Kenneth C M Young

Kenneth Young
Kenneth Young
Background information
Born	Edinburgh, Scotland
Genres	Video Game Music
Occupation(s)	Composer, musician, sound designer, audio director, writer
Instruments	Fiddle, Guitar
Years active	2004–present
Labels	Media Molecule
Website	gamesound.org

Kenneth Young (born in Edinburgh, Scotland) is a Scottish audio director, composer, sound designer and writer.^[1][2] He is best known for his award winning work as the Head of Audio at video game developer Media Molecule, including the games LittleBigPlanet, LittleBigPlanet 2, Tearaway and Tearaway Unfolded.^[2]

Early Life and education

Young had a strong musical upbringing, learning the violin from the age of six, but chose not to pursue performance as a career^[3] and instead went on to study an undergraduate degree in Music Technology at The University of Edinburgh. That course introduced him to working creatively with sound and he went on to gain an MA in Sound Design at Bournemouth University^[4] for which he received a distinction.^[2]

Career

Young began his professional career in 2004 working as a junior sound designer in the centralised audio department of Sony London Studio.^[4] Here, he worked on a broad range of different gaming experiences and hardware platforms, from action-adventure games such as The Getaway: Black Monday and Heavenly Sword to more family-friendly and innovative titles such as EyeToy: Kinetic.^[2][5] He has described this period as "an apprenticeship" and a "baptism by fire"^[6] which stood him in good stead for his future game audio work.^[4]

Young left Sony in 2007 and joined startup video game developer Media Molecule to establish their audio department and "make LittleBigPlanet sound awesome".^[4]

LittleBigPlanet's audio aesthetic: minimal, playful yet endlessly customizable building blocks of sound and music that support, underpin and emphasize the playfulness inherent in the game's unique art direction, character design and game design structure. Rather than seamlessly flowing together, the varied pieces of music work together much like the patchwork evident in the game's visual assets, nowhere is this aesthetic more evident than in the many user created online levels. Again, a difficult game to imagine working without the many unique aspects to its audio direction.

— Rob Bridgett, Game Audio Culture, p. 44^[7]

The audio experience in LittleBigPlanet was very well received, garnering an exceptional eight GANG award nominations in 2009, more than any other game that year,^[8] and four academy nominations.^[9][10] Young and fellow composer Mat Clark won the GANG awards for Best Original Instrumental (for 'The Gardens') and Best Interactive Score.^[11]

For LittleBigPlanet 2, Young built upon the eclecticism of the original's soundtrack by working with six other composers,^[12] the results of which achieved a nomination in 2012 for Outstanding Achievement in Original Music Composition from the Academy of Interactive Arts & Sciences.^[13]

Tearaway's folk-infused soundtrack received a 2014 British Academy Video Games Award nomination for Original Music^[14] and is notable for its hand-made aesthetic, being written and performed entirely by Young and co-composer Brian D'Oliveira.^[15] Kotaku's Kirk Hamilton considered it one of the best video game soundtracks of 2013, writing "It's jarring to hear out-of-tune instruments in a video game; we've become so accustomed to pitch-perfect digital performances that any hint of humanity is startling. I'd like to be startled like this more often".^[16]

On February 27, 2015, Young announced that he was leaving Media Molecule to pursue a freelance career.^[17]

Works

Gameography

Albums

The official videogame soundtrack album for Tearaway was released alongside the game as a pre-order bonus on 22 November 2013.^[18] The album was later made available to the public via the PlayStation Network.^[19]

The official videogame soundtrack album for Tearaway Unfolded was released alongside the game on September 8, 2015 via the PlayStation Network and on October 16, 2015 via iTunes.^[20][21]

Writing

Young started the website gamesound.org in 2005 "as a useful resource for those who work in, aspire to work in, or wish to learn more about game sound".^[2] Most of his own writing featured on the site is focussed on the subject of the use of voice in games.^[22] He has twice won the GANG Best Game Audio Article Publication or Broadcast award, for his articles The Use of Voice in Portal 2 (2012) and The Mix in The Last of Us (2015).^[23][24]

He has also written for designingsound.org,^[25] and contributed a chapter to the book Production Pipeline Fundamentals for Film and Games, edited by Renee Dunlop, entitled The Game Audio Pipeline.^[26]

Young was co-writer of Tearaway's voice script with the game's lead creator, Rex Crowle.^[4]

Awards and Nominations

References

External links

• Official Website
• Kenneth Young (V) at the Internet Movie Database
• MobyGames rap sheet
• Kenneth Young discography at MusicBrainz