Let's All Go to the Lobby
| Let's All Go to the Lobby | |
|---|---|
 Four anthropomorphic snack food items singing Let's All Go to the Lobby. | |
Release dates | 1953 |
Running time | 1 minute |
Let's All Go to the Lobby is a 1953[1][2] animated musical snipe played as an advertisement before the beginning of the main film. It featured a family of four talking concession stand products, singing "Let's all go to the lobby to get ourselves a treat" and walking to the concession stand. One shot from the film depicts the anthropomorphic gum, soda, popcorn, and candy walking behind the silhouettes of audience members in the foreground, creating an illusion of depth.[3]
Background
Snipes are defined as material broadcast in a projection screen without being part of the featured presentation. This definition includes advertising material, previews of coming attractions, courtesy requests for the audience, and notices concerning the concession stand of the movie theater.[3] According to film historian Scott Simmon, the history of advertising films begins with Admiral Cigarette (1897) by William Heise.[3]
The Chicago-based Filmack Studios, originally known as Filmack Trailer Company, was founded in 1919 by Irving Mack. The founder was a former journalist. The company specialized in the production of newsreels and promotional material for theaters.[3][4] By the 1950s, the sales of the concession stands represented a significant portion of movie theaters' revenue. Filmack commissioned a series of Technicolor trailers aimed at informing audiences about a theater's newly installed concession stand.[3][4] Let's All Go to the Lobby was one of these films.[3]
The trailer was animated by Dave Fleischer (producer of Popeye cartoons) and produced by Filmack Studios. Fleischer was identified as the creator of this short film in a list of Filmack's releases which reported that "Both trailers were produced exclusively for Filmack by Dave Fleischer...". Specific details for his involvement are lacking, and the rest of the production crew remains unknown.[3][4] Production may have started by 1953, but Robbie Mack (a later owner of Filmack) estimates it was completed c. 1955. The release date is typically estimated to 1957. The original production records are considered lost.[3] Filmack sold to various theater owners the right to use the film, which it still owns.[3]
Content
Four anthropomorphic, animated food items (from left to right: chewing gum, popcorn, candy, and a soda) are depicted walking leftwards. In the foreground before these characters are silhouettes of audience members, creating an illusion of depth. Daniel Eagan notes that this illusion of depth in animation was a standard technique of the medium. It had been perfected in the 1930s, in films from both the Fleischer Studios and Walt Disney Productions.[3] Later, a group of four consumers are depicted enjoying their purchased food items. The sequential action of this simple scene uses techniques that can be traced back to Gertie the Dinosaur (1914) by Winsor McCay.[3]
The eponymous song of the film is set to the same tune as "We Won't Be Home Until Morning", "The Bear Went Over the Mountain", "For He's a Jolly Good Fellow", and Marlbrough s'en va-t-en guerre" (c. 1709). The tune is of unknown origin and probably predates the lyrics of these songs. It was well enough known in the early 19th century to be used for a passage in "Wellington's Victory" (1813) by Ludwig van Beethoven.[3]
While the use of animation in lieu of photography lends a degree of abstraction to the idea of concessions, in America's Film Legacy, Daniel Eagan argues that "[w]ith its simple, repetitive lyrics and streamlined animation, Let's All Go to the Lobby has a hypnotic pull that is as compelling today as it was fifty years ago."[3] He also notes that by choosing not to simply photograph the offered items, the creators of the film managed to avoid using brand names for the products for sale.[3]
Legacy
Filmack has continued selling copies in the decades since its production. The company estimates that 80% of independent theaters have screened the film at various points, making the film familiar to a large number of viewers.[3]
Further color snipes, such as ones using a clock and featuring singing and dancing hot dogs, popcorn boxes, candy bars and other concession stand products took their cue from this trailer. Those targeted at drive-in theaters directed their patrons to the snack bar. Such shorts are still used for this purpose.
In 2000, "Let's All Go to the Lobby" was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Sources
- Eagan, Daniel (2010), "Let's All Go to the Lobby", America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, Continuum International Publishing Group, ISBN 978-0-8264-2977-3
References
- ↑ Inspiration - Filmack Catalog. February, 1954. Volume 15, Issue 2. Page 10.
- ↑ Original prints are Kodak date coded 1953.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Eagan (2010), p. 543-544
- 1 2 3 Valentine, M:"The Show Starts on the Sidewalk: An Architectural History of the Movie Theatre, Starring S. Charles Lee". Yale University Press, 1996.