John Holt (singer)

John Holt
Birth name Winston Holt
Born (1947-07-11)11 July 1947
Kingston, Jamaica
Died 19 October 2014(2014-10-19) (aged 67)
Wellington Hospital, St John's Wood, London, England
Genres Ska, rocksteady, reggae
Years active 1959–2014
Labels Treasure Isle, Greensleeves
Associated acts The Paragons

Winston Holt CD (11 July 1947[1] – 19 October 2014[2]), better known as John Holt, was a reggae singer and songwriter from Jamaica who first found fame as a member of The Paragons, before establishing himself as a solo artist.

Biography

Holt was born in the Greenwich Farm area of Kingston, Jamaica, in 1947.[3] His mother Amy was a nurse.[4] By the age of 12, he was a regular entrant in talent contests run at Jamaican theatres by Vere Johns, winning 28 contests, some broadcast live on Radio Jamaica.[3][5][6] He recorded his first single in 1963 with "Forever I'll Stay"/"I Cried a Tear" for record producer Leslie Kong, and also recorded a duet with Alton Ellis, "Rum Bumper", for producer Vincent "Randy" Chin.[5][6][7]

In 1965 Holt joined Bob Andy, Garth "Tyrone" Evans, and Junior Menz in their group the Binders; Menz departed to be replaced by Howard Barrett and they changed their name to the Paragons.[7] They initially recorded for Clement "Coxsone" Dodd's Studio One before cutting a succession of singles for Duke Reid at his Treasure Isle Studio in the rocksteady era of 1966–1968; They enjoyed a string of hits, including "Ali Baba", "Tonight", "I See Your Face", and the Holt-penned "The Tide Is High" (later made famous by Blondie and also covered by Atomic Kitten).[8] "Wear You to the Ball" was another of his hits with the Paragons, and it made the charts again when U-Roy (whom he had introduced to Duke Reid) recorded a Deejay version over it.[3] With Andy having left early on, the departures of Barrett (in 1969) and Evans (in 1970), who had both won scholarships in the US, brought the group to an end.[3][7] During his time with the Paragons, he also recorded solo material for Bunny Lee ("Tonight"), and Harry J.[5][6] He subsequently concentrated on his solo career, recording for Prince Buster ("Oh Girl", "Rain From the Skies"), Reid ("Stealing Stealing", "Ali Baba"), Dodd (including "Fancy Make-up", "A Love I Can Feel", "Let's Build Our Dreams" and "OK Fred"), Alvin Ranglin ("Strange Things"), and Phil Pratt ("My Heart Is Gone").[3]

By the early 1970s, he was one of the biggest stars of reggae, and his work with producer Lee was key to his success;[9] "Stick By Me" was the biggest selling Jamaican record of 1972, one of a number of records recorded with Lee.[3][5] His 1973 Harry Mudie-produced album, Time Is The Master, was successful, with orchestral arrangements recorded in London by Tony Ashfield.[3] The success of the string-laden reggae led to Trojan Records issuing a series of similarly arranged albums produced by Ashfield starting with the 1,000 Volts of Holt in 1973, a compilation of Holt's reggae cover versions of popular hits (and later followed by similarly named releases up to the Lee-produced 3,000 Volts of Holt). 1,000 Volts spawned the UK Top 10 hit "Help Me Make It Through the Night" (written by Kris Kristofferson), which peaked at number 6,[10] and included covers of Billy Joel's "Just the Way You Are" and "Touch Me in the Morning" by Diana Ross.[11]

He had success back in Jamaica in 1976 with "Up Park Camp" (on a reworking of the Heptones' "Get In the Groove" rhythm), and his success continued into the 1980s with tracks such as "Police in Helicopter" and "Fat She Fat", recorded with producer Henry "Junjo" Lawes, and a standout appearance at the 1982 Reggae Sunsplash festival.[3][6][7] "Police in Helicopter" was a condemnation of the Jamaican government's crackdown on marijuana plantations, and indicated the increasing importance of Rastafari in Holt's life, reflected in his growing of locks and a beard.[3] He continued to tour regularly, performed several times at Sunsplash in the 1990s, and performed in the United Kingdom with the Royal Philharmonic Concert Orchestra, with a live album taken from these shows released in 2001.

In 2004 he was awarded the Order of Distinction (Commander Class) by the Jamaican government for his contribution to Jamaican music.[4][12]

Holt's style, notably slower and more romantic than most of his contemporaries, is a recognisable forerunner of the lovers rock subgenre.

