John Neagle
| John Neagle | |
|---|---|
 Self-portrait by John Neagle | |
| Born |
John B. Neagle 4 November 1796 Boston, Massachusetts, USA |
| Died |
September 17, 1865 (aged 68) Philadelphia, Pennsylvania, USA |
| Nationality | American |
| Notable work |
Pat Lyon at the Forge Portraits of Joseph Philmpre, Henry Clay |
John Neagle (4 November 1796 – 17 September 1865) was a fashionable American painter, primarily of portraits, during the first half of the 19th century in Philadelphia.
Biography
Neagle was born in Boston, Massachusetts. His training in art began with instruction from the drawing-master Pietro Ancora and an apprenticeship to Thomas Wilson, a well-connected painter of signs and coaches in Philadelphia. Wilson introduced him to the painters Bass Otis and Thomas Sully, and Neagle became a protégé of the latter. In 1818 Neagle decided to concentrate exclusively on portraits, setting up shop as an independent master.[1]
Aside from brief sojourns in Lexington, Kentucky, and New Orleans, Louisiana, he spent his career in Philadelphia, Pennsylvania, where he died. In May 1826 he married Sully's stepdaughter Mary, and for a time the son-in-law and father-in-law dominated the field of portraiture in the city. Neagle served as Director of the Pennsylvania Academy of Fine Arts, and was also a founder and president (1835–43) of the Artist's Fund Society of Philadelphia.[2]
Works
Neagle's sitters included society figures, politicians, professionals and merchants, all of whom he treated with an incisive attention to psychology and an often dazzling brushwork derived (by way of Sully and Sir Thomas Lawrence) ultimately from van Dyck. His most impressive works are, arguably, the full-length allegorical portrait of Henry Clay (Union League, Philadelphia), and the unconventional and brutally heroic "Pat Lyon at the Forge" (Museum of Fine Arts, Boston[3]).
Lyon was a young Philadelphia blacksmith who manufactured the locks for a bank vault housed in Carpenters' Hall. During a 1798 yellow fever epidemic that emptied the city, the bank deposits were stolen. Lyon, who had lost his wife and child in the epidemic, was accused of the robbery, and held, without evidence, in Walnut Street Prison. Even after the real culprits were arrested, Lyon continued to be imprisoned. He sued, won his release, and received punitive damages from the city. Neagle's portrait/genre painting shows a middle-aged Lyon at work at his forge, with the cupola of Walnut Street Prison visible in the background.
Other Neagle sitters included Vice President Richard Mentor Johnson, Governor John Jordan Crittenden of Kentucky, Congressman James Harper and his wife Charlotte, the Marquis de Lafayette, Bishop William Meade, Dr. William Potts Dewees, author James Fenimore Cooper, fellow painter Gilbert Stuart, actor Edwin Forrest and the architects William Strickland, John Haviland and Thomas Ustick Walter. His papers are housed at the Historical Society of Pennsylvania, which hosted a retrospective exhibition of his work in 1989 (with scholarly catalogue by Robert Torchia).
Gallery
-
Mathew Carey, 1825
-
The Studious Artist: Portrait of Thomas Birch 1836, Pennsylvania Academy of the Fine Arts
-
George Dodd, c. 1852, National Gallery of Art, Washington, DC
-
Julia Dodd (Mrs. George Dodd), c. 1852, National Gallery of Art, Washington, DC
-
Portrait of a gentleman in black. Private collection
References
- ↑ Neagle, John. Biography entry, residence and birth place. Retrieved on 2007-12-07
- ↑ "Artists' Fund Society records, 1835-1855". Research collections. Archives of American Art. 2011. Retrieved 16 Jun 2011.
- ↑ http://www.mfa.org/collections/object/pat-lyon-at-the-forge-34216
External links
 |
Wikimedia Commons has media related to John Neagle. |
- The John Neagle papers and related items, consisting mostly of volumes related to his work and cased photographs, are available for research use at the Historical Society of Pennsylvania
|