L.I.E.

For other uses, see Lie (disambiguation).
L.I.E.

Theatrical release poster
Directed by Michael Cuesta
Produced by Michael Cuesta
Linda Moran
Rene Bastian
Written by Stephen M. Ryder/ Michael Cuesta / Gerald Cuesta
Starring Brian Cox
Paul Dano
Billy Kay
Music by Pierre Földes
Cinematography Romeo Tirone
Edited by Eric Carlson
Kane Platt
Production
company
Alter Ego Entertainment
Belladonna Productions
Distributed by New Yorker Films
Lot 47 Films
Release dates
  • January 20, 2001 (2001-01-20)
Running time
 97 minutes[1]
Country United States
Language English
Budget $700,000
Box office $1,667,192

L.I.E. is a 2001 American drama film about a relationship between Howie, a 15-year-old boy, and a middle-aged ephebophile known as "Big John".[2] The title is an acronym for the Long Island Expressway. The film was directed by Michael Cuesta, who has said that the film is about exploring sexuality.[3] It stars Paul Dano as Howie, and Brian Cox as Big John.

Plot

Howie Blitzer is deeply affected by the death of his mother in a car accident on the Long Island Expressway. His situation is exacerbated by his acrimonious relationship with his distant father Marty, who brought a trophy girlfriend into the house less than a month after his wife's death. Howie's only solace is the company of his best friend Gary, a juvenile delinquent and hustler. Although Gary is attracted to Howie, Howie is unsure of his own sexuality. They have two other friends their age, one of whom has an incestuous relationship with his sister. The four boys routinely break into neighborhood houses.

One night, they break into the house of "Big John" Harrigan during his birthday party. Gary knows his way around the house; it is later revealed Big John is one of his steady clients. Big John interrupts them, and they narrowly escape with a pair of valuable North Vietnamese pistols. John later confronts Gary over the burglary and Gary names Howie as his accomplice.

Pretending to be a friend of Howie's mother, John introduces himself and invites Howie back to his house. Once there, he confronts Howie about the burglary, demanding the return of the guns. Howie is able to retrieve only one gun from Gary's room, so John demands $1000 for the other; Howie can only offer to work off the debt. Putting on a pornographic video, John hints that Howie can repay him with sex. Howie hastily leaves, but after returning home, masturbates to a fantasy involving John and the girl in the video.

Gary steals money from Howie's father and disappears to Los Angeles, leaving Howie alone. John and Howie begin a tenuous friendship in which John becomes a kind of father figure to him. There is no sexual activity, but there is talk of sex. Howie realizes that he wields sexual power over John, something John is all too aware of. Howie stays over at John's house, temporarily displacing John's 19-year-old lover Scott, who warns Howie not to take John from him. Howie discovers a stash of child pornography in the house, including photos of a younger Gary and a blond 11-year-old boy.

Howie's father happens to see him skipping school, and losing his temper he hits the boy. Later that day, he is arrested for dangerous practices in his construction business, and when Howie returns home to find him missing, he believes his father has abandoned him. He goes to John, approaching him in his bedroom wearing just his underpants, expecting they will have sex. But John explains to Howie what happened with his father, and the boy breaks down and cries. John leaves him to sleep by himself.

The next morning, John is all charm, fixing Howie breakfast and taking him to see his father in jail. Howie's father apologizes for hitting him, and promises to spend more time with him once he is out of prison. Howie is unconvinced, and merely tells his father never to hit him again.

After dropping Howie off, John returns to the local rest area where young hustlers connect with johns, and sits in his car. Scott, devastated by John's abandonment, drives by and shoots him dead.

In the final scene, Howie contemplates the expressway, vowing he won't let it get him too.

Cast

Production

Portions of the film were filmed at Harborfields High School, located in Greenlawn, New York, not far from the Long Island Expressway. A scene was also filmed at the Dix Hills Diner on Jericho Turnpike in Elwood, New York.

Because Paul Dano was underage at the time of production, his mother, Gladys, was present on set and additionally plays the non-speaking role of Howie's deceased mother, Sylvia, in several flashback and dream sequences.

Themes

Sexual identity is a major theme in the film; director Michael Cuesta has said that the ambiguity of Howie's sexual orientation and his relationship with Big John and Gary is at the heart of the film.[3]

Brian Cox has said, "Big John realizes that Howie is much more than a little boy, a young boy he can hit on".[4] Cuesta has said that John is confused, and doesn’t know if he wanted "to be with him, sexually, or just father him".[3]

NC-17 rating

L.I.E. received an NC-17 rating from the MPAA, although the rating was later surrendered and the film was released without a rating. Both an edited version which received an R rating ("for strong sexual content involving teens, language, and brief violence") and the original unrated/uncut film are available on DVD.

Reception

L.I.E has a "Certified Fresh" score of 83% on Rotten Tomatoes based on 82 reviews, with an average rating of 7 out of 10. The critical consensus states that: "L.I.E. is a well-acted and unsettling look at a boy's relationship with a pedophile." [5]

Awards and nominations

Awards
Nominations

References

  1. ↑ "L.I.E. (18)". British Board of Film Classification. 2002-10-31. Retrieved 2013-07-04.
  2. ↑ New York Times review of L.I.E.
  3. 1 2 3 Michael Cuesta Commentary issued as extra on DVD
  4. ↑ Brian Cox Commentary issued as extra on DVD
  5. ↑ http://www.rottentomatoes.com/m/1106648-lie/

External links

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