Kalakshetra

Kalakshetra
Location
Besant Nagar, Chennai, India
Coordinates 12°59′17″N 80°15′54″E / 12.9881°N 80.26500°E / 12.9881; 80.26500Coordinates: 12°59′17″N 80°15′54″E / 12.9881°N 80.26500°E / 12.9881; 80.26500
Information
Established January 1936
Founder Rukmini Devi Arundale
Chairperson N.Gopalaswami [1]
Director Priyadarshini Govind

Kalakshetra is a cultural academy dedicated to the preservation of traditional values in Indian art, especially in the field of Bharatanatyam dance and Gandharvaveda music. The academy was founded in January 1936 by Rukmini Devi Arundale. Under Arundale's guidance the institution achieved national and international recognition for its unique style and perfection. In 1962, Kalakshetra moved to a new campus in Besant Nagar, Chennai, India, occupying 40 hectares (99 acres) of land.[2]

In January 1994, an Act of the Indian Parliament recognised the Kalakshetra Foundation as an 'Institute of National Importance'[3][4]

The Founder

Main article: Rukmini Devi Arundale
Rukmini Devi Arundale, founder of Kalakshetra

Kalakshetra, later known as the Kalakshetra Foundation was established by Smt. Rukmini Devi Arundale, along with her husband, Dr. George Arundale, a known theosophist, in Adyar, Chennai in 1936. She not only invited the best of students, but also noted teachers, musicians and artists to be a part of this institution.[5]

Year long celebrations, including lectures, seminars and festivals marked her 100th birth anniversary, on February 29, in 2004 at Kalakshetra and elsewhere in many parts of the world,[6] also on February 29, a photo exhibition on her life opened at the Lalit Kala Gallery in New Delhi, and on the same day, President A.P.J. Abdul Kalam released a photo-biography, written and compiled by Dr. Sunil Kothari with a foreword by former president R. Venkataraman.[7][8][9]

Kalakshetra style

Having studied the Pandanallur style for three years, in 1936 Rukmini Devi Arundale started working on developing her own, Kalakshetra, style of Bharatanatyam. She introduced group performances and staged various Bharatanatyam-based ballets.

The Kalakshetra style is noted for its angular, straight, ballet-like kinestetics, and its avoidance of Recakas and of the uninhibited throw (Ksepa) of the limbs.

According to Shri Sankara Menon (1907–2007), who was her associate from Kalakshetra’s beginnings,[10] Rukmini Devi raised Bharatanatyam to a puritan art form, divorced from its recently controversial past by "removing objectionable elements" (mostly, the Sringara, certain emotional elements evocative of the erotic, such as hip, neck, lip and chest movements) from the Pandanallur style, which was publicly criticized by Balasaraswati and other representatives of the traditional Isai Vellalar culture. Not all love was portrayed, at least outside parameters considered "chaste".

Balasaraswati said that "the effort to purify Bharatanatyam through the introduction of novel ideas is like putting a gloss on burnished gold or painting the lotus". E.Krishna Iyer said about Rukmini Devi, “There is no need to say that before she entered the field, the art was dead and gone or that it saw a renaissance only when she started to dance or that she created anything new that was not there before”.

Institutes

Office of Kalakshetra Academy at Besant Nagar

Alumni of Kalakshetra

Some of the notable students of Kalakshetra are Radha Burnier, A Janardhanan, Sarada Hoffman, Kamaladevi Chattopadhyay, Sanjukta Panigrahi, C.V. Chandrasekhar, Dhananjayans, Anjali Mehr, Adyar K. Lakshman, Krishnaveni Lakshaman, Jayashree Narayanan,Ambika Buch, Yamini Krishnamoorthy, Leela Samson,[12] Kamala Rajgopal (née Anatharam), Jaya Thyagarajan, Devoleena Bhattacharjee, G. S. Rajan, Dr Ananda Shankar Jayant.,[13] Shilpa G. Danave, Amala Akkineni.

References

Further reading

External links

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