His song "Man Next Door" has been covered by numerous other reggae artists, including Dennis Brown, UB40 and Horace Andy. The latter sang in a more electronic vein for the Massive Attack album Mezzanine.

Having been taken ill at the One Love Festival on 16 August,[13] Holt died on 19 October 2014 in the Wellington Hospital in London.[2][14][15] He had been diagnosed with colon cancer in June 2014.[16][17] He is survived by his wife Valerie, 10 children, and 20 grandchildren.[18] His funeral took place on 17 November at the Cathedral of the Most Holy Trinity in Kingston, and featured performances by U-Roy, The Silvertones, Tinga Stewart, Boris Gardiner, George Nooks, Luciano, Carlene Davis, Ken Boothe, and members of Holt's family, backed by Lloyd Parks and the We the People Band. He was buried at Dovecot Memorial Park.[19][20]

Album discography

There have also been dozens of compilations of Holt's work, starting in the early 1970s with a Greatest Hits compilation from Studio One, and notably followed by the 1,000 Volts... series on Trojan Records.[5]

DVDs

References

  1. ↑ Some sources state 1945 as year of birth
  2. 1 2 Mason, Peter (20 October 2014). "John Holt obituary". The Guardian. Retrieved 24 October 2014.
  3. 1 2 3 4 5 6 7 8 9 Thompson, Dave (2002), Reggae & Caribbean Music, Backbeat Books, ISBN 0-87930-655-6, pp. 117-120.
  4. 1 2 Ustanny, Avia (2004), "You Inspired Me", Jamaica Gleaner, 7 November 2004. Retrieved 25 October 2014.
  5. 1 2 3 4 5 Larkin, Colin (1998), The Virgin Encyclopedia of Reggae, Virgin Books, ISBN 0-7535-0242-9.
  6. 1 2 3 4 Black, Roy (2014) "Holt: One Of The Most Enduring Jamaican Singers", Jamaica Gleaner, 23 October 2014. Retrieved 23 October 2014.
  7. 1 2 3 4 Grossinger, Richard (2005), On the Integration of Nature: Post 9-11 Biopolitical Notes, North Atlantic Books, ISBN 978-1556436031, pp. 166-176.
  8. ↑ "Veteran reggae singer John Holt dies aged 69"". Guardian music. 20 October 2014.
  9. ↑ Iton, Richard (2008) In Search of the Black Fantastic: Politics and Popular Culture in the Post-Civil Rights Era, OUP USA, ISBN 978-0195178463, p. 399
  10. ↑ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 258. ISBN 1-904994-10-5.
  11. ↑ "everyHit.com UK Top 40 Hit Database.".
  12. ↑ Moskowitz, David V. (2005), Caribbean Popular Music: an Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall, Greenwood Press, ISBN 978-0313331589, p. 141.
  13. ↑ "John Holt Receiving Treatment After Collapsing On Stage", The Voice, 27 August 2014.
  14. ↑ Bonitto, Brian (2014), "Veteran singer John Holt is dead", Jamaica Observer, 19 October 2014. Retrieved 20 October 2014.
  15. ↑ Johnson, Richard (2014), "Holt Remembered", Jamaica Observer, 21 October 2014. Retrieved 22 October 2014.
  16. ↑ Hudson, Rykesha (2014), "John Holt's Family Confirm The Singer Died From Cancer", The Voice, 21 October 2014. Retrieved 24 October 2014.
  17. ↑ Campbell-Livingston, Cecelia (2014), "Jamaica Burial for Holt", Jamaica Observer, 22 October 2014. Retrieved 24 October 2014.
  18. ↑ Cohen, Howard (2014) "Reggae singer-songwriter John Holt, who wrote ‘The Tide Is High,’ dies at 67", Miami Herald, 22 October 2014. Retrieved 25 October 2014.
  19. ↑ Johnson, Richard (2014), "Musical Farewell for Holt", Jamaica Observer, 18 November 2014. Retrieved 18 November 2014
  20. ↑ Grizzle, Shereita (2014), "Ex-Holt-Ation! Musical Send-Off For John Holt", Jamaica Gleaner, 18 November 2014. Retrieved 18 November 2014.

External links

This article is issued from Wikipedia - version of the Friday, November 27, 2015. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.