acocella, Joan (February 4, 2002). "The Spider’s Web : Louise Bourgeois and her art". The New Yorker. Retrieved 23 January 2014.
- ↑ albrightknox.org
- ↑ Art Inventories on SIRIS
- ↑ Manchester, Elizabeth (December 2009). "Summary". Louise Bourgeois : Maman 1999. Tate, London. Retrieved 18 January 2014.
- ↑ Williams College Museum of Art..
- ↑ "Crouching Spider by Louise Bourgeois". Private collection. Courtesy Cheim and Read, New York. Philadelphia Museum of Art. Retrieved 22 January 2014.
- ↑ "The Unilever Series: Louise Bourgeois: I Do, I Undo, I Redo". Tate Modern.
- 1 2 Rosenfield, Karissa. (1 Mar 2012). "Steilneset Memorial / Peter Zumthor and Louise Bourgeois, photographed by Andrew Meredith". ArchDaily. Retrieved 22 Jan 2014.
- ↑ Stephens, Suzanne (1 August 2011). "Steilneset Memorial to the Victims of the Witch Trials. Peter Zumthor and Louise Bourgeois. Vardø, Norway". Architectural Record 199 (8): 36–40.
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